The Importance of Memory in Margaret Atwood's Handmaid's Tale.

One of the many prevailing themes in literature is that power is gained and can be manipulated when restraints are placed on natural desires of the individual. This passage is significant because it is an example of this theme, for it shows how power and manipulation have completely changed and restricted the people, especially women, of Gilead. Due to this, the passage reveals the shared anger that the Handmaids possess, and the cruelty that has been brought upon the society. The use of similes, diction, syntax, and illustrate the impact that this event had on Offred, for she feels such anger towards the unknown man and the crime he has supposedly committed. These literary and rhetorical devices additionally serve to make this event seem as

In a society where women are completely oppressed they have two choices: To conform and survive, or to rebel and risk execution. Conformity would entail suppressing their morals and their personal rights to adapt to Gilead’s social standards. Would one choose self-inflicted isolation by disassociating oneself as a human being to survive, or gain more rights and disregard all morals by working for the government? This society is represented in Margaret Atwood’s The Handmaids Tale. The novel is set in the Republic of Gilead, a dictatorship, formerly known as the United States of America. The government controls all aspects of the lives’ of its citizens, with its harshest regulations directly affecting women.

From the outset of 'The Handmaids Tale' the reader is placed in an unknown world, where the rights and freedom of women have been taken away. We follow the narrative journey of a handmaid, named Offred.

Paula Hawkins, a well-known British author, once said, “I have lost control over everything, even the places in my head.” In Margaret Atwood’s futuristic dystopia The Handmaid’s Tale, a woman named Offred feels she is losing control over everything in her life. Offred lives in the Republic of Gilead. A group of fundamentalists create the Republic of Gilead after they murder the President of the United States and members of Congress. The fundamentalists use the power to their advantage and restrict women’s freedom. As a result, each woman is assigned a specific duty to perform in society. Offred’s husband and child are taken away from her and she is now forced to live her life as a Handmaid. Offred’s role in society is to produce a child

In Gilead, all Handmaids are made to wear the same red uniform, white veil, use the same designated language- “Blessed by the fruit”- and go to work in pairs, shedding them of their own identity and alienating them. Giving the Handmaids no real alone time other than to sleep, they must even bathe with someone watching over them, and thus taking away their unique distinctiveness. Therefore when Offred finds herself alone and naked, she is subconsciously disconnected from the uniformed Handmaid role that she plays daily, and is reminded that she, herself, is an individual with her own body and convictions. This illustrates the fact

For this essay I aim to show the importance of memory and of remembering the past in The Handmaid’s Tale by Margaret Atwood. The Handmaid’s Tale is a ‘speculative fiction’ first published in 1985 but set in the early 2000s. The novel was in response to changes in US politics with the emergence of Christian fundamentalism, the New Right. Atwood believed that society was going wrong and wrote this savage satire, similar to Jonathan Swift’s ‘A Modest Proposal’, depicting a dystopia which she uses as a mirror to hold up to society. I will be focusing on the main character and narrator, Offred, “a handmaid who mingles memories of her life before the revolution with her rebellious activities under the new regime” (book group corner), as she

One of the many sad aspects of The Handmaid’s Tale is that the women who are subjected to abuse and discrimination soon comply with the roles that have been assigned to them, permitting abuse and exploitation against and amongst themselves. Atwood is not particularly hopeful about women as a means of changing the conditions in which they are living in this society. Even Offred’s eventual escape from the perverted system is more of a luck luck thing than determined will. Paying particular attention to the ending of the novel, this essay will argue that the author wants to call the reader’s attention to the problems that women suffer, but that she offers no solution or hope for change. I will be addressing three different literary devices in this essay; Repetition, Characterization, and Foreshadowing. I hope you enjoy.

