The Importance Of Light And Darkness In Heart Of Darkness

“Oh, propriety...We’re always so concerned with propriety. Even in total madness, we will stick to our hierarchies and chains of command.” This concept--human concern with fitting societal standards and hierarchies--is a clear theme in Joseph Conrad’s Heart of Darkness. Even as ivory transporter Charles Marlow journeys into Central Africa, a land described as “mad” and “savage”, those around him remain primarily interested in maintaining a set image and social standards, a strange concept amidst such perceived “madness”. This obsession with propriety in Heart of Darkness is seen through the anomalous character development of both Kurtz and Marlow, and the Company’s response. Overall, this contributes to a larger meaning explored by the novel--the question of good and evil and whether or not the two are truly distinguishable.

Joseph Conrad's novella, Heart of Darkness, describes a life-altering journey that the protagonist, Marlow, experiences in the African Congo.  The story explores the historical period of colonialism in Africa to exemplify Marlow's struggles.  Marlow, like other Europeans of his time, is brought up to believe certain things about colonialism, but his views change as he experiences colonialism first hand. This essay will explore Marlow's view of colonialism, which is shaped through his experiences and also from his relation to Kurtz.  Marlow's understanding of Kurtz's experiences show him the effects colonialism can have on a man's soul.

    Joseph Conrad's Heart of Darkness is full of oppositions.  The most obvious is the juxtaposition of darkness and light, which are both present from the very beginning, in imagery and in metaphor.  The novella is a puzzling mixture of anti-imperialism and racism, civilization and savagery, idealism and nihilism.  How can they be reconciled?  The final scene, in which Marlow confronts Kurtz's Intended, might be expected to provide resolution.  However, it seems, instead, merely to focus the dilemmas in the book, rather than solving them.

What makes Joseph Conrad’s Heart of Darkness more than the run of the mill adventure tale, is its moral complexity. By the end of the novel, we find a protagonist who has immense appreciation for a man who lacks honest redemption, the mysterious Mr. Kurtz. It is the literal vivaciousness and unyielding spirit of this man, his pure intentionality, which Marlow finds so entrancing and which leaves the reader with larger questions regarding the human capacity. Therefore, Heart of Darkness is profoundly different given its character complexity and ambiguous narrative technique which ultimately deliver home a message of the complex motivations and capabilities of mankind.

The realism movement of the late nineteenth century produced works in literature that were marked by reduced sentimentality and increased objectivity. The goal was to let details tell the story, and remove noticeable bias of the author through scientific and detailed descriptions. While this form of storytelling undoubtedly is most accurate, it creates difficulties for authors to incorporate their themes into the story. This resulted in an increase in symbolism in realist works. The objects and descriptions within the story are the author’s vehicle for displaying the values and themes of the work. Light and darkness are symbols commonly used in literature, and have held specific symbolic

     Heart of Darkness by Joseph Conrad is a novel about a man named Marlow and his journey into the depths of the African Congo. Marlow is in search of a man named Kurtz, an ivory trader. Though Marlow?s physical journey seems rather simple, it takes him further into his own heart and soul than into the Congo. The setting, symbols and characters each contain light and dark images, these images shape the central theme of the novel.

Inherent inside every human soul is a savage evil side that remains repressed by society. Often this evil side breaks out during times of isolation from our culture, and whenever one culture confronts another. History is loaded with examples of atrocities that have occurred when one culture comes into contact with another. Whenever fundamentally different cultures meet, there is often a fear of contamination and loss of self that leads us to discover more about our true selves, often causing perceived madness by those who have yet to discover their own self.  Joseph Conrad’s book, The Heart of Darkness is a story about Man’s journey into his self, the discoveries to be made there and about

Joseph Conrad's Heart of Darkness contrasts light and darkness, to represent the civilized and uncivilized sides of the world. Conrad uses light to represent the civilized side of humanity while contrasting the dark with the uncivilized and savage. Throughout the thematic stages of the novel, that is the Thames river London, the company's office in Belgium, the journey to the "heart of darkness" and the conclusion, light and dark is used to represent these sides of humanity, but on a deeper level many assumptions of darkness and light are challenged, with the appearance of light and dark, and in turn good and evil contrasting with the reality.

