The Importance Of Scientific Exploration In Mary Shelley's Frankenstein

Frankenstein, written by Mary Shelley, explores the theme of the pursuit of knowledge and scientific discovery through the main characters; Victor Frankenstein, the Creature and Robert Walton. This pursuit of knowledge drives the plot of the novel, leading Victor to create the Creature in his attempt to break down the mortal barriers that surround him and unlock the secret of life. Robert Walton’s quest for discovery leads him to the North Pole, far beyond the reach of Humans at that time. Ultimately Victor’s thirst for knowledge and scientific discovery did him more harm than good with Victor’s hatred of his creation driving him to death. Frankenstein’s message to the modern is age is simply put as “humans should not meddle in the business of the gods”. Mary Shelley’s is using Frankenstein and the actions of the characters in the novel to warn us that although we have the technology to for example, create a human being, some things are better left to nature. In our quest for knowledge we can do ourselves more harm than good. Through her novel Shelley tells us that on our path of scientific discovery there are some trails better left unexplored.

Mary Shelley expresses various ethical issues by creating a mythical monster called Frankenstein. There is some controversy on how Mary Shelley defines human nature in the novel, there are many features of the way humans react in situations. Shelley uses a relationship between morality and science, she brings the two subjects together when writing Frankenstein, and she shows the amount of controversy with the advancement of science. There are said to be some limits to the scientific inquiry that could have restrained the quantity of scientific implications that Mary Shelley was able to make, along with the types of scientific restraints. Mary Shelley wrote this classic novel in such a way that it depicted some amounts foreshadowing of the

Victor pursuit of desiring to build a creature makes it seem as if he was an evil and mad scientist. Shelley demonstrates Victors madness by saying “a resistless and almost frantic impulse urged me forward; [he] seemed to have lost all soul and sensation but for this, one pursuit” (55). This reveals that because Victor was emotionally attached to his creation, he was willing to have sleepless nights just to create a creature. Victor is beginning to show signs of madness scientist because he starts to lock himself up trying to bring this hideous monster to life. Because Victor starts to “lock himself up in his apartment” Shelley makes it seems as if Victor is turning into a mad man and evil scientist (52). Victor’s fundamental quest for knowledge leads to his isolation because he locked himself in his apartment for 6 years without having any connect with his family in Geneva and becoming so fanatical with creating the monster he craved for in his

Mary Shelley makes us question who really the “monster” is. Is it the creature or Victor? While the creature does commit murder, he does not understand the consequences of his actions. He is like an infant who is unfortunately left to learn about the workings of society, and his place in it, on his own. He has no companions and feels a great sense of loneliness and abandonment. The creature voices his frustration and anger and seems to try to project his feelings of guilt onto Victor, as if to show him that he is the ultimate cause of the creature’s misery while he is simply the victim of Victor’s manic impulse. Shelley utilizes words, phrases, and specific tones when the creature vents his misery to Victor and this evokes, amongst the

The allusion to Dante implies that, based on appearance alone, the monster is more evil than Hell itself. Victor took no time in getting to understand the monster or develop the familial bond between them, which leaves Victor with a narrow, biased opinion on the monster. Shelley uses Victor’s hasty judgment of the monster in order to demonstrate the irrationality of Victor’s actions regarding the creature. This also discounts Victor’s opinions of the monster, forcing Shelley’s audience to judge the monster based on their own inferences, rather than Victor’s. Through Victor’s actions and his faulty reasoning behind them, Shelley is able to shift the responsibility for the monster’s character from it being instilled in him from birth, to Victor’s failings as a parent and creator.

Monsters are not born, but created. In order to become a monster one must have been previously victimized or have a predisposition to violence. The monster is created because he is exposed to violence and rejection, he then breakdowns and becomes malicious. In the lines “Why did you form a monster so hideous that even you turned from me in disgust? (Frankenstein, 124)”. Shelley is showing that by turning against the creature, Victor is deserting him in a strange and uncomfortable world. The creature is miserable and all alone. In corollary, the creature hurts others, because he has been neglected and in turn a monster is created. The creature states that “I will revenge my injuries; if I cannot inspire love, I will cause fear, and chiefly towards you my archenemy, because my creator, do I swear inextinguishable hatred (Frankenstein, 138)”. I believe that the novel would have turned out differently if Victor had welcomed the creature with

Mary Shelley’s Frankenstein explores the concepts of knowledge and science and the dangers involved with the pursuit and investigation of these ideas. The novel conveys Shelley’s attitudes towards science by portraying it as having the capability to exceed the bounds of human restraint. Through the development of her protagonist Victor Frankenstein, the romantic and gothic aspects of her novel, the period of 1818 and the influences of the world she was living in that

