The Importance of Oral Traditions in African History

The West African bardic tradition refers to the passing on of empirical knowledge from elders, known as griot, via a media of rapping, which occurs as a tradition where “the grandfather...bring[s] all the immediate children around him to rap.” This tradition is the expression of historical culture and lessons via a media of poetry, rhythm, and music. The role of

Culture is the characteristics of a group of people defined by language, cuisine, religion social habits music and art. There are many different types of culture including western culture, eastern culture, African culture and many more. Culture is influenced by the groups of people that make up the country (Zimmermann, 2012). The term culture was first used by an English Anthropologist named Edward B. Tyler. It was first mentioned in 1871 in his book named ‘Primitive Culture’. He stated that culture is "that complex whole which includes knowledge, belief, art, law, morals, custom, and any other capabilities and habits acquired by man as a member of society”. Since then culture is the main focus of anthropology.

Dance has always been the focal point in which Africans are able to let free through movements of emotion. In this essay I will discuss the history of African Dance and its importance to the African Culture. Also will be discussing the general information of African dance, the different types of African dance and the ones that I like the most. Dance in the African culture is something that cannot be taken advantage of in the African Culture because it holds such a strong meaningful moment at the time of any occasion.

From the 1500s to the 1700s, African blacks, mainly from the area of West Africa (today's Senegal, Guinea, Sierra Leone, Gambia, Liberia, Ivory Coast, Ghana, Dahomey, Togo, Nigeria, Cameroon, and Gabon) were shipped as slaves to North America, Brazil, and the West Indies. For them, local and tribal differences, and even varying cultural backgrounds, soon melded into one common concern for the suffering they all endured. Music, songs, and dances as well as remembered traditional food, helped not only to uplift them but also quite unintentionally added immeasurably to the culture around them. In the approximately 300 years that blacks have made their homes in North America, the West Indies, and Brazil, their highly honed art

Slaveholders actually outlawed these drums at one point because they were a way of communication for the slaves. These "talking-drums" could be heard from miles around, so the slaves were forced to hide these instruments or to develop new ones.

While in Barbados, Ligon writes about cultural adaptations which are evident between the European and African inhabitants. Ligon knew a slave named “Macow”, he entered Ligon’s house only to find Ligon playing a musical instrument (called the “Theorbo”) and singing a song to it. Macow waited, watched, and listened attentively to these noises the Theorbo created. What caught Macow’s interest was the fact that the Theorbo made different pitches in sounds. All Macow knew was the drum, and how it was only capable of making a single tone. Ligon stumbled across Macow a couple days after this had happened. He noticed that Macow had a large piece of timber in which he was trying to duplicate the sound of the Theorbo. What Ligon points out in this story is the fact that some of the African slaves (or servants) actually have the potential to learn the Arts. Macow adapted to Ligon’s cultural practices and tried to duplicate them with this act.

In a freezing class, two brilliant minds unlocked the fiery passion that is their talent one an artist the other a writer. Bringing to light a history long forgotten creating abstract thoughts arbitrary to our own. Komi Olaf the artist and Okey Ndibe the writer not only enlightening the class but also the world with each brush stroke and each word. Every creation stemming from the hands of these masters tell of issues at the heart of Africa from colonialism to existential dilemmas. Thru spoken word, hip-hop, art, music, poems and literature issues close at heart to the artists and to Africa are portrayed. This paper will focus on the art exhibit by Komi Olaf and Foreign Gods inc by Okey Ndibe as spoken by them during their discussion in the class on October 13th. Where the talks focused on the key course objectives being stereotypes, post-colonialism, youth culture, and resistance.

Consider how Africa’s geography has changed over time. What positive and negative effects would these changes have had on human populations on the continent? As their new homes changed they were able to adapt due to their innovative mindset. This can be attributed to the new found organization thanks to language. Allowing Africans to grow and expand throughout the entire continent. Other factors that can be attributed are the change in geography for some parts such as the Sahara drying out and swamps and lakes disappeared.

This essay deals with the nature of a cross cultural encounter between the Benin people and Portuguese traders in the 15th and 16th centuries, which resulted in the depiction of Portuguese figures in Benin brass plaques. It will propose that this contact between people with different cultures was on the basis of 'mutual regard' (Woods, K. 2008, p. 16), and although the Portuguese had qualms about idolatry in Benin it will show that assumptions by Europeans up to the 20th century of the primitive nature of tribal African societies was inaccurate with regard to the Benin people, who had a society based on the succession of the King or 'Oba', a Royal Family and Nobility. The essay will finally suggest that Benin’s increase in wealth following

Work songs were another influential form of musical expression in the lives of slaves, and these songs were sung by a field of hands in order to coordinate and pace their work, and slave owners expected their slaves to sing. In fact, many slave-masters discovered that drums could be used as a secret means of communication. Many of the slave owners were concerned that this secret means of communication could eventually lead to a slave uprising. As a result, drums were banned, but the enslaved Africans substituted “hand clapping” in the place of drums in order to reproduce the complex rhythms of African drumming.

Imagine being able to tell stories for generations to come without ever having to write down a single word. Oral tradition is used to pass stories down from generation to generation through different forms of communication without any writing system. Oral tradition stories are told by word of mouth, riddles, storytelling, and songs. It cannot be changed although the narrator might embellish it. Oral tradition is how Africans perceived the past. The significance of oral Tradition is due to the stories holding so much information and knowledge. Oral tradition contributed to understanding pre-colonial history because the pre-colonial Africa was influenced by two major movements which are the expansion of islam and the dispersion of the bantu. Oral tradition gave us the perspective as to why the expansion and dispersion took place. Oral tradition has its strengths and weaknesses. A strength of oral tradition is that it is being told from word of mouth and more people will listen to a good storyteller than to go read a book about the history. However, a weakness of oral tradition is that many of the stories get forgotten, left out, or embellished. With each re-telling the story gets further and further away from the original. Oral tradition is a primary way of conveying culture and is a way of life in African history.

Cultural forms practiced by African slaves on the plantations included music, dance, festivals, food and religion. Music, to slaves was a form of expression of a people who had hope. Music was expressed in the form of singing and drumming. Although the drum seemed like a simple piece

In this course we have learned about all of the different cultures and their musical traditions. My favorite so far has had to be the west African music culture. They have a variety of different music, instruments, and dances to contribute to the reasons I liked this music culture so much. So, I have taken it upon myself to further my research on this particular musical group. I will compare and contrast a variety of different videos from the west African music culture and I will analyze how they connect to this culture.

Scholars have attempted to define music, and to be quite honest, it will be a huge challenge to try to weave a definition around the art that is music, because it is beyond definition. However, for the purposes of this work, we shall adopt the definition by Aluede & Eregare (2009), not because the definition is, in itself, complete, but because it captures the very essence of what we look for in the definition of music. Music, according to Aluede & Aregare (2009), is not only an organization of sound but also a symbolic expression of a social and cultural organization, which reflects the values, past and present ways of life of human beings. Also, Jones (1975), cited in Amana and Onogu (2015), defines music as “a language which encodes emotions, aspirations and people’s goals in autonomous and self-expressive arts forms.” These definitions are important in understanding music, because they highlight the fact that music does not only appeal to the feel-good emotion, it is not only used for entertainment; it is a valid form of social expression and this underscores the centrality of music in African socio-cultural life.

     Before one starts to outline the traditional religion in Africa, one must first explain the way Africa is as a whole. Without the knowledge of the past combined with knowledge of culture, one would have a very vague, if any, understanding of traditional religion.