The Importance Of Living In Hell In Sylvia Plath's The Bell Jar

Sylvia Plath’s poor mental health, which subsequently lead to her suicide on February 11th 1963, may be seen to be reflected in her novel, ‘The Bell Jar’. Death may be deemed to have a lack of meaning throughout her novel due to the casual manner in which the protagonist and narrator, Esther Greenwood, deals with death. Esther’s father passed away when she was nine years old, and she feels that his death marked the point at which she changed, resulting in her mental health becoming unstable. However, along with her mother, she ‘had never cried for [her] father’s death’ (p.159). This clearly demonstrates how Esther deals with death; it is a necessary part of life, and to Esther, as aforementioned, her mental health has caused her to view death as more desirable than ‘sitting under the same glass bell jar, stewing in [her] own sour air’ (p. 178). Moreover, Esther’s numerous attempts at suicide remind the reader that Esther believes the only ‘way out’ is death. For example, in Chapter Thirteen, Esther asks her friend Cal, how he would kill

Sylvia Plath’s The Bell Jar is rich with an array of motifs, all which serve to sustain the novel’s primary themes. A motif particularly prevalent within the first half of the novel involves food, specifically Esther Greenwood’s relationship with food. This peculiar relationship corroborates the book’s themes of Esther’s continuous rebirthing rituals, and of her extreme dissatisfaction. The interrelation with food functions in two distinct manners: literally and figuratively. This analysis will concentrate on the figurative role of food in The Bell Jar, and how it denotes Esther’s overall state.

During The Bell Jar, Sylvia Plath used similes to highlight Esther's characteristic of a wallflower during her trip to New York. After Frankie, one of Lenny's friend abandones Esther, he is forced to take her and Doreen to his apartment. Lenny obviously wanting privacy with Doreen he asks her to go but Doreen defends Esther and says she will only go with the do any of her friend. From there on, Esther feels unwanted and ignored while she spends time at Lenny's place. Plath describes Esther's abandonment while Lenny and Doreen dance, “I felt myself shrinking to a small black dot against all those red and white rugs and that pine paneling. I felt like a hole in the ground” (Plath 16). Esther feels left out while her best friend and a stranger dance. The simile expresses how she felt invisible and ignored. The author tries to relate to the reader who once in their life may have felt outcastes or left out. Esther has a tendency to feel terrible about herself. From the beginning of the story, she explains how she feels different and not in the right place. The author wrote, “The city had faded my tan, though. I looked yellow as a Chinaman. Ordinarily, I would have been nervous a about my dress and my odd color, but being with Doreen made me forget my

This feeling originates from the fact that she is unable to conform to one of the ways in which to pursue her life. All throughout the novel Esther battles the pressure put on her and women generally by society to bear children and focus on family life with her wish to dedicate herself to her writing hence going in a more academic direction. This oppression by society feeds her feelings of alienation: “...it wouldn't have made one scrap of difference to me, because wherever I sat - on the deck of a ship or at a street café in Paris or Bangkok - I would be sitting under the same glass bell jar, stewing in my own sour air.” (Plath The Bell Jar) Plath uses the symbol of the bell jar in order to illustrate Esther’s personal prison. Esther is held captive beneath the bell jar. She is trapped beneath it and unable to escape just like she is trapped beneath the expectations of society. The bell jar is Esther’s own metaphor used to illustrate what she’s feeling in her day-to-day life, and the descent into mental illness. Regardless of what she’s doing or where she is, she sits alienated “under the same glass bell jar, stewing in my own sour air.” Although her personal prison, the bell jar, is transparent, allowing her to view the world around her, the image she’s met with is distorted. This subsequently leads to

Esther Greenwood suffered through multiple difficult times that wore down on her mental state. She fell sick from food poisoning, was electrocuted through shock therapy, and underwent dangerous suicidal thoughts. Each time when she persevered through the pain, she emerged a stronger, newly-born person. In The Bell Jar, Sylvia Plath uses plot development and characterization to illustrate that often times, painful experiences are necessary for a person to progress in life.

At first glance, the term “bell jar” does not particularly stand out except as the title of the novel. However, upon further scrutiny and thorough reading, readers can deduce that this term actually has a negative connotation throughout the novel due to the fact that Esther, the main character, literally feels confined inside a bell jar with no way to get out. Written by Sylvia Plath, the novel The Bell Jar focuses on how restrictions of society suffocate Esther to the point where she is unable to handle the stress anymore. Plath uses symbols in her novel such as the bell jar, fig tree, mirror, and numerous newspaper headlines in order to emphasize Esther’s inner struggles coping with the restrictions of society, and also how she finds connections

The title Girl, Interrupted “Interrupted at her music: as my life had been, interrupted in the music of being seventeen... What life could recover from that?” refers to the painting as she sees it as a distillation of her own experience. Just like the girl in the painting was interrupted so was Susanna and for two years she was unable to live the life that she wanted to. The Bell Jar is a metaphor used by Sylvia Plath to show that Esther is trapped inside her own head and is unable to escape the doubtful and insecure thoughts she has. It is also used as a metaphor for society as people are unable to escape from the expectation which society puts upon them.

