The Importance of Being Earnest

For anyone who doesn’t know me, I’m Algernon, actually never mind that, as I do believe that everyone here today knows me, as Bunbury kept to himself a lot and didn’t really have anyone else. So this honor is bestowed unto me to say a few words in memory and to enlighten all of you on what kind of man my dear friend Bunbury was. (lady Bracknell:) “Hurry up Algernon I have luncheon at 3 and it would be a most terrible thing to miss it” (Algernon:) Yes, rather.

By stating that he did not know anyone by the name of Cecily, Jack initiates his own debacle. He has to clarify that Cecily is actual his ward. Nonetheless, Jack bears no anguish to dissembling to his closest companion. Jack’s morality has been impaired by his lies and it implies that his animalistic qualities control him. Yet, he falls in love and he must tell Gwendolen, his sweetheart, of his morally wrong character. In order to do so Jack has to disclose that Ernest was not in fact his real name but a mere alias created to cover up his dastardly ways. He can think of no other way than to “kill” his brother. Wilde shows how Jack’s urbane nature begins to be marred by his animalism since he was willing to kill a man, fictional or not. Ensuing in the play Jack is speaking with Algernon and he begins to ponder on how to commit the murder. He states “My poor brother Ernest is carried off suddenly in Paris, by a severe chill. That gets rid of him” (Wilde 16). Though fictional, Jack’s murder of Ernest still seems to carry the same implications further into the book. This murder eventually skews his reputation once his lies become known. Wilde proves how Jack’s lies soon catch up to him and flaw his esteemed moral persona. Later in the play Algernon sets off on a trip to Jack’s country estate and claims he is Ernest Worthing. Later when Jack arrives Cecily informs her caretaker that his brother Ernest is in his room. Jack replies

Being Lady Bracknell’s nephew, Algy’s freedom is limited by his aunt’s high Victorian standards. This motivates him to “invent an invaluable permanent invalid called Bunbury and uses his extraordinary bad health” to avoid lengthy engagements with his Aunt Augusta (Wilde 6). Through bunburying, Algy masks his desire to avoid Victorian arrangements without revealing his lack of Victorian values to his aunt. His social mask ensures that his aunt would only see him as a responsible nephew instead of the real rebellious nephew he truly is. Aside from avoiding lengthy arrangements, Algy also plan to bunbury in order to escape his married life, if he was to marry in the future (Wilde 7). In this case, his social mask would ensure that his wife sees him as a man who deeply cares about his friend, rather than a pleasure-seeking husband. Nevertheless, however way Algy decides to bunbury, bunburying allows him to be seen as completely different characters than he truly is, which means that he is wearing social

While defining the term “Bunburyist,” Algernon comments to Jack that, “If it wasn’t for Bunbury’s extraordinary bad health [. . .] I wouldn’t be able to dine with you at Willis’s to-night” (Wilde 9). Bunbury, Algernon’s fake sick friend, allows him to be himself and enjoy time with his friends instead of entertaining his aunt. Algernon tells Jack that he created Bunbury to “be able to go down into the country whenever [he] choose[s]” (Wilde 9). Being of his high standing, Algernon was expected to stay in the city with his aunt as well as go to balls, dinner parties and other events on the social calendar; however, having a sick friend with a perpetual sickness allows him to go to the country, pretend to be Earnest, and eventually meet his future wife Cecily. When Jack tries to get Algy to leave Hertfordshire by asserting that his “duty as a gentleman” was calling him back to town, Algy responds with, “My duty as a gentleman has never interfered with my pleasures” (Wilde 33) Because of his fake friend Bunbury, Algernon is able to evade the obligations of being a gentleman. He can enjoy life and have fun without offending his aunt or

insinuates the importance of being honest and truthful, while playing on the male name, Ernest. The pun in the title is a case in point. The earnest/Ernest joke strikes at the very heart of Victorian notions of respectability and duty. Gwendolen wants to marry a man called Ernest, and she doesn’t care whether the man actually possesses the qualities that comprise earnestness. She is, after all, quick to forgive Jack’s deception. In embodying a man who is initially neither

Lady Bracknell’s character represents the “New Woman” and clearly Algernon has to overcome any obstacle to please her. Lane, as the servant, a lower class citizen, acknowledges the hierarchy and aids Algernon in response. Wilde also wrote the scene where Algernon eats the entire plate of cucumber sandwiches as a sign of rebellion against the supreme woman figure. Algernon feared the consequences, and as a result concealed the truth. The cucumber sandwiches symbolize the need to be accepted within society and its commodities. Wilde devises the cucumber sandwich discussion to provide insight regarding the power shift from men to women at this time.

Jack: “If I marry a charming girl like Gwendolen, and she is the only girl I ever saw in my life that I would marry, I certainly won’t want to know Bunbury” – This shows that Jack does want to settle down and is very much in love with Gwendolen. He feels that if he has her in his life, he will no longer need to escape out of where he lives to have fun and be wilder, as he won’t want that anymore.

