The Importance Of Symbolism In Macbeth

In William Shakespeare’s Macbeth the reader watches as Macbeth changes gradually as the play endures. He are transforms from a loyal person with a loving and loyal disposition with other people, into a tyrants who are willing to kill in order to keep himself on the throne. He is tormented with fear, regret, and guilt. When someone does something they know is wrong it causes them to fall prey to their own emotions.

Audience becomes aware of Macbeth’s corruption when he plans to kill his ‘friend’, Banquo. He describes him as “dispatched” (3.4.15), and later as “safe” (3.4.25). This positions the audience to feel as though Macbeth is somewhat desperate to convince himself that he has acted appropriately despite using corrupt power. Using this stylistic device of language further demonstrates that Macbeth has now been corrupted to the extent that he longer feels compassion for his former companions. This ultimately establishes the representation that Macbeth’s illegitimate power has directly resulted in his destructive nature.

In the beginning, the audience and the characters all see Macbeth as a righteous brave warrior. First, when the captain explains to Duncan that during their battle against the Thane of Cawdor, Macbeth and his friend Banquo are " as sparrows eagle, or the hare the lion"(I.ii.39"). The captain is comparing Macbeth to an eagle who fights a sparrow, or a lion fighting a hare, this shows how he is a great strong and righteous opponent because he was fighting for the noble King Duncan, and because he was such a strong fighter he is compared to a lion fighting a weak hare. However, this bravery is shifted to his ambition from his desire of power. Thus, the audience starts to understand Macbeth's ambitions when he starts to want more dominance than he currently has. He compares himself to a horse as he thinks the only thing he has is his “Vaulting ambition, which o’erleaps itself”(I.vii.27). This comparison shows how a noble creature is corrupted by his ambition This shows Macbeth’s personality, and how he may start to develop now that he understands that part of himself. Shortly after, his

In the play Macbeth by Shakespeare I found at the beginning the character Macbeth was a portrayed as a noble, honest and brave man. As said by the captain in the second scene, ‘For brave Macbeth – well he deserves that title’ (I.2.16). This gives the audience an indication that Macbeth was highly respected by the king’s men and the king himself. His desire for power grew throughout the play from when he had his first encounter with the witches.

Lady Macbeth is a complex and intriguing character in Shakespeare’s play, Macbeth. She is a difficult character to embody as her personality seems split between two sides, one that is pure evil, sly and conniving in contrast to her softer, vulnerable, weak and feminine side. In the play we see her in these two main ways. The reader may feel a certain animosity towards Lady Macbeth throughout the first few acts as her personality appears more and more distasteful, in spite of this towards the end she has a serious breakdown over the guilt that torments her, even in her sleep, regarding her hand in Duncan’s untimely death.

In William Shakespeare’s play Macbeth evil is conveyed in many ways through characters, themes and settings. Many themes are explored in detail contributing hugely to the sense of evil with characters being used along with these themes to create evil within the characters. These themes and characters are shown in different settings at different times consequently affecting the mood and atmosphere of the play.

While the rest of the characters speak in a blank verse, the witches often use rhyming couplets, distinguishing them as special characters. Whether through their synchronized chanting or their creepy choice of words, the witches’ odd speech give the audience a sense of eeriness.

Although many may argue that the role of supernatural beings account for Macbeth’s inevitable downfall, Shakespeare’s employment of a free will versus fate motif accentuates human nature’s so easily succumbing to temptation, resulting in demoralization. Immediately, from the opening of the play, the Three Witches, the supposed speakers of “truth” in Macbeth’s eyes, set in stone what fate and apparitions truly are with the paradoxical, foreshadowing statement of “Fair is foul, and foul is fair”

Evil is shown to get the best of Macbeth as he gains power. Macbeth begins to turn away from being a hero and good to the devil’s spawn. Before, he used to be open and let people

     Shakespeare used clothing both symbolically and as a vehicle of character definition. Clothes were often used in Macbeth's case to symbolize his titles.  Symbolic clothing is identified when Ross tells Macbeth of his new title Thane of Cawdor when Macbeth does not know of the Thane's treason,

It is human nature to be intrigued by all things mystical and dangerous. We fear the unknown but seek it nonetheless out of greed. Most of Shakespeare’s works hold an element of the supernatural and the play Macbeth is no exception. In this play we see a contemporary morality that warns of the dangers of trafficking with instruments of darkness; the witches in the play prophesize of Macbeths future as king, and Macbeth blinded by his hunger for power fails to recognize that the witches prophecies are luring him to evil . In act 1 scène 3 we see the effect that the excitement of the prophecies has had on his imagination as he begins to contemplate murdering the king. As Macbeth gets closer to

The rise of an individual and the gain of power can often be intoxicating. This control placed in the hands of one can often ignite thoughts and actions of greed found deep inside. This can often be seen in the history of civilization as countless leaders have neglected the good of their people to fuel their own selfish desires. Lord Acton once expressed, “Power tends to corrupt, and absolute power corrupts absolutely.” This is embodied in the play, Macbeth by William Shakespeare as numerous characters abuse power to manipulate and destroy the lives of many. Though the examination of, Lady Macbeth, the three witches and Macbeth, it becomes apparent how the gain and loss of

The highly acclaimed play called Macbeth often uses many literary devices and imagery to come to a conclusion about a topic. One of the frequent uses of imagery in this play is the imagery of sleep and death. Shakespeare often uses the sleep and death imagery to set a tense and eerie tone in the play. This is seen in the actions of Lady Macbeth in act 5 of the play, the actions of the character Macbeth, and the scene of and following Duncan’s death.

The play examines the effects of evil on Macbeth’s character and on his subsequent moral behavior. The later murders flow naturally out of the first. Evil breeds evil because Macbeth, to protect himself and consolidate his position, is forced to murder again (Harbage, 1963). Successively, he kills Banquo, attempts to murder Fleance, and brutally exterminates Macduff’s family. As his crimes increase, Macbeth’s freedom seems to decrease, but his moral responsibility does not. His actions become more cold-blooded as his options disappear. Shakespeare does not allow Macbeth any moral excuses. The dramatist is aware of the notion that any action performed makes it more likely that the person will perform other such actions. The operation of this phenomenon is apparent as Macbeth finds it increasingly easier to rise to the gruesome occasion. However, the dominant inclination never becomes a total determinant of behavior, so Macbeth does not have the excuse of loss of free will. It does however become ever more difficult to break the chain of events that are rushing him toward moral and physical destruction.

Macbeth is without a doubt a play about evil. The play revolves around the bad and wicked qualities in human nature, but Shakespeare also contrasts this evil with the power of good. In this essay I will explore the ways in which Shakespeare contrasted good and evil in Macbeth.