The Influence Of 3 D Films In The 1980s

During the early 1900s, the film industry had just gained popularity but the films during this era were drastically different from films today. Films during this time were done in white and black, were much shorter, and were without sound. In this silent film era, no star shined brighter than that of Charlie Chaplin. Chaplin is without a doubt the biggest name of film during this or possibly any era. In fact, Chaplin should be considered the greatest influence of the film industry in the 1920s because of his fame in silent film, his career as a director, his controversial satire, and the popularity of The Tramp.

1960s cinema reflected the good and the bad of the decade. 1960s cinema influenced many of the films we have today. 1960s cinema brought attention to movie musicals, which were movies that had many song and dance numbers along with dialogue and blocking. Three of the biggest hits of the decade were movie musicals. Some of the decade’s biggest hits, including the movie musicals, are still popular today. In the 1960s, there were many popular movies, both in theaters and on television, which were produced with money and lots of work. However, 1960s cinema also had a downfall.

In the early 1900’s silent films amazed audiences with images, later talkies impressed with sound, today we have 3D. As technology continues to evolve so too will film genres. Genres, while having some shared characteristics, also differ in terms of stylistic devices used. For instance, the dramatic film “The Notebook” effectively uses color to reinforce theme and has plausible performers as the two main protagonists.

Film has revolutionized the world as we know it. In the current day and age film is quite advanced. You can watch movies with special effects and insane resolution there were never thought possible before. But film has not always been this way. Over the decades since around the 1900s when the first film was made there been amazing advances in technology and in acting. An examination of the past hundred or so years will show the amazing advances film has taken to come to what we know of it today.

MP 3. – Aesthetic Choices – In this area, you will assess the efficacy of specific techniques and design elements employed in the film as they apply to the overarching narrative and theme of the film. These elements include: science fiction films can often be seen as allegories for things that society may not want to be discussing. These alternative realities allow for the use of allegory in referencing both current events and history, whereas stories set in contemporary

In the novel 1984 written by George Orwell a telescreen is described as “an oblong metal plaque like a dulled mirror which formed part of the surface of the right-hand wall” (Orwell 4). The telescreens that are placed almost everywhere in the fictional world of Oceania have some unique features as well. They can not be completely shut off they can only be dimmed although that does not really benefit anyone as the words can still be easily distinguished (Orwell 4). The purpose of this device is to display information as well as receive information (Orwell 5). They are mainly used to display political propaganda and they are also used to listen and spy on all the inhabitants of Oceania. These telescreens eliminate personal freedom, they expose

In “Why I Hate 3-D(And You Should Too),” author Roger Ebert condemns the use of 3D in the Hollywood industry. Ebert states that this technology is a waste and it’s pointless

Film Industry has been expansively affected by the changes in technology. The mechanical and digital innovations give cause to the influence of equipment, distribution and the way in which films are made and consumed. New trends shape directors and filmmakers to expand creatively towards telling stories in motions. The film industry has developed to one of the most important tools of communication, it's cause so powerful affecting the way individuals and societies think, act and behave. Among the new Era approaching film, and seeing celluloid film fade is that of the Digital Era and a camera that saw celluloid films passing hastened.

No matter who a person thinks invented the motion picture camera, whether it was Louis Lumiere or Thomas Edison, I'm sure they had no idea what it would become at the turn of the century. Motion pictures, has become an entertainment medium like no other. From Fred Ott's Sneeze to Psycho to Being John Malkovich, the evolution from moving pictures to a pure art form has been quite amazing. Different steps in filming techniques define eras in one of the most amazing ideas that was ever composed. Silent to Sound. Short to long. Black and white to color. Analog to Digital. All were important marks in the History of Motion Pictures. "It's different than other arts. It had to be invented"

Planes: Artistic Analysis In any text there are many artistic characteristic. In a movie especially in movies, and the movie Planes is chalked full of artistic merits. The movie’s biggest artistic element is its music.

III. Currently, when any person hears the term 3D, they do not vision the stereoscope or view masters, and instead they picture plastic glasses with red and blue lenses.

Finally, I think the most important theoretical perspective is “conflict theory” because in this film they show this perspective a lot. Then, this theoretical perspective is the one that reflects gender struggles. Conflict Perspective is the approach emphasizing the role of conflict The Conflict Theorists examine the conflict between the genders in the film. For instance, GI Jane had to cut her hair because the struggles with the boys. Also, when the boys does not wanted to share a room with a woman.

James Cameron’s Avatar being in 3D was one element that contributed to the stiking visualization of the movie. 3D visualizations attract viewers because 3D is the natural form of vision for predators. Stereoscopic 3D vision contributes to a sharper and more insightful trajectory interception, hence the reason viewers are more drawn to 3D movies than 2D ones.

During the mid to late years of the 19th century, a new form of entertainment emerged. Film entered the stage of innovation. New marketing and technological innovations developed for film to become the art it is today. In the 1830s, Joseph Plateau designed the Phenakistoscope. This device had a picture in the middle of a wheel made with mirrors and small openings. When spun, the Phenakistoscope made the picture appear to move. The name changed to Zoetrope in the 1860s and producers advertised the product as an accessory every home needed (Dixon & Foster, 2008). Later inventions that preceded the first motion picture camera include: Henry Du Mont’s Omiscope, Henry R. Heyl’s Phasmatrope, Eadweard Muybridge’s Zoöpraxiscope, Etienne-Jules Marey’s fusil photographique and Eastman Kodak’s chronophotographs (Parkinson, 1997). With a design by Thomas Edison, William Kennedy Laurie Dickson built the first modern movie camera, the Kinetograph, in 1890 (Dixon & Foster, 2008). In 1895, Auguste and Louis Lumiére patented the Cinématographe, a machine that combined the engineering of a camera and a projector (Bergan, 2006). Businessmen capitalized on the growing need for a place to witness these brand new films, thus they charged people to see them in their living rooms (Potter, 2014). These creations made movie-making a reality.