One main theme in The Bell Jar is growth through pain. Esther experiences many painful events that deeply affected her life. For example, Esther stated,” I felt happier than I had been since I was nine and running along the hot white beaches with my father the summer before he died” (p.74). Esther’s inability to move past her father’s death added to her increasing mental illness. Esther had trouble growing up and dealing with normal events that everyone experiences. She takes an entirely different path and decides that she will not act the way society wants. Instead of finding a new meaning in life, she decides to committee suicide instead. Luckily, she is able to fight through these urges, and recover. Her time in the mental hospital was difficult, but she was able to move past her mad thoughts, and start a new life. Esther’s refusal to follow society’s path seems heroic, but her ability to recovery after all her pain was an incredibly dignified act.

Sylvia Plath’s novel, “The Bell Jar”, tells a story of a young woman’s descent into mental illness. Esther Greenwood, a 19 year old girl, struggles to find meaning within her life as she sees a distorted version of the world. In Plath’s novel, different elements and themes of symbolism are used to explain the mental downfall of the book’s main character and narrator such as cutting her off from others, forcing her to delve further into her own mind, and casting an air of negativity around her. Plath uses images of rotting fig trees and veils of mist to convey the desperation she feels when confronted with issues of her future. Esther Greenwood feels that she is trapped under a bell jar, which distorts her view of the world around her.

Have you ever heard of the term “doppelgănger”? If not, it means “double” in German. To say that the character, Joan Gilling, is Esther Greenwoods “double” in the novel “The Bell Jar”, by Sylvia Plath, would be an understatement. Esther and Joan are one in the same. Joan and Esther endure many of the same obstacles throughout the novel. Joan’s actions to these struggles ultimately make Esther come to terms with reality. Either change her ways, and move on with her life, or end up like Joan, dead.

One is often enticed to read a novel because of the way in which the characters are viewed and the way in which characters view their surroundings. In the novel The Bell Jar by Sylvia Plath, Esther Greenwood is a character whose "heightened and highly emotional response to events, actions and sentiments" (Assignment sheet) intrigue the reader. One of her character traits is extreme paranoia that is shown in different situations throughout the novel. As a result of this, she allows herself to be easily let down, as she believes that all events that are unsatisfactory are directed towards her. Finally, it is clear that she attempts to escape this notion by imagining an idyllic yet impossible life that she

Esther is experiencing repression because she is fighting the two different thoughts in her mind. Her state of repression is leading her to become depress.

It is evident that she is painfully aware of her approaching melancholic depression as evidenced by her opening statement, “I knew something was wrong with me that summer” and later, "I felt very still and very empty, the way the eye of a tornado must feel, moving dully along in the middle of the surrounding hullabaloo" (Plath, 1971). Throughout the novel, Esther holds the wits and self-awareness to know something is or has been stewing within, while simultaneously having a skewed perception of the world around her. Feelings of helplessness and entrapment are illustrated by the metaphor Esther has created “The bell jar” that suggests she has lost control of herself. Esther describes the bell jar as a symbolic meaning of the lenses in which she see’s life through; a trapped space where she lives in “her own sour air”, separated from the world

Perhaps the most famous work of Sylvia Plath’s is The Bell Jar -- a book that follows the mental deterioration of a nineteen-year-old girl named Esther through the narration of Esther herself. Although Sylvia Plath hated life in general and committed suicide at the age of 32 after her husband left her, the myriad autobiographical elements, metaphors, and motifs that appear throughout her works produce a beautifully vivid representation of people, the world, and life itself (“Sylvia Plath”).

Sylvia Plath uses many literary devices to convey her purpose in The Bell Jar such as symbolism. The Bell Jar itself is used as symbolic representation of the emotional state Esther is in. The glass jar distorts her image of the world as she feels trapped under the glass. It represents mental illness; a confining jar that descends over her mind and doesn’t allow her to live and think freely. Symbols of life and death pervade The Bell Jar. Esther experiences psychological distress which is a major motif in the novel. The death of Esther’s father and the relationship with her mother is a possible reason for her illness. Sylvia Plath expresses the difficulties Esther faces and parallels her struggle with depression and illustrates it using various symbols such as a fig tree, mirrors, beating heart and a bell jar throughout the novel.