The Individuality of Daisy in Henry James' Daisy Miller Essay

Daisy is a vain lady. She marries Tom for money and status, and turns her back on true love and happiness, which is represented by Gatsby. Her American Dream is to enjoy a luxurious and comfortable life given to her by, hopefully a man who truly loves her, and whom she also loves. The corruption of her human values begins when she decides not to wait anymore for Gatsby, her real love, but to take the opportunity that Tom Buchanan offers, which are money and status. Her choices reveal her vain and superficial nature hidden beneath her beautiful and innocent look. When Gatsby returns with wealth and status in order

The Great Gatsby is considered to be a great American novel full of hope, deceit, wealth, and love. Daisy Buchanan is a beautiful and charming young woman who can steal a man’s attention through a mere glance. Throughout the novel, she is placed on a pedestal, as if her every wish were Gatsby’s command. Her inner beauty and grace are short-lived, however, as Scott Fitzgerald reveals her materialistic character. Her reprehensible activities lead to devastating consequences that affect the lives of every character. I intend to show that Daisy, careless and self-absorbed, was never worthy of Jay Gatsby’s love, for she was the very cause of his death.

Through the course of the novel, Daisy handles her husband?s affair very calmly. Even when Tom?s mistress telephones during dinner Daisy exclaims, ?it couldn?t be helped,? (20). Although she must obviously be hurting deeply on the inside, Daisy displays no physical signs of distress over her husband?s affair. This makes her appear stronger than she really is.

Despite being a woman, she is sexist even towards her daughter. In the beginning, Daisy expresses her hopes for her daughter, “I hope she’ll be a fool-that’s the best thing a girl can be in this world, a beautiful little fool” (Fitzgerald 17). Women in the 1920’s gained more opportunity and freedom. Daisy’s rejection of these ideas demonstrates her resistance to conform to the society which explains her old-fashioned reasoning. Moreover, this reflects Daisy’s perspective that a girl’s intelligence should not be valued more than her appearance.

The novel’s key female character, Daisy Buchannan, represents the role of Tom’s shallow trophy wife who is idolized as the “ideal” individual within the consciousness of Jay Gatsby. Subsequently it was never Daisy’s knowledge or character type that attracted Gatsby; it was more based upon her wealth, “That was it. I 'd never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, [and] the cymbals ' song of it” (Fitzgerald, 99). Although Daisy is far from being flawless, Gatsby interprets

who live and judge other people based on the common value of the rigid morals systems at that

Although Daisy Buchanan presents herself as an innocent character, she is actually a materialistic character with corrupted morals. Constantly in the pursuit of wealth and material objects for financial security and social status, Daisy has an emotional breakdown after seeing Gatsby’s luxurious clothing, “It makes me sad because I’ve never seen such- such beautiful clothing before”

Daisy is in love with money, ease, and material luxury, all things a rich Southern Belle grows up with.  After her marriage to Tom, she is whisked away to the east, the symbol of 'old money' and corruption of America.  Here she becomes more comfortable in she and her husband's abundant assets and allows the corruption of the east to take her over- she becomes reckless and even more materialistic.  She treats her own daughter as nothing more than an object to show off and treats Gatsby, the man who dedicated his life to seeking her out, as if he had never existed.  The combination of the Southern Belle stereotype along with that of the corrupt Rich Easterner creates the perfect portrait of Daisy Buchanan.

In Henry James’s “Daisy Miller” and Edith Wharton’s “The Other Two,” the narrators each disclose the complications of their party’s social formalities during circumstances within their own society. In both short stories, Winterbourne and Waythorn try to figure out their adored ones character and motives but for different reasons. In “Daisy Miller,” it’s noticeable that Mr. Winterbourne ends up longing for Daisy Miller as he tries to fully categorize the character she’s carelessly ruining. While in “The Other Two,” the narrator examines a society of how a married couple, Waythorn and Alice, adjust to an awkward

Daisy, like her husband, is a girl of material and class at heart, and Gatsby being her escape from a hierarchist world. Daisy has just grown up knowing wealth, so in her greedy pursuit of happiness and the “American Dream” Myrtle Wilson died, Gatsby's heart and life were compromised, without claiming responsibility on her part. Daisy was “by far the most popular of all the young girls in Louisville...” (116) Jordan says, describing early affections between Daisy and Gatsby. She goes on to say, “...all day long the telephone rang in her house and excited young officers from Camp Taylor demanded the privilege of monopolizing her that night.” (116) . Daisy was a fancied girl who has Gatsby tied around her finger, Jordan explains that he was looking at Daisy “...in a way that every young girl wants to be looked at some time...” (117). Daisy, abusing Gatsby’s love for her uses it to create security and protection, greedily and selfishly allowing him to take the fault. While Daisy’s beautiful, alluring traits turn her into an innocent, naive flower, she plays the ultimate villain.

Daisy illustrates the typical women of high social standing; her life is moulded by society’s expectations. She is dependent and subservient to her husband. She is powerless in her marriage.

Her actions are viewed as foolish, creating the stigma around women, and though Daisy does not see herself as a fool, surprisingly she expresses that “the best thing a girl can be in this world [is] a beautiful little fool (Fitzgerald, pg 17).” Yet, Daisy is not a fool; she is merely a victim of her environment which is influenced by gender, money, and status. This leads to Daisy having no power or control over her own life and feeling as though women can only be “beautiful fools” as stated earlier.

James' manipulation of appearances in Daisy Miller as well as other character's notions of these appearances provides us with a novella of enigmatic and fascinating characters. Daisy, the most complicated of these ambiguities, is as mysterious as she is flirtatious. James gives her a carefully constructed enigmatic quality that leaves the reader wondering what her motivations were and who she truly was. He structures the novella in such a way as to stress the insights that the supporting characters provide into Daisy's character, weather accurate or erroneous. Despite their questionable reliability, they allow James to make commentary on both European and American cultures and social class.

Daisy also went against the social norms of the society when she began to talk to Winterbourne (472). James is displaying Daisy as a tramp because she is traveling around and talking to Winterbourne when she should be a conservative woman who stays with her mother or only goes out with a chaperone.

Besides the visual blazon he writes on Daisy as a traditional weapon of subjugation (and which permits him, momentarily, to "mentally accuse" her face "of a want of finish" [7]), Winterbourne tries something equally dominating‹to usurp Daisy's own power of sight by judging her eyes only on aesthetic terms. In their meeting, Daisy is at first ostensibly pinned by Winterbourne's evaluative gaze of superlatives and particularization, but her eyes tell another story: "She sat there with her extremely pretty hands, ornamented with very brilliant rings, folded in her lap, and with her pretty eyes now resting upon those of