The Incomplete Quad Analysis

In Nancy Mairs’ article for The New York Times, “Disability”, published in 1987, she expresses her distaste with the media's representation of handicapped people. Mairs, who struggled with multiple sclerosis herself, clearly and sharply conveys this disgust by stating, “I’m not, for instance, Ms. MS, a walking, talking embodiment of a chronic incurable degenerative disease.” (Mairs 13), and that she is actually, “the advertisers’ dream: Ms. Great American Consumer. And yet the advertisers, who determine nowadays who will get represented publicly and who will not, deny the existence of me and my kind absolutely”(Mairs 14). Mairs is greatly upset that disabled people are defined by their disabilities and, therefore, are underrepresented in public media. This might lead to one asking themselves, but why are they? And the answer, according to Mairs, is quite simple, “To depict disabled people in the ordinary activities of daily life is to admit that there is something ordinary about disability itself, that it may enter anybody’s life”(Mairs 14). Mairs concludes by pointing out how this effacement could have dangerous consequences for both disabled people and, as she called everyone else, TAPs (Temporarily Abled Persons) alike. Treating disabilities as an abnormal characteristic (as opposed to viewing them “as a normal characteristic, one that complicates but does not ruin human existence” (Mairs 15)) can cause one of these repercussions, as it makes the

In her essay “On Being a Cripple”, Nancy Mairs presents her audience with an honest inside view of her life and perspective as a cripple, a word she openly uses to define herself. She brings her world to us by discussing a wide variety of things including language, family, and humor, and how these all relate to her life. Through various stories and insights, she allows her readers to gain an understanding and acceptance of people with disabilities. She examines the public’s view of the disabled, as well as the views they have of themselves, and compares them to her own. She makes it clear that she is not to be defined solely by her disability. In discussing honestly her views, as well as

In the beginning of this memoir Sedaris uses his fantasy to show how disconnected he is from his reality and family by using rhetorical devices and strategies like a mocking tone and analogy. First off, Sedaris describes his unthinkable dreams when he states, “I'm thinking of asking the servants to wax my change before placing it in the Chinese

In the book, The Short Bus, Jonathan Mooney’s thesis is that there is more to people than their disabilities, it is not restricting nor is it shameful but infact it is beautiful in its own way. With a plan to travel the United States, Mooney decides to travel in a Short bus with intentions of collecting experiences from people who have overcome--or not overcome--being labeled disabled or abnormal. In this Mooney reinvents this concept that normal people suck; that a simple small message of “you’re not normal” could have a destructive and deteriorating effect. With an idea of what disabilities are, Mooney’s trip gives light to disabilities even he was not prepared to face, that he feared.

Someone who is crippled often receives pity and sympathy from others, but do cripples always want this? In this passage entitled “On Being a Cripple,” Nancy Mairs uses interesting word choice, repetition, and a sarcastic tone to touch upon a subject that most mature non-crippled Americans are not entirely comfortable with; using the so widely feared word “cripple” instead of the common “handicapped” or “disabled” to be polite or politically correct. Elaborating to a society, so infatuated with being politically correct, that using a word considered derogatory to most may be necessary according to exact definition is Mairs’s purpose in writing this passage.

In Nancy Mairs ' "On Being a Cripple," she deliberates the relationship between the English Language, American Society, and her struggle with multiple sclerosis (MS). Mairs criticizes people for wincing at the word "cripple," and using terms like “differently abled,” because they lack reality and accuracy. She equivalents society’s inability to accept crippledness with death, war, sex, sweat, and wrinkles. Through the usage of ethos, pathos, logos and other rhetorical devices, she effectively tells her story and proves that there is power in words, from which she could come to terms with a new fact of her identity, and to accept the incurability of her disease.

Unspeakable Conversations by Harriet McBryde Johnson is an article about her experience visiting Princeton University to exchange views and challenge Peter Singer, a professor who strongly believes that all disabled people, like herself, are “better off” not been born at all. The article provides an insight into Johnson’s life as a disabled person. She takes the readers on a journey that explores both sides of her own and Singer’s contrasting beliefs. She protests the prevalent stigma and prejudice of disabled people and gives voice to this marginalized community. Johnson challenges stereotypes of disability, uses her a personal experience to better understand the world and help others, and attempts to directly address oppression by arguing against Professor Singer’s theory and assemble a group of diverse and like-minded people for social change.

