The Importance of Act 3, Scene 1 in William Shakespeare's Romeo and Juliet

First, Romeo’s kind and calm personalities act as an advantage for many of the possible problems he could have had, such as Capulet hatred towards him and his increase in violence. After Romeo was depressed because he liked Rosaline and she didn’t like him back, his cousin Benvolio helped Romeo sneak into a Capulet party so he could get over Rosaline and pick another woman that he might want. As Romeo was describing how Juliet looked to his cousin, Tybalt, Capulet’s nephew, figured out that Romeo was at the party by his voice. He then confronted Capulet and asked him if he could kill him, but surprisingly Capulet lets him stay at the party and calls Romeo a gentleman and a good man (Shakespeare Act 1 Scene 1 Line 64). Capulet could have captured him or even killed him, but he did not. Capulet stated that Romeo is a well-governed youth and that Romeo is a good man, which shows that Romeo isn’t a person who would cause a commotion and that he causes no threat to the Capulet family. Later on, as Mercutio, the prince's kinsman, is arguing and fighting with Tybalt about him being one of his villain Romeo’s friends, Romeo comes in and says, “Tybalt, the reason I have to love thee doth much excuse the appertaining rage to such greeting. Villain am I none.Therefore farewell. I see thou knowest me not” (Shakespeare Act 3 Scene 1 Line 58). As Tybalt wants to fight Romeo and bring in violence,

Act 1 scene 7 is very important in the whole of the play because the

In Act 3 scene I, we see dramatic irony right from the start when the

Romeo’s speech identifies to the audience for the first time, how Romeo feels about Juliet. That Juliet’s beauty is unmatched by those in the room and that Romeo has never loved before but he now thinks he has found her, Juliet the one. At this point the audience realises just what type of love and passion Romeo feels for Juliet. This event adds much more dramatic effect and intensifies the scene. At this instant a height of drama is achieved, but Shakespeare lifts it higher with a stronger and more hating speech, that of Tybalt’s.

The Use of Dramatic Devices in Act 3, Scene 1 of Romeo and Juliet Romeo and Juliet is the story of two young lovers trying to consummate their love despite the difficulties that face them. In the play, Romeo and Juliet are members of two feuding families who hate each other because of an ancient grudge. Romeo and Juliet is a play about love, passion, hatred, violence and death; typical themes of a Shakespearian tragedy. In the play, Capulet orders Juliet into marriage but she rebels and doesn’t marry her father’s chosen groom, Paris.

William Shakespeare's Romeo and Juliet is undeniably one of the most eminent tales of tragedy ever written. Act 4, Scene 3 has ingeniously demonstrated how the plot and themes, and characterization

“These violent delights have violent ends, and in their triumph die like fire and powder”

Analysis of Act 3 Scene 5 in Romeo and Juliet In this scene we see Juliet loose the closeness of all the people she loves: first Romeo who has departed after spending the wedding night with her; secondly by her father who viciously turns on her when she refuses to marry Paris; thirdly by her mother who declares ‘I have done with thee’ when Juliet begs her for help in delaying the proposed marriage to Paris; and lastly by the Nurse whom she tearfully turns to as a last resort for advice and help. Furthermore, we see, for the first time in the play, Juliet disobey her parents, and develop into a mature young lady capable of making her own decisions. After having spent the night with her new

Romeo & Juliet: Tybalt By Emily Gulledge In the play Romeo and Juliet by William Shakespeare there are many dynamic and different characters. Besides the obvious, Romeo Montague and Juliet Capulet, there are a whole slew of other characters that make up the Capulet and Montague entourages. Among the Capulet entourage are Capulet himself, his wife, and Tybalt.

Act III, Scene I is seen to be the ‘turning point’ from comedy to tragedy in the play. Tragedy is used furthermore to expand on true human experience as Shakespeare uses family rivalry and warfare as well as fate and fortune to contribute to the effect.

Romeo and Juliet is written by William Shakespeare and involves two “star-cross’d” lovers from feuding families, the Capulets and Montagues. Act 1 Scene 5 in Romeo and Juliet is of immense importance as it involves the meeting of Romeo and Juliet at the masquerade. This scene uses many language syntax to express Romeo’s feelings and woo Juliet which can be analysed like below.

Romeo and Juliet include a lot of tragic and dreadful scenes. One scene that stands out the most is Act 3, Scene 5. In this scene, Shakespeare makes the audience feel sorry for Juliet. How so? Capulet turns outrageous about Juliet disagreeing to the marriage that he has organized for her. Romeo and Juliet have just wed but the next day she finds out that she is arranged to marry Paris. Romeo has been banished from the land and she weeps his banishment. Her mother (Lady Capulet) thinks she weeping about her beloved Tybalt death. Lady Capulet then tells Juliet the happy news that she is to marry Paris on Thursday. Juliet is shocked and tells her mother that she cannot be married in such rush. Her father arrives expecting Juliet to be excited

Act III Scene V - This is a very important scene. Select and comment on

This scene is important as it comes midway into the play, marking a turning point, that drives the action towards the tragic end. The scene opens with all three characters relaxed and in a playful mood, but there is an underlying tension that builds throughout the scene with an uneasy sense of insecurity, which is felt by the Duchess as she is aware that her brother has returned to court. The tension continues to increase, with the use of dramatic irony, where the audience is aware of information that the actors on stage do not have. The atmosphere soon shifts from a light hearted one to one of fear. The Duchess, Antonio

not so deep as a well, nor so wide as a church door. But tis enough.