The Importance of Setting Repetition in Siddhartha and Candide

I partially agree that characters learn more from their journey then from their destinations simply because without knowing your destination is just like your externals when you pick a certain question and you begin to write from beginning to end but you didn't relate what you had written to the question because you were so fixated on what was in front of you not referring to the question

Joseph Campbell has a theory called The Hero’s Journey in where an individual is shown in a mundane world, called to an adventure, and goes on the adventure. In the adventure, the individual goes on the path of trials that consisting of making new friends, new mentors, new enemies, facing new challenges, gaining new skills, and new knowledge. When the individual comes back to their mundane world, they are the master of two worlds through their new experiences they've gained in the adventure. The Hero’s Journey has been repeated in literature and films through many years: two examples that have The Hero’s Journey are the films, Harry Potter and the Goblet of Fire and Percy Jackson and the Olympians: The Lightning Thief.

In Chapter 1 the author explains the symbolic reasoning of why a character takes a trip. They don't just take a trip they take a quest. Structurally a quest has a quester, a place to go, a stated reason to go there, challenges and trials en route, and a reason to go there. Quests usually involve characters such as a knight, a dangerous road, a Holy Grail, a dragon, an evil knight, and a princess. The quest also involves the character to gain self-knowledge out of taking the adventure to the stated place where he or she is going.

In How to Read Literature Like a Professor, Thomas Foster presents a guide to help readers further understand the novels they read. In chapter one, he claims that every trip is a quest, and every quest has five main components. Each journey consists of a “quester”, or a journeying character that lacks self-knowledge. This character has a desired destination and a stated purpose of going there. Throughout this journey, the character experiences challenges and obstacles, eventually learning something new about him or her self. Thus, we learn that a simple trip has a deeper meaning and purpose.

Two books can seem completely different from each other when judged by characteristics such as genre, plot, and theme. However, if people were to look at the books together and as a whole, they might notice one striking similarity between the two. That striking similarity is known as the hero’s journey. First observed and documented by Joseph Campbell, the hero’s journey is a concept in which heroes, or people who commit actions for the greater good, follow a three-step cycle known as departure, fulfillment, and return. At the first stage of the hero’s journey, the hero receives a call to an adventure that takes him from the comforts of his home. Next, at the most important stage of the hero’s journey, the hero begins to experience life

From a young age, Candide had been taught by Pangloss to have an optimistic philosophy, and he kept those ideas with him throughout his life. Even when the people around him feared the worst and complained about their misfortunes, Candide kept going back to the idea that “everything is linked in a chain of necessity, and arranged for the best” (9). And by no means was he left untouched by various trials: he was flogged, penniless, driven from his home, shipwrecked, robbed, and doomed to leave his loved ones. Although these misfortunes make him question the necessity of tribulation, he nonetheless hoped for the best. Part of his optimism might stem from the fact that he was young and healthy, but it’s also because he cared about the welfare of those apart from himself. For instance, when he heard that Cunegondé was dead and Pangloss hanged, he cried, “If this is the best of all possible worlds, what must the others be like? …Mademoiselle Cunegonde…was it necessary for you to be disembowelled?” (16) Clearly, the reason he questioned the “rightness” of the world is because it took away the people he loved. His mourning for those who have died shows his tender innocence, but it also shows his selflessness. In fact, the reason he was so optimistic throughout the story was because of his longing for Cunegondé, his beloved, and his only wish was to be with her and keep her safe. In other words, he lived for something outside of himself, and that caused him to have hope.

Every character that travels down a path, that encounters obstacles on their journey, that makes sacrificial decisions faces each of these components as they undertake a life-altering quest. Often times the hero ventures out to save someone or solve a problem, but in fact, their true journey is a search for self-knowledge. Through every obstacle and road-block along the way, the character discovers more about themselves and their true identity. Though they may have journeyed across great lands to accomplish their mission, the thing they were searching for was inside of them all along; the journey and challenges only helped to reveal their real character. As explained in Thomas C. Foster’s literary criticism, How to Read Literature Like a Professor,

Small or big, everything we do in life is part of our journey. Reg Harris’ “The Hero’s Journey” describes the voyage one takes throughout life to grow and change as a person. He breaks the journey down into eight steps leading to the return. It starts out as a goal that isn’t always easy to reach, one goes through hardship and personal doubts only to succeed and become a better person. An example of this journey can be found in the movie, Troy through the character Achilles. Achilles is a strong fearless warrior in the movie, Troy who goes through “The Hero’s Journey” and ends up with a change of heart.

In life, heroes are everywhere. They fight crime, save lives, and basically just do good deeds. Heroes follow their journey, which, when written, is actually very cliché. A hero follows a set of events in their journey that are rarely changed. In this essay, two hero’s are examined, Santiago from The Alchemist, and Dorothy from The Wizard of Oz. These two stories seem very different, but in the end, are actually very similar. When examined closely, one may find that their journeys are very similar, following the events of a hero’s journey. This seemingly simple set of events is found in almost every heroic story. First is the problem. The hero is in a not quite perfect way of life, and needs to fix it. Then there is the refusal, the hero is called up to fixed the problem, but refuses for whatever personal reason. Then they are forced to go, and meet a mentor. This mentor gives them the wisdom that they need to get through the journey. It may even be what the hero is striving to be. Then they cross the threshold from their ordinary world to the new special world. The fifth and sixth parts can be interchangeable. Trials and allies/enemies, either can come first. Then they reach what they have been striving for, the liar, the cave, the final destination as a normal person. Once the hero reaches this part, they will be forever changed. At some point in this final destination, they will be killed and reborn, whether it is metaphorical or literal. After this they will fight

In a novel, when a character makes a trip it usually becomes to be a quest at one point. “… structurally. The quest consists of five things: (a) a quester, (b) a place to go, (c) a stated reason to go there, (d) challenges and trials en route, and (e) a real reason to go there” (Foster 3). Questers are so often young, inexperienced, immature, and sheltered, that it makes the real reason for the quest, self-knowledge.

The setting of Siddhartha mainly consists of forests and small towns in India around 625 B.C.. These show importance to Siddhartha's journey because he learns from his surroundings. A hero's journey generally goes along the lines of beginning a quest that’s filled with ups and downs, but eventually prevails. His journey is important because Siddhartha reaches enlightenment or Nirvana, which is what all who

The “Hero’s Journey” as founded by Joseph Campbell, can be detected in numerous works of literature including Ernest Hemingway’s The Old Man and the Sea, and even in lives of the authors themselves. Ultimately, everyone’s lives are hero’s journeys, including Hemingway himself. Campbell’s “Hero’s Journey” is a way to categorize similar concepts in literature to help classify parts of the story. There are six main phases of the “Hero’s Journey”: the call to action, the answering of the call, the threshold guardians, the crossing of the threshold, the dragon battle and the master of two worlds. The call to action is the invitation the protagonist receives from someone or something to venture into the unknown. The protagonist likely

Candide is a good-hearted, but very naïve young man from Westphalia. From the very beginning Candide had his eyes on a beautiful woman named Cunegonde who is the Baron’s daughter. Candide was chased from Westphalia after being caught stealing an innocent kiss from

hero's journey is not solely “applicable to fiction but also to the journeys that everyone goes

The directing force of the journey in this novel is Candide’s love for Cunégonde. He goes to irrational lengths to chase his love which includes deserting paradise of El Dorado, numerous murders, and barely avoiding imprisonment and death sentence, mocked by the realism that once he can get married to Cunégonde, he is no longer fascinated to her.