The Importance Of Peer Pressure In Shirley Jackson's The Lottery

“The less there is to justify a traditional custom, the harder it is to get rid of it” (Twain). The Lottery begins during the summer. A small, seemingly normal, town is gathering to throw the annual “Lottery”. In the end, the townspeople—children included—gather around and stone the winner to death, simply because it was tradition. The story reveals how traditions can become outdated and ineffective. “I suppose, I hoped, by setting a particularly brutal ancient rite in the present and in my own village to shock the story's readers with a graphic dramatization of the pointless violence and general inhumanity in their own lives” (Jackson). As humans develop as a race, their practices should develop with them. Shirley Jackson develops the

In Shirley Jackson’s “The Lottery”, the small village, at first, seems to be lovely, full of tradition, with the townspeople fulfilling their civic duties, but instead this story is bursting with contrast. The expectations that the reader has are increasingly altered. The title of this short story raises hope, for in our society the term “lottery” typically is associated with winning money or other perceived “good” things. Most people associate winning a lottery with luck, yet Jackson twists this notion around and the luck in this village is with each of the losers.

“The Lottery” is a short story by Shirley Jackson, first published on June 26, 1948. The story was initially met with negative critical reception due to its violent nature and portrayal of the potentially dangerous nature of human society. It was even banned in some countries. However, “The Lottery” is now widely accepted as a classic American short story and is used in classrooms throughout the country.

The idea of winning a lottery is associated with luck, happiness and anticipation of good things. In Shirley Jackson's story, " The Lottery", this is not the case. The irony of the story is that the winner of the lottery gets stoned to death by everyone else in the town. The story is very effective because it examines certain aspects of human nature.

In Shirley Jackson’s "The Lottery," what appears to be an ordinary day in a small town takes an evil turn when a woman is stoned to death after "winning" the town lottery. The lottery in this story reflects an old tradition of sacrificing a scapegoat in order to encourage the growth of crops. But this story is not about the past, for through the actions of the town, Jackson shows us many of the social ills that exist in our own lives.

    "The Lottery," a short story written by Shirley Jackson, is a tale about a disturbing social practice.  The setting takes place in a small village consisting of about three hundred denizens.  On June twenty-seventh of every year, the members of this traditional community hold a village-wide lottery in which everyone is expected to participate.  Throughout the story, the reader gets an odd feeling regarding the residents and their annual practice.  Not until the end does he or she gets to know what the lottery is about.  Thus, from the beginning of the story until almost the end, there is an overwhelming sense that something terrible is about to happen due to the Jackson's effective

Shirley Jackson’s famous short story, “The Lottery,” was published in 1948 and remains to this day one of the most enduring and affecting American works in the literary canon. “The Lottery” tells the story of a farming community that holds a ritualistic lottery among its citizens each year. Although the text initially presents audiences with a close-knit community participating in a social event together on a special day, the shocking twist at the work’s end—with the death of the lottery’s “winner” by public stoning—has led to its widespread popularity, public outcry and discussion, and continued examination in modern times (Jackson). One potential critical theory that can be applied to Jackson’s “The Lottery” is the reader-response

Shirley Jackson takes great care in creating a setting for the story, The Lottery. She gives the reader a sense of comfort and stability from the very beginning. It begins, "clear and sunny, with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green." The setting throughout The Lottery creates a sense of peacefulness and tranquility, while portraying a typical town on a normal summer day.

Traditions are widespread among many different people and cultures; It is an explanation for acting without thinking. Not all traditions are a good thing, though, and blindly following them can lead to harsh consequences. The villagers in a small town in “The Lottery” gather together annually to participate in this tradition, where one person in the town is randomly chosen in a drawing to be violently stoned to death by citizens. It has been around for seventy-seven years and everyone partakes in it. People always attend, showing the importance of tradition amongst the society. However, in the short story, “The Lottery,” Shirley Jackson uses many literary devices to show that traditions are not always meant to be followed.

     The Lottery, a short story by the nonconformist author Shirley Jackson, represents communities, America, the world, and conformist society as a whole by using setting and most importantly symbolism with her inventive, cryptic writing style. It was written in 1948, roughly three years after the liberation of a World War II concentration camp Auschwitz. Even today, some people deny that the Holocaust ever happened. Jackson shows through the setting of the story, a small, close knit town, that even though a population can ignore evil, it is still prevalent in society (for example: the Harlem Riots; the terrorist attacks on September 11; the beating of Rodney King.)

In Shirley Jackson’s short story entitled “The Lottery”, obedience is expressed as members of this fictional society participate in an annual stoning. Villagers assemble on a beautiful summer’s day, caring out conversation as they await the annual lottery. Once the drawing concludes, the true nature of the lottery is revealed and a randomly selected member is then stoned to death. American psychologist, Stanley Milgram, conducted controversial social psychology experiments on obedience during his professorship at Yale University. The Milgram experiment measured the willingness of study participants, a socially diverse range of male applicants, to obey morally conflicting acts instructed by an authoritative figure. Participants were under the impression they were assisting an unrelated experiment, in which they administer electric shock to a “learner” as a form of corrective action. Fake electric shocks progressively increased to fatal levels of electricity if actually administered. Unexpectedly, the experiment found that a majority of participants would reluctantly obey the instructions of fatal harm. Shirley Jackson’s “The Lottery” and Stanley Milgram’s behavioral study of obedience suggest societal influences drive individuals to conformity, findings of the Milgram experiments reflect Jackson’s characters’ behaviors.

In both stories, the innocent characters were fighting death at the hands of someone who found the idea of killing another human being to be a game. In “The Lottery” the game of death consumed an innocent life solely because a few individuals founded a tradition; and in “The Most Dangerous Game” the game of death consumed an innocent life solely because one person thought it was merely entertaining. Both authors portrayed the antagonist as friendly, warm and welcoming. In the Lottery, the antagonists were the families whom participated in the drawing of a name that lead to the stoning of another family member (which may or may not be their own family member). In “The Most Dangerous Game” the antagonist was a well-off general who opened his luxurious home to guests who have gone astray from their original destination. Death is the main theme of both short stories and both authors portrayed this dark and dreary idea as a game the characters are playing.

Shirley Jackson's "The Lottery" satirizes barbaric traditions in a supposedly civilized village. As the story begins, the villagers appear to be fairly civilized and carry on fairly modern lifestyles. This is assumed by the men's discussion of planting, rain, tractors, and taxes. The lottery was outdated to such a degree that some may think that the tradition is primal competition of anthropoid beasts. On the other hand, some think that carrying on the tradition was necessary. The question that must be answered is: Was this a barbaric tradition or was this ritual an honest attempt to better other villager's lives?

Shirley Jackson?s insights and observations about society are reflected in her shocking and disturbing short story The Lottery. Jackson reveals two general attitudes in this story: first is the shocking tendency for societies to select a scapegoat and second is the idea that communities are victims of social tradition and rituals.

“Chips of wood, Mr. Summers had argued, had been all very well when the village was tiny, but now that the population was more than three hundred and likely to keep growing” (Jackson, 2). The town never had an overpopulation issue, there was never a good enough reason to continue the lottery and even less start it for that matter. The social hierarchy of the town did not allow the people to have a voice and that made them feel intimidated. The people were almost programed and expected to accept and carry this unfair tradition; not because of the meaning of it but because they were scared to ask to let it go in results of things getting worse.