The Inevitability of Death

They used a hard vocabulary to contain the terrible softness. Greased they 'd say. Offed, lit up, zapped while zipping. It wasn 't cruelty, just stage presence. They were actors. When someone died, it wasn 't quite dying, because in a curious way, it seemed scripted, and because they had their lines mostly memorized, irony mixed with tragedy, and because they called it by other names, as if to encyst and destroy the reality of death itself. "

In the fourth and final stanza Frost uses the riming of all four sentences to draw the reader into the climax of the poem, “the woods are lovely dark and deep/ But I have promises to keep/ and miles to go before I sleep/ and miles to go before I sleep”. This grouping leads the reader to feel that

     Frost?s poem delves deeper into the being and essence of life with his second set of lines. The first line states, ?Her early leaf?s a flower.? After the budding and sprouting, which is the birth of nature, is growth into a flower. This is the moment where noon turns to evening, where childhood turns into maturity, and where spring turns into summer. At this very moment is the ripe and prime age of things. The young flower stands straight up and basks in the sun, the now mature teenager runs playfully in the light, and the day and sunlight peak before descending ever so quickly into dusk. The second line of the second set states, ?But only so an hour,? which makes clear that yet again time is passing by and that a beginning will inevitably have an end.

The first stanza introduces the poem through the usage of enjambment. By using enjambment, Frost allows the reader to become acclimated to the story. This acclimation is necessary due to the usage of imagery in the poem. End-stopped lines are used next to pull the story along. Frost then uses enjambment again to act as a reprieve before the stanza concludes with an end-stopped line. The second stanza, which coincides with the beginning of the second day, begins with enjambment as well. Three end-stopped lines conclude the last stanza. Both stanzas follow the same general pattern when it comes the poetic devices.

What are the rhythm patterns that Frost uses in the poem (include the scansion and technical methods: alliteration, assonance, and consonance)? Frost uses both masculine rhyme and end rhyme. The masculine rhyme is the rhyming sounds that contain only one syllable such as wood, stood, and should. The end rhyme pattern that Frost uses is, A, B, A, A, B C, D, C, C, D E, F, E, E, F and G, H, G, G, H. (Arp & Johnson, 2009). There are lines of this poem that show the alliteration method, two examples are found in line 6-“then took the”, and line 8- “wanted wear” Assonance also

The poem does not follow a rhyme scheme or meter, which means that there is rhythm in the poem and it makes the poem more like a song. The poem has four stanza’s and has five lines within each stanza.

The poetic techniques were symbolism, imagery, and tone. Symbolism is the most powerfully used technique due to the fact a good number of lines located in this poem is used to signify a certain object or idea related to our life or today’s world. Imagery in the sense that you can visualize the path, the yellow wood, the undergrowth, the divergence; it is all made very vivid. Frost did this throughout; you know trying to stimulate the reader’s mood using one’s senses. In this poem, imagery permits the reader to imagine the scene that this poem takes place in resulting in an enhanced understanding of the theme. The tone Frost’s work presents is an insecure attitude which allows the theme to be brought out due to the fact the theme relates to a dilemma in one’s life. These techniques strongly aid in the revealing of this specific theme.

Frost uses a lot of end-stopped lines and enjambment in the lines of his poem. Both have an effect on the way the poem is read by the readers. The lines which use end-stops can be found throughout the beginnings of the poem.

?The Road Not Taken? was structured by Frost to form four quintains. The majority of the lines contain nine syllables. This structure is maintained through out the poem. The stanzas are arranged like that of a thought. One continues to undermine the other, much like decision making. Our first thoughts are always second-guessed by our second and so forth until we make our final decision, which cancels out all that was thought before. This is what Frost manages to do in the arrangement of his stanzas.

   Ernest Hemingway has been greatly criticized for a supposed hatred of women that some feel is evident in his writings. One of the primary books that critics believe shows this misogynistic attitude is A Farewell To Arms. It is counterproductive to interpret the book using such a narrow focus because the author is dealing with much more profound themes. Hemingway is not concerned with the theme of gender equality, but rather with the greater themes of the inherent struggle of life and the inevitability of death.

Frost describes the little boy's work in the first two lines by saying the 'stove-length sticks of wood,' inferring the practical nature of his work. The mountains described in the next lines further add to the captive nature of the poem. Vermont provides a

Poetry is a literary medium which often resonates with the responder on a personal level, through the subject matter of the poem, and the techniques used to portray this. Robert Frost utilises many techniques to convey his respect for nature, which consequently makes much of his poetry relevant to the everyday person. The poems “Stopping by Woods on a Snowy Evening’ and “The mending wall” strongly illuminate Frost’s reverence to nature and deal with such matter that allows Frost to speak to ordinary people.

The poem Out Out--, is about life and how it could end at any moment by death. Thus, the title is known to have come from a scene in Macbeth, “The way to dusty death. Out, out, brief candle!” (23; Macbeth). With this poem, Frost emphasizes death as a result of the everyday life on a farm as a young boy, who by accident or with the lack of attention has severed his hand, lost too much blood, and died. Like a candle being blown out, death can become us at any moment of our everyday lives.

Also, there is an end rhyme occurring at the end of the lines of the poem which puts it in the ABABCDCDEFEFGG form. In line nine there is a pause in the middle of the line that is called a caesura. With words such as gently, strictly, loosely, slightly shows that Robert Frost was using assonance in his poem.

“Poetry is when an emotion has found its thought and the thought has found words,” Robert Frost once said. As is made fairly obvious by this quote, Frost was an adroit thinker. It seems like he spent much of his life thinking about the little things. He often pondered the meaning and symbolism of things he found in nature. Many readers find Robert Frost’s poems to be straightforward, yet his work contains deeper layers of complexity beneath the surface. These deeper layers of complexity can be clearly seen in his poems “ The Road Not Taken”, “Fire and Ice”, and “Birches”.