Shelley explains how Victor has a great mental turmoil after he indirectly caused the death of people who were close to him by the actions he took to create the monster. Shelley’s description of Victor’s feelings show the deprivation of hope and fear in his soul and the emphasises the pain in which he was indirectly the cause of. Victor not only caused his own mental illness, but he also caused his own physical illness. Victor makes himself physically sick by his actions during the creation of his monster. Victor’s work unintentionally causes himself to decline in health and become vulnerable to illnesses. “When Victor is working on his experiment, he cannot love: he ignores his family, even his fiance Elizabeth, and takes no pleasure in the beauties of nature. Moreover, he becomes physically… ill, subject to nervous fevers”(Weiner 83). Victor is shown to focus directly on his work, causing him to forget most of the outside world and not be influenced by forces that usually comfort and heal him. His work makes Victor subject to nervous fevers, causing himself to become sick more often and need help from family and friends more often. Although the process of creating the monster was physically taxing on Victor, the end product caused him even more pain. The creation of the creature impaired

Victor had an obligation to care for his creation, but chooses at first glance of his construction to abscond from its presence. The comparison of Victor as God-like highlights Enlightenment philosophers who have gone beyond the limits of humanity in order to attain knowledge. Victor is characterized then as a savant manipulating nature. The Creature acts as a balance for philosophers to stop and reflect upon their own enterprise and determine the fine line between acceptable and unacceptable knowledge as it pertains to nature. To this end, Shelley enforces that humanity must pay due respect to the limits placed in front of them by avoiding the Enlightenment philosophy that man is to find a definite definition for every phenomenon he encounters.

Mary Shelley's novel Frankenstein cannot merely be read as a literary work of the early 19th century. It represents the workings of young Shelley's mind. Further, it represents the vast scientific discoveries of the time, combined with Mary Shelley's intuitive perception of science. She views science as a powerful entity, but also recognizes the dangers if uncontrolled. Shelley demonstrates this fear in the book as science drives Victor Frankenstein to create his monster. In the end, it is also his use of science that inevitably becomes his demise.

Although not directly written by Shelley, it is clear to the reader that the monster, after seeing his creator deceased, will soon die as well. He has chosen to end his miseries along with Victor. So in the end, Victor’s goal and dying wish for the monster to be destroyed was met, one way or another. Victor dies knowing that he will soon be with his friends and family, and greets death blissfully. In the last pages of the book, it is definitely interesting to point out once again the similarities between Walton and Victor, as well as the monster. Both Walton and Victor departed on a journey (Walton to the North Pole, and Victor to catch his creation). Also with the monster, who only craved a friend and some sympathy, which, at the same time

The most frightening horror story can only be called such if it is believable. Nothing is so unnerving as lying awake at night with very real fears. No monster can harm you, unless the monster was genetically engineered by a mad scientist. The theme of Mary Shelley's Frankenstein - scientific investigation without consideration of morality and responsibility - is a very relevant topic in today's world. This theme, along with the less obvious themes of revenge, prejudice against deviation from the norm, and fate all make Frankenstein one of the most unique and terrifying horror novels ever.

Recognising the true feeling of his creator towards him the monster beings to inflict pain on to Victor by hurting his loved ones. Revengeful, Victor wants to“trample [his creation, the creature,] to dust” (Shelley 97) for the murders the wretched monster has done and fully intends to commit, similar to how a God in many religions may deliver divine retribution onto its creation. Victor’s supposition of authority over whether his creation will live or die is another attempt to play God. Victor plans to kill his own creation to protect the lives of his family and friends, however, as Victor pursuits after his creation, other humans are endangered and Frankenstein’s attempt to prevent the monster from harming any more of Victor’s loved ones is

It was made out of many dead bodies which made it look ugly. When Victor saw the creature alive in front of him, he was scared by the thought of what he ended up with. Frankenstein’s monster is like a new-born baby. It did not know how to speak or cope up with the world. When Victor turned his back on the monster, it felt betrayed. It did not get the love and support it should’ve been given. Also, when the world was reluctant to accept the creature even after it helped them, it started harming the people who hurt him. It felt lonely as it was not taken care of by the only father figure he had, Victor himself. The monster told Victor, “You had made me, but why had you not looked after me, and saved me from this pain and unhappiness?” (Page 30) This showed how much deprived of happiness the monster was, which made him take revenge from Frankenstein.

Shelley realized that technology can be dangerous in the wrong hands. She uses Victor’s story as a cautionary tale to highlight the potential devastation that could occur if science is wielded by someone who wants to manipulate nature. Victor does not have malevolent intentions: he wants to make the world a better place and possibly get some recognition for