Jack illustrates the purpose of deception by using Earnest to escape his role of Cecily’s warden. When Algernon finds Jack’s cigarette case, he is shocked to find the name Jack graven inside. Jack attempts to explain by saying, “[M]y name is Ernest in town and Jack in the country” (Wilde Act I). As Jack, he has to be a responsible adult and take care of his niece Cecily but as Ernest he is able to live the wild life of a young bachelor. By pretending to be Ernest in town, Jack is freed from the restrictions of being a caretaker, yet he still fulfills the duties of one as he resides in the country. While explaining why he has two identities to Algernon, Jack states that being a guardian does not “conduce very much to either one’s health or one’s happiness” (Wilde Act I). Jack has to take care of Cecily, be responsible for her, and set rules and guidelines for her to follow. In his role of guardian, he finds himself unable to have fun, so he creates an irresponsible, carefree

The significance of Bunburying is to have the ability to create a made up event or person in order to escape original plans with an excuse. In Importance

Jack does not admit to being a Bunburyist, even after he is exposed as such, while Algernon not only admits his wrongdoings but also takes pleasure in it. Algernon's enjoyment stems from his own cleverness and ingenuity with his philosophy on life being blatantly apparent in his statement, "one must be serious about something, if one wants to have any amusement in life. I happen to be serious about Bunburying..." (Wilde, 40) Still, Jack takes the idea of Bunburrying too far, and even though Algernon states to him, "I naturally want to talk to you about Bunburrying. I want to tell you the rules," Jack has no interest in hearing about these rules and thus acts as a prime example of the consequences of the general hypocrisy of the Victorian mindset which Wilde seems to comment on in this case.

The obligations hang upon the men protagonists that it could either be an excitement or a bore. This is what caused Algernon and Jack to be indulged in bunburying, an act created by Algy upon creating an individual named Bunbury. “When one is placed in the position of guardian, one has to adopt a very high moral tone on all subjects. It’s one’s duty to do so.” (P.35) Jack, having an eighteen year old ward named Cecily, could not leave his obligations for silly reasons such as enjoyment. Therefore, he invented a brother named Ernest in order to go up to the city. On the other hand, Algernon mentions, “I have invented an invaluable permanent invalid called Bunbury, in order that I may be able to go down into the country whenever I choose.” (P.35) In the city, he has to dine in restaurants with Lady Bracknell who makes him sit next to Mary Farquhar, a woman who flirts openly with her

Algernon Moncreiff on the other hand, lied to get to the coutnry so he could find something more genuine as opposed to the false honesty of the city. Again, one sees the same dichotomy as one would see in Jack. Alge lied to get to Cecily, his true love, which again is genuine. Cecily Cardew has a dichotomous personality as well. On the outside, Cecily appears to be innotcent and very victorian like, which represents the victorian dewfinitionof honesty. However, if one dug a little deeper, they would see that Cecily is much like a female version of a dandy. She has wicked thoughts, which represent her genuine, truly honest self.

Later, when Lady Bracknell and Gwendolen enter, two more ideas of marriage are brought to the forefront. Lady Bracknell portrays the aristocratic Victorian view of marriage but to a more extreme extent. According to Ziegenfuss, marriage in the Victorian era was not romanticized or fairytale-like. Love actually played a very minor role in the majority of matrimonies that took place. Engagement was entered into as one would approach a business deal, with rules and guidelines (Ziegenfuss). This is blatantly obvious when Lady Bracknell interviews Jack to see if he’s fit to marry Gwendolen. She attacks Jack with questions about family, fortune, and even place of residency and his answers need be appropriate for a union between the two families. (Kupske, Souza, 122). Even when Algernon wants to marry Cecily, Lady Bracknell voices, “I think some preliminary inquiry on my part would not be out place.” (Wilde, 46). Gwendolen, however, has the same view of marriage as Jack but, still has strong ideals about social protocol. This is seen when Jack tries to propose, she replies, “Of course I will darling…I am afraid you have had very little experience in how to propose!” (Wilde, 11)

One thing that Jack and Algernon have in common is that they both have these false faces. Algernon’s alter ego Bunbury is a version of himself used in the country but he uses Ernest to marry Cecily. The story deals with Ernest, this immorally imaginary man that both Cecily and Gwendolyn become engaged to, it exemplifies the irony within the name. Most of the irony comes from this character. One of Wilde's satiric targets is romantic and sentimental love, which he ridicules by having the women fall in love with a man because of his name rather than more personal attributes. Gwendolyn said “No, there is very little music in the name Jack, if any at all, indeed. It does not thrill. It produces

Jack and Algernon start their friendship with deception and lies. In the beginning of the play, they are alone in the morning-room and the lies, between the two friends, is are brought to the table. They have both been great friends for some time now. Jack visits with Algernon in the city where he goes by the name “Ernest”. He feels that going by a different name will let him live and experience a different lifestyle. When visiting with Algernon, Jack has become very interested in Gwendolen. Jack is expressing his love for Algernon’s cousin, Gwendolen, and tells how he wishes to marry her. Before Algernon gives his consent, he wants to know who Cecily is. Cecily is the name engraved on the cigarette