The Importance of Being Earnest - Act 1

By stating that he did not know anyone by the name of Cecily, Jack initiates his own debacle. He has to clarify that Cecily is actual his ward. Nonetheless, Jack bears no anguish to dissembling to his closest companion. Jack’s morality has been impaired by his lies and it implies that his animalistic qualities control him. Yet, he falls in love and he must tell Gwendolen, his sweetheart, of his morally wrong character. In order to do so Jack has to disclose that Ernest was not in fact his real name but a mere alias created to cover up his dastardly ways. He can think of no other way than to “kill” his brother. Wilde shows how Jack’s urbane nature begins to be marred by his animalism since he was willing to kill a man, fictional or not. Ensuing in the play Jack is speaking with Algernon and he begins to ponder on how to commit the murder. He states “My poor brother Ernest is carried off suddenly in Paris, by a severe chill. That gets rid of him” (Wilde 16). Though fictional, Jack’s murder of Ernest still seems to carry the same implications further into the book. This murder eventually skews his reputation once his lies become known. Wilde proves how Jack’s lies soon catch up to him and flaw his esteemed moral persona. Later in the play Algernon sets off on a trip to Jack’s country estate and claims he is Ernest Worthing. Later when Jack arrives Cecily informs her caretaker that his brother Ernest is in his room. Jack replies

Satire is especially used to criticize people’s morals and outlooks on life. Algernon is very fashionable man, and is always overly dressed. This can be humorous but it also ridicules that type of picky lifestyle because young Englishmen of the time also worried too much about their clothes. As Lady Bracknell points out, Algernon “is nothing but he looks every thing”. According to Jack, Algernon is very prideful which is made clear from Algernon’s claim to being “immensely over-educated”. His view that relatives are “a tedious pack of

While defining the term “Bunburyist,” Algernon comments to Jack that, “If it wasn’t for Bunbury’s extraordinary bad health [. . .] I wouldn’t be able to dine with you at Willis’s to-night” (Wilde 9). Bunbury, Algernon’s fake sick friend, allows him to be himself and enjoy time with his friends instead of entertaining his aunt. Algernon tells Jack that he created Bunbury to “be able to go down into the country whenever [he] choose[s]” (Wilde 9). Being of his high standing, Algernon was expected to stay in the city with his aunt as well as go to balls, dinner parties and other events on the social calendar; however, having a sick friend with a perpetual sickness allows him to go to the country, pretend to be Earnest, and eventually meet his future wife Cecily. When Jack tries to get Algy to leave Hertfordshire by asserting that his “duty as a gentleman” was calling him back to town, Algy responds with, “My duty as a gentleman has never interfered with my pleasures” (Wilde 33) Because of his fake friend Bunbury, Algernon is able to evade the obligations of being a gentleman. He can enjoy life and have fun without offending his aunt or

Algernon’s stances on marriage, relationships, and self accurately describe his selfishness. Not only does Algernon destroy his own sense of reality, he destroys everyone else’s concept of the truth. The Importance of Being Earnest is meant to make people laugh; unfortunately, Wilde’s characters are so rude and condescending that the reader can have trouble finding the humor. This play is so full of unhealthy relationships that one has to assume that nothing will work out in the end. Algernon is an egomaniac, and there is no doubt that his attitude will rub off on Cecily, Jack, and

I then changed the “I don’t always,” meme to “I don’t always go bunburying, but when I do Aunt Augusta is having a dinner party.” This shows immorality in Algernon, he lies to his own family to miss a dinner just because it will feel awkward for him. On pages 6-9, Algernon talks about Mr. Bunbury to Jack and Lady Bracknell. Jack advises him to be honest and go to dinner party, while Lady Bracknell seems aware of his scheme but allows it to continue. Algernon tries to escape his aunt that night by saying Mr. Bunbury is sick, but will try to make sure he is better by the dinner party. It is immoral to lie to anyone, but to lie to your family is worse. It also shows how despite everyone knowing that he is out bunburying and not taking care of his supposedly sick friend. These issues highlighted have become issues in today’s society.

Algernon is demonstrated as a comical character. He is also shown to be a liar and this is seen when he tells Lady Bracknell that there were “no cucumbers in the market” to make the cucumber sandwiches; when he ate them all. He is also very open with women and engages is physical contact before permission from Cecily’s guardian, Jack. Algernon also meets Cecily in a wrong manner as he runs off to Jack’s country house uninvited; which isn’t reflective of an Ideal Victorian man at all.

