The Importance Of Figurative Language In Short Stories

The short story consists of both short sentences and long sentences. The sentences are short when something dramatic happens and the short sentences make it more dramatic and interesting to read

In a general sense, irony is a rhetorical device that is characterized by incongruity in the real situation and what is expected. The deliberate use of irony, especially in literary works and speeches, is used to emphasize a point. It is a language that in some of its forms understates facts, denies the contrary of the truth, or states the opposite of the truth. In all it’s forms, it elicits a similar effect to the audience. There

Eleven is a story that talks about a little girl named Rachel who turns eleven, but feels as if she is anything but. She says it takes her months before she can remember that she is in fact, eleven. The author also says that we will never just be one age we will be three sometimes and cry and cry until our hearts ache no more. Or sometimes you need someone to hold you and tell you everything is okay, this part of you is five. In the short story ‘Eleven’ the author uses many literary devices like figurative language, imagery, and repetition.

Irony is a technique that uses words to convey a meaning that is the opposite of its literal meaning. For example, dramatic irony is a type of irony which is shown in the first Shrek movie. Fiona loves Shrek but only Donkey and the audience know. In this situation, dramatic irony is being created because the character Shrek does not know that Fiona loves him but the audience does. The short stories “The Lottery” the reader may find both situational and dramatic irony that both create the ironic ending.

Irony is a useful device for giving stories many unexpected twists and turns. In Kate Chopin's "The Story of an Hour," irony is used as an effective literary device. Situational irony is used to show the reader that what is expected to happen sometimes doesn't. Dramatic irony is used to clue the reader in on something that is happening that the characters in the story do not know about. Irony is used throughout Chopin's "The Story of an Hour" through the use of situational irony and the use of dramatic irony.

effective because it allows the reader to envision the workspace. “Grammar is not just a pain in

Short stories range from fantasy to realistic plots. They give a full range of emotions and feelings that tell a story. Some short stories have a sorrowful mood, but are filled with hope and persistent characters. The short story, “The Scarlet Ibis”, has a sorrowful storyline, but throughout gives you hope. In the short story , “The Scarlet Ibis”, the brother is illustrated as selfish, devoted, and hopeful of his brother Doodle, through the use of figurative language, and diction.

Irony is one of the most powerful elements of figurative language. It creates a feeling of foreshadowing and sometimes humor in a rather unique way. Irony is a way of telling a story in that something happens that seems the opposite of what one would think. There are plenty of examples of the three types of irony in Night by Elie Wiesel. This essay will discuss the times verbal, situational, and dramatic irony were used in Night.

The definition of irony is a contrast between two things. One example is verbal irony. It is a contrast between what someone says and what one means, while dramatic irony is a contrast between what the characters know to be true and what the readers know to be true. Many writers use irony in their short stories to prove a dramatic point, or just to develop a story for upcoming use. These short stories by Shirley Jackson’s “The Lottery” (140), Susan Glaspell’s “A Jury of Her Peers” (183), and Stephen Crane’s “The Blue Hotel” (229), spin a tale of symbolic irony. Each tell a tale paradoxical twists with sublime contradiction where one is led to believe one side of an event, yet it is dragged down a twisted trail of mental sarcasms coupled with death. It is a known fact that many tales of irony require many major events to twist the order they are written in to create a viewpoint that stride away from the main topic or where the author wants the reader to end up.

In the novel Night by Elie Wiesel, there is many forms of irony. Irony means, The expression of one’s meaning by using language that normally signifies the opposite. There are 3 types of irony; verbal irony, situational irony, and dramatic irony. All 3 of these happen in the novel. Night is about Elie and his fathers experience in concentration camps at Auschwitz and Buchenwald in 1944-1945 at the height of the Holocaust.

Literary elements vary in different kinds of stories and some are more effective than others. The irony is a literary element that shocks a reader at the end of the story with an unexpected event. A story with the element “Irony” can go from good to bad or from bad to good, depending on the type of story. For stories that deal with life and death, irony can enhance that topic. Such as when the author gives us a situation we feel is death related and then later the author makes us change our mind about a life situation. This element can be shown in both “The Most Dangerous Game” by Richard Connell and “The Interlopers” by Saki (H. H. Munro).However, Saki uses irony much more effectively in ‘The Interlopers”

The concept of subtext is the unspoken dialogue that lies underneath the story. The subtext usually expresses feelings like sexual tension, anger, hurt, sadness, and more without directly saying those words. With subtext, the readers get to experience the character’s unspoken thoughts and sometimes help understand why characters do what they do. In Imaginative Writing, Janet Burroway comments on the importance of subtext in page 270 by stating that, “Subtext is a necessary result and cost of civilization –If everyone went around saying what they meant all the time, there would be fewer friends and a lot more pain-but it offers a glorious opportunity for art”. People don’t always say what they mean and although that can make things unclear, it is for the best. If everyone went around saying what they felt or thought, all the time problems would arise. Amy Bloom’s, “The Story” is a great example of how important subtext can add to the plot. The protagonist, Janet, throughout the whole story has almost two completely different personas. However, the other characters do not know this. The other characters only see what the protagonist, wants them to see. This story is full of subtext with the main character seeming innocent and trustworthy to others. Throughout the book Janet’s actions seem noble she befriends Sandra who confides her secrets to her. Despite Sandra being an awful mother, a cheater, and a person who takes advantage of her patients her demise is in part of Janet.

Short stories often have various underlying themes and meanings to them and can often be compared to other stories to find those same meanings. Occasionally, you need to dig deeper to find these hidden meanings. The three short stories, A Rose for Emily by William Faulkner, The Garden Party by Katherine Mansfield, and Everyday Use by Alice Walker all share some similar themes and ideas that require some digging to uncover and bring to the surface.

In this research, the researcher discusses the figurative language based on Perrine’s perception. According to Perrine (1977:61-109), figurative language consists of 12 kinds, they are: simile, metaphor, personification, apostrophe, synecdoche, metonymy, symbol, allegory, paradox, hyperbole/overstatement, understatement, and irony.

The short story is a concise form of narrative prose that is usually simpler and more direct compared to longer works of fiction such as novels. Therefore, because of their short length, short stories rely on many forms of literary devices to convey the idea of a uniform theme seen throughout the script. This theme is illustrated by using characteristics that are developed throughout the story such as, plot, setting and characters. The three main components are developed throughout the story in order to guide the reader to the underlying theme, which is necessary as a short story lacking a theme also lacks meaning or purpose.