If you saw a person in the mall in a wheelchair, would you judge them? Or would you look at them like they are a normal human-being? People who have a disability whether they are physically disabled, mentally disabled, or learning disabled, are still themselves. Nancy Mairs was forty-three year old woman with multiple sclerosis. She wrote an essay, “Disability”, that explained her views of her physical disability.

People with disabilities are not completely gone. They are still there and have a mind of their own. They feel emotions and sometimes have a more complex mind than others. Two authors help enlighten this idea that disabled people are much more than helpless bodies. Both Christy Brown and Jean-Dominique Bauby perfectly illustrate their lives and what it is like to be disabled, and they prove by their stories that they think and feel, and can even develop enough to share what they feel with the world. My Left Foot is about the journey of a boy suffering from cerebral palsy. His entire life he was labeled as a loss cause by doctor after doctor, but his mom never gave up hope. Slowly, he started showing signs of development by random movements responding to certain situations. In the end he ends up being able to communicate with his left foot. The next story, The Diving Bell and the Butterfly, is about an individual who suffered a stroke at the age of 43, leaving him paralyzed, only able to blink his left eye as communication. He develops his own alphabet inspired by the French language in order to exchange conversations with others. His thoughts in the story jump from the present, him currently disabled, and the past, when he was not. Both memoirs, with very different stories, show the lives of two individuals that are not like others. One who had their disability since birth, and the other who obtained one after a tragic event. In My Left Foot by Christy Brown and The Diving Bell and the Butterfly by Jean-Dominique Bauby, both authors use characterization to show readers the struggles of disabled people and help them understand that just because they can’t use motions such as hand gestures to express how they feel, doesn’t mean that they don’t think and feel.

By listening the reading, the meaning of the story changes by the way David Sedaris reads. His reading can be compared to the telling of story, so his tone and the voice use in some sentences emphasize the meaning and allow to have a clear understanding of the story. There are different elements in this story in which David Sedaris exemplifies literary terms. Some of them are:

‘Normal’ what does that mean? For many, this means fitting into the group and being the same as everyone else. In most groups ‘normal’, means having both legs and arms, being able to hear and see, not needing help in everyday tasks, like going to the washroom or getting dressed, drinking and eating. For people with disability, ‘normal’ is different, and changes from day to day depending on the tasks or how they are feeling that day, some need extra help, while others have learned to accomplish tasks by themselves. Through Jim Ferris’s poem “Normal” and Adam Pottles “Hearing Test” a different point of view is given for what is considered ‘normal’. “Normal” uses a simple baseball game to show how disability is affecting a child’s life, while

In the vignette GO CAROLINA by David Sedaris, David gets regarded as an ostracized person. His actions in the novel make a theme. The theme of the short-story “GO CAROLINA” is that one may always find light between obstacles even though one lives may be disclosed, because there is always a world full with love from the inside. Sedaris shows the theme throughout the story by showing a hyperbole for one example: “David’s not here today but if he were, he’d have a speech therapy session at two-thirty” (3).

Disabilities within the characters of “The Life You Save May be Your Own” by Flanner O’Connor

Quadir responded well to intervention. Quadir continues to make progress towards his goals. Quadir stated, no. Quadir stated, his behavior, his thoughts, and his feelings. Quadir stated, anger, frustration, fear hurt and upset. Quadir stated, by behaving in an appropriate way, for example waiting his turn to use something, not yell and screaming about something, not saying mean thing to people, not using profanity. Quadir stated, like power, confidence, and proud. Quadir stated, he felt sad , when his mother told him she will not get him any Christmas gift because of his behavior, being pushed by his teacher, and not being able to explain himself, when his mom say negative thing about gay people. Quadir stated, he felt uncomfortable, when the

Did you know that there are more than 132,500 quadriplegics in the United States alone? In the novel Me Before You, Will suffers the struggle that a quadriplegic must face on a daily basis. Will got paralyzed by being hit by a motorcycle while crossing the street, and ever since that day has been depressed and wanting to demise. That’s where his altruistic caregiver, Louise, plays a huge role in trying to lift Wills spirit and urge to live. There are three objects essential to knowing the personality of Will: a wheelchair, a television, and a scissors.