Jack Worthing and Algernon Moncrieff are both high-class protagonists in society but are lying about their lives to preserve their reputations. “You have invented a very useful younger brother called Ernest, in order that you may be able to come up to town . . . I have invented an invaluable permanent invalid called Bunbury . . . ” (Wilde 1498). Ernest is Jack’s fictional brother, who always gets into mischief and uses him an excuse to go into town. Likewise, Algernon uses Bunbury, his fictitious and ill friend, to allow him to go to the country. These characters enable these gentlemen to retreat from their social obligations. Missing an essential reception to aid their “brother” or “friend,” gives the appearance that they are caring men, which is an admirable trait among the rich, but they are not. The name “Bunbury” is an interesting name

One way the theme of superficiality is displayed in the play is through how names are viewed and valued by the characters. In the play, both bachelors partake in what Algernon calls ‘Bunburying’ which features them taking on a different name or creating a fictional person in their lives.

Jack illustrates the purpose of deception by using Earnest to escape his role of Cecily’s warden. When Algernon finds Jack’s cigarette case, he is shocked to find the name Jack graven inside. Jack attempts to explain by saying, “[M]y name is Ernest in town and Jack in the country” (Wilde Act I). As Jack, he has to be a responsible adult and take care of his niece Cecily but as Ernest he is able to live the wild life of a young bachelor. By pretending to be Ernest in town, Jack is freed from the restrictions of being a caretaker, yet he still fulfills the duties of one as he resides in the country. While explaining why he has two identities to Algernon, Jack states that being a guardian does not “conduce very much to either one’s health or one’s happiness” (Wilde Act I). Jack has to take care of Cecily, be responsible for her, and set rules and guidelines for her to follow. In his role of guardian, he finds himself unable to have fun, so he creates an irresponsible, carefree

It is as though Wilde, through the vehicle of Algernon, is trying to make a point about the difference in severity between the two cases of dual identity. Algernon never once tries to deceive others into thinking he is Bunburry, whereas Jack literally embodies a different persona depending on his location.

One thing that Jack and Algernon have in common is that they both have these false faces. Algernon’s alter ego Bunbury is a version of himself used in the country but he uses Ernest to marry Cecily. The story deals with Ernest, this immorally imaginary man that both Cecily and Gwendolyn become engaged to, it exemplifies the irony within the name. Most of the irony comes from this character. One of Wilde's satiric targets is romantic and sentimental love, which he ridicules by having the women fall in love with a man because of his name rather than more personal attributes. Gwendolyn said “No, there is very little music in the name Jack, if any at all, indeed. It does not thrill. It produces

Wilde's characters live in a world in which order is constantly vanishing and they scorn stability and simplicity. "The truth", as Algy says, "is rarely pure and never simple."(13) Algy and Jack fulfil their wishes by the means of lying. They are impostors who use false identities in order to free themselves from the hypocrisy of the convention. Their tricks simply serve them as a way to achieve their moral freedom.

Jack and Algernon start their friendship with deception and lies. In the beginning of the play, they are alone in the morning-room and the lies, between the two friends, is are brought to the table. They have both been great friends for some time now. Jack visits with Algernon in the city where he goes by the name “Ernest”. He feels that going by a different name will let him live and experience a different lifestyle. When visiting with Algernon, Jack has become very interested in Gwendolen. Jack is expressing his love for Algernon’s cousin, Gwendolen, and tells how he wishes to marry her. Before Algernon gives his consent, he wants to know who Cecily is. Cecily is the name engraved on the cigarette

Gender fluidity through the characters’ personalities and actions is subtly utilized in both plays to comment on the social traits expected of both sexes. In The Importance of Being Earnest, Jack and Algernon exhibit immature personalities through their Bunburying. When Algy says to Jack, "I have invented an invaluable permanent invalid called Bunbury, in order that I may be able to go down into the country whenever I choose" (Wilde, 301), it demonstrates Algernon’s yearning for an aesthetic life free from the social correctness. The same behaviour is seen in Jack through his creation of Ernest, and Algy’s comment on Jack being “one of the most advanced Bunburyists I know” (|Wilde ?301). Their desire to escape the monotonous routine of their daily lives reveals their

In some ways, Algernon, not Jack, is the play’s real hero. Not only is Algernon like Wilde in his dandified, exquisite wit, tastes, and priorities, but he also resembles Wilde to the extent that his fictions and inventions resemble those of an artist.