The Importance of Houses in E.M. Forester´s Howards End

The home as a place of comfort does not exist for the narrator; companionship with her husband is lost. Her only real conversations occur on paper, as no one else speaks to her of anything other than her condition. She is stripped of her role as a wife, robbed of her role as a mother, and is reduced to an object of her husband's.

Last but not least, Mama and Ruth have the aspiration of living in a new home. The apartment in which they currently reside is small, dark, and handled with care: "the furnishings of this room were actually selected with care and love and hope [. . .]" (988). It is evident that the home is a very important to the Younger family and it is a critical

Ma, throughout the course of the book understood that a home is not a place, but where you are with your family. During the course of the book Ma takes

The novel begins with a journey, both physical and emotional; the Brennans are physically moving houses and towns, but also moving into new, unfamiliar territory. The leaving of ‘home’ is synonymous with the leaving of what id known, familiar and comfortable, in a literal and metaphorical sense.

At first, the house just sits there, resisting everything that wants it gone. Representing Carl and how he does not want to budge, how he’s determined to accomplish what Ellie always dreamed of , just like a house’s job is to stand

As a woman, Mama’s aspirations to get a house was uncommon in those days, but Mama always dreamed of moving out of there small apartment and into a nice house in a safer neighborhood with a small garden.(92). She describes her dream house like it is the most spectacular thing in the world. She is extremely happy for herself, but happier for her family. However, Mama’s goals are more complicated then just wanting a house. With this house she feels that the family now has hope and can accomplish their dreams. On the other hand, without this house Mama predicts that the family will continue with

The house, similarly to Emily, is a symbol - and the only surviving tribute of the decaying privileged class. By the time the story takes place plenty has changed. What was once “a big, squarish frame house that had once been white, decorated with

In this passage of The Glass Castle by Jeannette Walls, the reader obtains a very in depth description of what the Walls Family home in Welch is like once they move in. The author is this text is conveying how poor of a state their new home is. Walls uses the literary element figurative language to reveal the state of their home to the reader.

We learn from the first paragraphs that focusing on the scenery will help her forget the nervous depression which she has been diagnosed with: ""So, I will let it [her illness] alone and talk about the house"(947). The main character’s focus on the environment is the reason for which the reader gets plenty of information about the setting.

As the women walk through the house, they begin to get a feel for what Mrs. Wright’s life is like. They notice things like the limited kitchen space, the broken stove, and the broken jars of fruit and begin to realize the day-to-day struggles that Mrs. Wright endured. The entire house has a solemn, depressing atmosphere. Mrs. Hale regretfully comments that, for this reason and the fact that Mr. Wright is a difficult man to be around, she never came to visit her old friend, Mrs. Wright.

A review of the house itself suggests that an architectural hierarchy of privacy increases level by level. At first, the house seems to foster romantic sensibilities; intrigued by its architectural connotations, the narrator embarks upon its description immediately--it is the house that she wants to "talk about" (Gilman 11). Together with its landscape, the house is a "most beautiful place" that stands "quite alone . . . well back from the road, quite three miles from the village" (Gilman 11). The estate's grounds, moreover, consist of "hedges and walls and gates that lock" (Gilman 11). As such, the house and its grounds are markedly depicted as mechanisms of confinement--ancestral places situated within a legacy of control and

The house’s efficiency and helpfulness seem to make it cold and emotionless and the fact that it lives on after its inhabitants have passed just proves how the house is only a machine that is unable to love, this house will always be a house but it will never be a home.

of the fact that she is kept in the house. One specific characteristic of the house that symbolizes

reader feel a sense of dread and despair because unlike the house the reader knows the owners

  In the play, descriptive language teaches the audience more about the surroundings than what the characters are actually saying to one another.  "I've not been in this house--it's more than a year" (6), Mrs. Hale tells the county attorney.  It is a very run down house, and the audience discovers there are no signs of anyone really ever being happy.  The kitchen is dirty, and the women begin to feel uneasy about being in a house where there is nothing but darkness and coldness.  The darkness is to signify how alone and empty Mrs. Wright was feeling while living with her husband.  Mrs. Wright did not feel wanted, and she felt like all hope was lost which the audience recognizes with the help of Mrs. Hale's saying, "...he was a hard man, Mrs. Peters.  Just to pass the time of day with him.  Like a raw wind that gets to the bone" (11).  Mrs. Hale conveys these important details to Mrs. Peters, which proves that the environment in the Wright house was dark and dreary.  The audience can imagine living in house where there is nothing but solitude and misery.  The solemn atmosphere makes the readers start to understand how lonely and depressing living in the house actually was.