The Importance of Home and Family in Jane Austen's Mansfield Park

Explore Jane Austen’s attitude to marriage in Pride and Prejudice Looking at the social, historical and cultural context In the 19th century when Austen wrote ‘Pride and Prejudice’, the way in which marriage was viewed was very different. It would have been expected of a young woman to find a ‘suitable’ partner for marriage before they were thirty, as after this they could be seen as an embarrassment to their family. By suitable, it does not mean in the way in which marriage is viewed today.

Jane Austen was a Georgian era author who was best known for her novels that commented on social issues and class, and Northanger Abbey is no exception. Austen’s social commentary is apparent in this novel’s plot, as the reader follows a seventeen-year-old protagonist, Catherine Morland, as she matures and forms intimate relationships with fellow characters in an England town called Bath. Marriage between characters in the novel is heavily based on wealth, and because of England’s unstable economy at the time, marrying into wealth meant maintaining a high social class and economic stability for the characters. The importance of economic prosperity and social rank heavily influenced marriage in 19th century England, and this idea bourgeoisie classism and marrying for wealth is contradicted by Austen in her novel, Northanger Abbey.

She worked her whole youth by studying and trying to get her family stable, none of this was in vain; she became an author.

"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want if a wife"

Austen, Jane, Claudia L. Johnson, Susan J. Wolfson. Pride and Prejudice, A Longman Cultural Edition. New York: Longman, 2003.

Though at first glance, Emma appears to be a generic romantic novel about virtue and ladyhood, Austen actually challenges what the meaning of “ladyhood” is to the reader. We view Emma’s follies, trials, and triumphs through the eyes of the omnipotent narrator who first describes Emma as a stereotypical, wealthy young lady who is “handsome, clever…with…a happy disposition” (1). Through the use of irony, Austen employs a series of situations in which Emma, a “lady” of high standing within her community, challenges conventional thinking of what it means to be a young woman in the early nineteenth century, particularly her ideas concerning marriage and

Jane Austen impacted the world of literature in more ways than one. Museums located around the United Kingdom are dedicated to her works which many people still enjoy to this day. Audiences around the world continue to read the love stories she shared many years ago. She portrayed a sense of female strength and hefty feelings of true love in her writing. Austen’s wording and her particular writing style are recognizable among those who enjoy 18th century literature, her distinct approach to the realities of the time is one reason her fan base has grown over the years. Jane Austen pioneered romantic literature because she was among the first authors to write a happily ever after type story, and she used her work to portray this feeling

Jane Austen puts an emphasis on both loyal and rival sibling relationships in all of her works, and these relationships prove to be as important, if not more important, than those relationships of marriage. Pride and Prejudice offers insight on many sets of siblings. Sibling pairs each present different ways in which they interact with each other, and the dynamic of their relationship. The way in which Austen portrays certain sets of siblings may be a mirror of the way she was with her sister Cassandra, whom she was very close. Inspiration for these relationships may have come from ones she experienced first hand, or witnessed throughout her years. Pride and Prejudice expertly highlights the significance of sibling bonds, and how important

When Charlotte Bronte said of Jane Austen’s novels ‘I should hardly like to live with their ladies and gentlemen, in their elegant but confined houses’ she was referring to the physical confinement of an interior versus an exterior setting. This confinement of the setting mirrors the social confinement of a woman versus a man in the societal structure at the end of the 18th and beginning of the 19th century. While Austen studies the societal position of women in most of her novels, her early work Sense and Sensibility, is perhaps the most interesting to take into consideration when reviewing the issue of confinement. In it Austen juxtaposes the freedom of the countryside exteriors with the confinement of the city’s interiors. These settings serve as a backdrop for the exploration of two female characters whose social status has been set back as a result of the primogeniture of the time.

Marriage has no always been about the love and happiness two people bring eachother; instead it was concidered to be more of a business transaction. Emma by Jane Austen takes place during the early twentieth century, this time period was completly absorabed in social classes and had a much different view on marriage than today. Through the young, bold, wealthy, and beautiful character Emma Woodhouse, Jane Austen exposes the protocol of marriage as well as the effects marriage held based on social standing during the early twentieth centuery.

single man in possession of a good fortune must be in want of a wife.

In Jane Austen's last completed novel, Persuasion, England is one large family with two distinct branches, the navy and the aristocratic upper class-it is no accident that the two large books consulted in the novel are the Baronetage and the Naval Lists. The naval family poses a threat to the aristocratic family; in fact, undertones of social instability riddle the text, through imagery of death, illness, and accident. The marriages of Anne Elliott, Louisa Musgrove, and Harriet Musgrove reveal a gentry which can only redeem itself through intermarriage with the professional meritocratic class, symbolically taking on their values of utility and social responsibility, and

From the beginning of her arrival to Mansfield Park, Fanny Price is seen as an introvert with high morals and utter goodness throughout her character. Though, she is the heroine of this novel, Fanny constantly blends into the background due to her timidness. Form the beginning Fanny is shy and silent in Mansfield Park by Jane Austen; but she ends up being the only character that ultimately gets what she truly wants without having to go through many unwanted shenanigans of speaking. By showing the arrival of the silent Fanny Price into Mansfield Park and contrasting her timid demeanor throughout the novel with the charismatic personalities of Henry and Mary Crawford, Jane Austen manipulates the audience into sympathizing appropriately to understand the love Fanny has for Edmund, while also helping the readers learn that charm can turn out to be superficial, while silence can be golden.

Jane Austen's Portrayal of Marriage in Pride and Prejudice Marriage plays an extremely important role in Jane Austen's novel 'Pride and Prejudice'. The novel begins with the sentence "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. " This single sentence extremely significant in the fact that it is strongly connected with one of the main themes of the novel, and introduces a powerful irony that clashes with the events that unfold during the progress of the novel. In Jane Austen's day, women of high status were almost entirely dependent on men.

Jane Austen lived from 1775 until 1817, a span of four decades that saw significant changes in English social, political, and economic life. At the time her birth, England was embroiled in a bitter struggle with its American colonies, the loss of which, several years later, proved to be a tremendous blow to English political and military prestige. Under the rule of George III, England's political climate became increasingly unstable with constant struggles between the King and Whig politicians. Ireland received its independence in 1782, although the violence that had long plagued the country continued to rage. Across the Channel, the French Revolution had begun and the English aristocracy watched in horror as royal heads began to roll.