Offred, within the novel, is seen as being in one of the lowest classes within the hierarchy of women only putting her above the women who are sent to the colonies. Unlike the handmaids, the Martha, who are helping ladies to the Wives, talk about Offred like she is not in their present but viewed her as “a household chore,one among many”(Atwood 48). Although the Martha are women too, they have more control than Offred. By viewing Offred as a household chore conveys that Offred is an inconvenience but still a necessary part of Gilead. Speaking about Offred like this emphasizes that she is below them in the status of society and they are not seen as equals. In addition, Offred, being a handmaid, wasn’t allow to talk to the Wives in a direct manner (Atwood 14-15). By Offred not being allowed to talk to the Wives illustrates that the Wives authority over the handmaids. Furthermore, the handmaid’s are viewed as less and “[reduced]... to the slavery status of being mere ‘breeders’” (Malak). By conveying the handmaids are slaves shows are they force without consent to have sex with men and that the handmaid focus is to breed, unlike the Martha, aunts, and Wives. Moreover, the class system within the female hierarchy of Gilead is utilized as a political tool thus adding to the assumption

It is necessary for the government to impose a certain amount of power and control of its citizens in order for a society to function properly. However, too much power and control in a society eliminates the freedom of the residents, forbidding them to live an ordinary life. In the dystopian futuristic novel, The Handmaids Tale, Margaret Atwood demonstrates the theme of power and control through an oppressive society called the Republic of Gilead. The government established power and control through the use of the wall, military control, the salvaging, the particicution, and gender.

Offred's memories are a way for her to escape a society riddled with hopelessness. The authoritarian society of Gilead prevents her from

The Handmaid's Tale, a science-fiction novel written by Margaret Atwood, focuses on women's rights and what could happen to them in the future. This novel was later made into a movie in 1990. As with most cases of books made into movies, there are some similarities and differences between the novel and the film. Overall the film tends to stay on the same track as the book with a few minor details changed, and only two major differences.

Throughout The Handmaid’s Tale, Offred recalls her past life before and during the creation of the Republic of

Throughout The Handmaid’s Tale, Margaret Atwood utilizes various elements of fiction to develop and question the concept of power and control in the patriarchal society of Gilead. Offred, the main Handmaid, is the instrument of which Atwood delivers her message about corruption and power. Offred’s vague diction, unreliable characterization, and erratic tone illustrate the distress of this transitional society (Abcarian 1403-1404). In the beginning of Chapter 23, the role of memory in the novel expands, and the readers test the narrator’s creditability. Offred concludes that all of her memories are “reconstructions”, and that she will continue this practice even if she escapes Gilead. She continues to relate fluid memories to forgiveness and forgiveness to an unnaturally complacent and obedient population (Atwood 134-135). Identifying a powerful relationship between memories, forgiveness, and power, Offred suggests that the main source of Gilead’s totalitarian power is the regime’s ability to manipulate its citizens’ will to forgive past transgressions.

Offred’s avoidance of her real name allows her to perceive herself as a person who lives two different lives. She is able to ignite her memories of a time where she used to find a true purpose in life and is able to distract herself from this dystopia’s manipulation. The motivation she gains through the avoidance of her real name helps her realize that she can both become a handmaid physically, but also can keep her mind filled with forbidden thoughts. The narrator tells the audience that her “name isn’t Offred,” and continues to say, “I have another name, which nobody uses now because it’s forbidden… your name is like your telephone number, useful only to others; but what I tell myself is wrong, it does matter. I keep the knowledge of this name like something hidden, some treasure ill come back to dig up, one day” (Atwood 84). This quote reveals that Offred is not completely traumatized by Gilead, and does not want her past to be apart of this dystopian life because her real name is her motivation to escape. The phrase, “your name is like your telephone number, useful only to others; but what I tell myself is wrong,” describes that Offred has a clear perception between her own thoughts versus what she

Throughout the novel The Handmaid’s Tale, a major recurring theme is the loss of identity through the power of sex. Offred once lived in a society that praised sexual pleasure. On the other hand, Gilead is a society without the pleasure and only for the means of reproduction. Offred struggles with this transition because she remembers the times when she had possession of her own mind and body. She could love whoever she wished. Offred compares the loveless sex with the Commander “as one composes a speech… a made thing, not something born” (Atwood 66). Atwood’s rhetorical use of a simile exemplifies the loss of self-identity within the people of the society. Offred makes it clear that she must play a role, hide her thoughts and emotions, and be “made,” allowing her to be “composed” or