The Importance of Literary Elements in Barn Burning

William Faulkner elected to write “Barn Burning” from his young character Sarty’s perspective because his sense of morality and decency would present a more plausible conflict in this story. Abner Snopes inability to feel the level of remorse needed to generate a truly moral predicament in this story, sheds light on Sarty’s efforts to overcome the constant “pull of blood”(277) that forces him to remain loyal to his father. As a result, this reveals the hidden contempt and fear Sarty has developed over the years because of Abner’s behavior. Sarty’s struggle to maintain an understanding of morality while clinging to the fading idolization of a father he fears, sets the tone

The theme of William Faulkner’s Barn Burning was the idea of "the old fierce pull of blood." In Barn Burning the two main characters are the dad, Abner, and the son, Sarty. Abner was a barn burner and Sarty was an accomplice because he always defended his dad due to the theme of “blood and family.” At the beginning of the story, Sarty smells something besides food in the store.

William Faulkner’s “Barn Burning” takes a lot of real life cultural values and ways of southern life in the late 1800s. Many of those values and ways are expressed by sharecropping and tenant farming.

First, symbolism, focusing on the symbols of blood and fire. In the first four pages of the story one would see blood being transparent on the first page,”The smell and sense just a little of fear because mostly of despair and grief, the old fierce pull of blood..He could not see the table where the Justice sat and before which his father…”(Faulkner 1). This shows us that before Sarty smells the “old blood” he was all sad and torn but, then realizing that familiar smell of his father Sarty starts to remember his duty or mission; Is to keep quiet and protect his family. The blood in this context, symbolizes the sense of family and always protecting one another. Because of Sarty’s desire to protect his family he refuses to respond to the lawyers and barely escapes without a conviction. However, the prosecutor demands the family leave town and never return. This in turn leads to Abner, his father, to beat the lights out of son. After the beating received his father starts to beat him once again to make him understand, and another instance of blood is presented on page 4, paragraph 6 stating,”You’re getting to be a man.You got to learn. You go to learn to stick to your own blood or you ain’t going to have any blood stuck

“Barn Burning” is a story which was first published in 1939 and later awarded the O. Henry Memorial Award. It was the best short story of the year. William Faulkner, the author, was a creative and innovative writer whose ability to describe a place makes you feel like you are present and experiencing all happenings that take place in the story. Particularly in this short story, he has managed to create the picture of real-life events in the minds of readers while depicting the main theme: constant struggle between the poor and rich.

William Faulkner some would say was one of the great writers of American literature during the twentieth century. His stories many times had a gothic plot and contained odd or supernatural ideas and characters. He had many notable works, two of which were “A Rose for Emily” and “Barn Burning”. “A Rose for Emily” and “Barn Burning” are similar in the way that William Faulkner portrays the characters and the tone he uses in both.

If we compare William Faulkner's two short stories, 'A Rose for Emily' and 'Barn Burning', he structures the plots of these two stories differently. However, both of the stories note the effect of a father¡¦s teaching, and in both the protagonists Miss Emily and Sarty make their own decisions about their lives. The stories present major idea through symbolism that includes strong metaphorical meaning. Both stories affect my thinking of life.

The theme of William Faulkner's Barn Burning is Colonel Sartoris Snope's desire to break away from the oppressive conditions of his family life. He is pulled between his family and his morality. In this essay, I will discuss Sarty's struggle between the two sides of his conflict and the point at which it becomes resolved.

2.Billinglea, O. Fathers and Sons: The Spiritual Quest in Faulkner's 'Barn Burning. Mississippi Quarterly: The Journal of Southern Culture 44.3 (Summer 1991).

actions to show that no one will own or control him. He has no regard

Loyalty is a powerful force. Oftentimes it blindsides us and causes us to support things we would not normally. Even do things that we despise. William Faulkner’s Barn Burning illustrates just such a case. Presenting a young boy’s progression from a loyal child, to an independent man as a conflict of loyalty and morals. This boy, Sarty, battles his own forming morals versus his father’s decisions, which leads to his development from child to adult. Faulkner writes his characters progression in five stages: blind loyalty, repressed disagreements, open questioning, and attempted reasoning with his father, before finally taking action to contradict his father.

At first glance, the story “Barn burning” seems just to be about a tyrannical father and a son who is in the grips of that tyranny. I think Faulkner explores at least one important philosophical question in this story were he asks at what point should a person make a choice between what his parent(s) and / or family believes and his own values?

Every person reaches a point in their lives when they must define themselves in relation to their parents. We all come through this experience differently, depending on our parents and the situation that we are in. For some people the experience comes very early in their lives, and can be a significant life changing experience. In William Faulkner’s “Barn Burning” Colonel Sartoris Snopes must decide either to stand with his father and compromise his integrity, or embrace honesty and morality and condemn his family. This is a difficult decision to make, especially for a ten year old boy that has nothing outside of what his father provides. Sarty’s decision to ultimately betray his father is dependent on his observation of Abner’s character

The saying, “blood is thicker than water” is a term used to imply that family relationships are always more important than friends. However, at times it may be hard to choose between family and friends based on right and wrong. In the short story, Barn Burning, written by “William Faulkner, a Nobel Prize winning novelist of the American South”(“William Faulkner”), choosing between family and doing what is right for honor and justice is highly expressed. The main character, Colonel Sartoris Snopes, nicknamed Sarty, battles his thoughts of doing what is right or wrong throughout the story. After following the orders of his father for ten years, Sarty eventually decides to make his own choice and go against the pull of blood.

There are several ways in which William Faulkner's short story "Barn Burning" is indicative of literary modernism. It depicts a relevant historical period and is part of the frontiersman literary tradition (Gleeson-White, 2009, p. 389). The author utilizes a number of purely literary approaches that were innovative for the time period in which the tale was originally published (in 1932), such as employing a young child as a narrator complete with misspelled words and broken, puerile thoughts. However, the most eminent way in which this story embraces the tradition of literary modernism is in the author's rendition of dynamic social conventions that were in a state of flux at the time of the writing. Specifically, his treatment of race is the inverse of how race is generally portrayed in American literature prior to the early part of the 20th century. An analysis of this integral component of "Barn Burning" reveals that Faulkner's unconventional rendering of African American characters in a desirable social status particularly as compared to that of the Snopes clan is crucial to this tale's inclusion as part of the tradition of literary modernism.