The Importance Of The Theater

“Life's but a walking shadow, a poor player, that struts and frets his hour upon the stage and then is heard no more; it is a tale told by an idiot, full of sound and fury, signifying nothing.” – William Shakespeare

Although cinema is now a priority, some feel as if cinema is no longer the cinema when it was first established. Movies no longer have that special feeling like viewers once had. Today, films are not only shared within a theater, if one pleases they could always have the same experience elsewhere. Moreover, with technology expanding, it takes away the importance cinema once had. “The

I’ve adored theatre for as long as I can remember. From writing plays throughout elementary school, to being involved in Drama Club in middle school, to performing in community theatre in high school, and to visiting the theatre as often as I could from the very beginning, theatre has always been a part of my life. Every aspect of it engages me: the directors working to bring their vision of the show’s scenes, choreography, or music to life, the actors transforming into different characters through their expression of dialogue, song, or dance, the costumers and set-builders transporting the audience into the setting and time period with their artistry, the backstage tech and crew working quickly and precisely to keep the show flowing to curtain call, and the orchestra bringing the show to life through music. There is nothing like the experience of live theatre, both as a member of the audience and as a member of the cast and crew.

At the very beginning of the movie Lurhmann starts by making the audience instantly focus on the screen and nothing else. The camera zooms in onto a TV set whilst an anchor-woman on a news programme presents the synopsis of the story, “two households both alike in dignity...” Because the only object on the screen is one TV set with a black background, the audience focuses only on the news reporter which gives them a better understanding of the movie ahead and it instantly gets the viewers to concentrate hard. This synopsis is then enhanced by words and repeated lines both flashing across the screen and said by the voiceover. Thus, even if the audience cannot

“…Then you realise that theatre is a more personal experience.” (Stephen Atkins, Dante’s Inferno Director) After viewing Zen Zen Zo’s physical theatre reincarnation of the

Theatre and Musical Theatre has been a form of entertainment since before North America was “discovered”. Broadway shows have been dated back to the early 1920’s and 1930’s. By 2016, over 25,000 tickets are sold to Broadway shows in a week. Thousands of people enjoy the shows that are featured on Broadway but have no idea the work and process that brought it to life. The process of getting a show on to Broadway can be broken down into three phases: pre-production, staging, and performance/promotion.

The Greeks were known for giving offerings to their gods. They decided to build a theater where they could give their offerings. Although the main thing that they used it for was giving offerings, it was also used for some other things. This paper will be talking about Greek drama genres, why theater was so important, and how they make their voices heard.

Both of the above projects focus on voyeurism; with the Total Theatre offering the audience the “process of immersion’ and the Rear Window engaging them in a limited panoptic surveillance. The fourth wall is broken; the audience isn’t only observing the emotions and actions of the characters, they are sucked into the narrative and forced to feel and react. The audience see and feel what the character is seeing and

The tone in the book was cleverly created by Chandler's fast-paced lines; the flick was equally clever with the new dialogue for added scenes. Bogart might not meet the expectations of your mental image of Marlowe, but no one should be expected to recreate someone else's imagination in a piece of reality. Expecting an artist to do so is ignorant. The Bacall/Bogart connection, and the way the novel was altered to fit them, gave the movie a sense of individuality, and a signature of its own merit. The movie was well made, as the book was well written: both are sufficient to stand and to be appreciated alone.

In the words of Gay McAuley, “for an activity to be regarded as a performance, it must involve the live presence of the performers and those witnessing it…” (McAuley, 2009, cited in Schechner, 2013, pp.38). This statement recognises the importance of both the actor and the audience for something to truly function as a performance. In addition, Lloyd Llewellyn-Jones highlights the significance of the theatrical space and how it can influence an audience stating that “on entering a theatre of any kind, a spectator walks into a specific space, one that is designed to produce a certain reaction or series of responses” (Llewellyn-Jones, 2002, pp.3). The relationship between actor, audience and theatrical space is no less important today than it was at the time of theatre during the Spanish Golden Age and the creation of Commedia dell’arte in Italy. Despite being very close geographically with theatre thriving for both in the same era, sources that explore the social, cultural and historical context of these countries and the theatre styles will bring to light the similarities and differences. This essay will analyse the staging, the behaviour of the audience as well as the challenges the actors faced, and how this directly influenced the relationship between actor, audience and theatrical space.

The above example illustrates not only how the theatrical performance affects the audience, but also how the audience influences its dynamics, development and the characters within it. The actors feel a certain level of acceptance from the viewer, who demands a certain way of depicting the character. Theatre is not just entertainment, itís something much more than that ñ itís education. Theatre should always represent things, rather than

In service of this argument, the essay unfolds in three parts. The first section sketches an appropriate framework for understanding how cinema marshals and moves viewers by engaging them in a fully embodied experience.4 The second section offers a brief overview of the film's plot before turning to an analysis of its triptych narrative and affective development. The third and final section considers the methodological, critical, and theoretical implications suggested by the preceding analysis.

Today's effects of television on the theatre are big in good and bad ways. The good thing television can do for the theatre is advertise and show clips from the play. People also like to hear what other people think and there are shows on television that will do that. Television can also show the plays in full, which can be good and or bad. The way it could be good is seeing the play on television could make someone want to see it live, than again once someone sees it they may never want to see it again. Another thing that goes along with television is a VCR if someone wants to see something bad enough they can go rent it or tape it for every time they want to see it in the future. Now there are even channels that are dedicated to showing only stuff from the stage.

According to film theorist Thomas Schatz, “a genre approach (to film) provides the most effective means for understanding, analyzing, and appreciating the Hollywood cinema (Schatz vii).” His approach to film is strongly supported by theorist Edward Branigan’s and the narrative representation of character interaction (Branigan), and André Bazin’s arguments that the objective reality pressed against audience interpretation.

In today's busy world, people usually struggle to find time for fun and a way of relaxation but when it happens, they often spend it on entertainment. One of those forms of entertainment is watching stage or film productions. Theatre and film have lots of aspects in common and depend on each other, however, they involve differences. People choose between theater and film based on factors and their own preferences. The purpose of this essay is to compare and contrast between those two forms of art.