As the acclaimed philosopher Friedrich Nietzsche writes on the topic of morality, “[you] have your way. I have my way. As for the right way, the correct way, and the only way, it does not exist.” Such a quote largely embodies the psychological premise found within the folds of Heart of Darkness. Partly set on the Thames, this novel outlines one man’s experience on the Congo, and both his physical and mental journey in search of an infamous man known only by the title Kurtz. Both Marlow and Kurtz experience a drastic mental metamorphosis of their moral values during this tale, of which is constantly being metaphorically represented through external influences and occurrences. Both men supposedly exemplify certain cultural expectations and altruistic

In the book, Heart of Darkness by Joseph Conrad we are introduced to the concept of light and dark as they relate to the people of Africa and the people of Europe. In the beginning of the book the intro gives an insight into the journey that the main character, Marlow, is about to embark on. Conrad symbolically introduces the sun setting on the river as Marlow enters the mouth of the Thames. Conrad reveals this allegory by indicating that Marlow is about to enter a dark place morally, and physically as a reference to the Negro people of Africa. Light and dark are used by Conrad to represent morality and immorality.

Beyond the shield of civilization and into the depths of a primitive, untamed frontier lies the true face of the human soul. It is in the midst of this savagery and unrelenting danger that mankind confronts the brooding nature of his inner self.  Joseph Conrad’s novel, Heart of Darkness, is the story of one man's insight into life as he embarks on a voyage to the edges of the world. Here, he meets the bitter, yet enlightening forces that eventually shape his outlook on life and his own individuality. Conrad’s portrayal of the characters, setting, and symbols, allow the reader to reflect on the true nature of man.

The constant change in scenery throughout the Heart of Darkness contributes heavily to the meaning of the novel as a whole, for it allows the novel’s author, Joseph Conrad, to expand on the effects the physical journey of travelling through the Congo has on the inner mentailites of the characters- Marlow and Kurtz- in the novel. Conrad’s continuous comparisons between characters, their surroundings, and the plot, create the genuine progression of the novel, while the physical journey that is taken allows the characters to make their own discovery of humankind. As Kurtz’s destiny and the struggles he overcomes go on to deeply affect the two characters’ journey through the story’s plot, as everything in the Heart of Darkness is linked or comes back to Kurtz and all the wrongful actions he has committed in the Congo- as he was the perpetrator of all the darkness in the novel to begin with.

In the book, Heart of Darkness by Joseph Conrad, all the characters are pulled into a well of black despair. Conrad uses the darkness of the situation contrasted to the light of society to show man’s dependence on western morals, and how when these morals are challenged by the darkness, the light crumbles under its newly weakened foundation. The contrast between light and dark is most stark in the themes of setting, the changes in Europeans as they drive farther into the Congo, and the white man’s collapse under the ultimate darkness of the Innermost Congo.

Evil: Morally bad or wrong; wicked. Causing ruin, injury, or pain; harmful. Characterized by or indicating future misfortune; ominous. Bad or blameworthy by report; infamous. Characterized by anger or spite; malicious. The definition of evil, a term used very cautiously in modern society, is very diverse among different people. In Joseph Conrad’s Heart of Darkness, the term evil is articulated through several ways mainly four characters: the cruelty within the people of the Belgian Congo, main mystery of Kurtz, the setting upon which the characters reside, and the atmosphere in which the Belgian Congo produces from the elements prior stated. The smarter Europeans used their intelligence and arms strength to cruelly overcome the weaker

As Kurtz’s title grows, he is able to work his way into the natives’ minds. He becomes their leader, even though he is an outsider. Little does Marlow know, Kurtz’s corruptness and his imperialistic and colonialist efforts to rule the African land would become his demise. In the end, Marlow understands that Kurtz is not all he is made out to be, and finds that his practices are harsher than necessary as he reads in Kurtz’s book his plans to “Exterminate all the brutes!” (50). Kurtz is referring to the natives he befriends and uses to his advantage. While Marlow and Kurtz move throughout the Congo as foreigners of a “First World” country, the Natives of the Congo are forces reconcile with Kurtz’s colonization and rule of their land and over their people. What Conrad presents in Heart of Darkness are the dangers of naiveté regarding “First World” practices of imperialism and colonialism, and then becoming aware, as Marlow gradually does, of their implications.