The Influence Of Malefice In Disney

Disney movies have been the leading outlets for child education and social learning. Due to such power of influence controversies have been raised which include the following, but not limited to, gender roles and stereotypes, issues of independence, and misrepresentation. Many people argue that despite the morals and messages that occur within such films there are still underlying messages that deal with beauty standards and norms. However, others may argue that Disney is evolutionary and evolved the imagery of male/female standards. The controversy then becomes: are Disney films doing more harm than they are good? Due to certain themes brought on by such movies, it has left younger audiences with both positive and

During The Crucible Abigail Williams has a dishonest, conniving, and aggressive nature, which causes others in the play to be affected and many people killed. She is very rude and very mean to the others, and she lies about things to make herself look good, and make her look innocent. People in the village know Abigail as a innocent child, but she is really a evil person and she causes people to be harmed. As Abigail goes throughout the play , people begin realizes that she is evil , and that she has been lying.

The website is titled “Growing Up With Disney” and covers eight Disney movies produced in 1989 to 2016. Each movie gets its own webpage that focuses on the female lead character and each webpage includes a summary of the movie and a reflection of my thoughts on the character. The reflections focus on the formations of gender roles and how Disney has changed in the span of these eight movies. The audience targeted is those who share the same love for Disney movies and grew up watching them.

Disney strongly portrays gendered stereotypes using their eleven official princesses. Young children, specifically young girls in this case, are extremely susceptible to being influenced by the portrayal of these gendered stereotypes. Golden and Jacoby performed research regarding how preschool girls interpret the gendered stereotypes shown through Disney Princess media, through both the young girls’ pretend play behaviors and the discussion of the princesses. Golden and Jacoby performed this research project in order to examine the perception of young girls in relation to princesses and awareness of gender-role stereotypes, a different research study found that girls who lived and accepted gendered stereotypes, in believing that women

According to A Dictionary of Journalism, the media is defined as journalism as part of a much broader field of public communication organizations, including newspapers, magazines, radio stations, TV channels, the film industry, the music industry, websites, advertising, and public relations. For young children, media plays a predominant role in developing schemas of one’s identity, including body image, and gender roles. Young children spend the majority of their time viewing media, therefore the process of generating one’s identity based on his or her observation of media is inevitable. Disney’s princess movies have brought significant effects to children’s development of their identities. There are three main stages of Disney movies. The first stage is the “princess” stage, where the movie depicts the most stereotypes (i.e. Snow White and the Seven Dwarfs). The second stage is the “rebellious” stage, where the princesses are illustrated as curious and adventurous, yet still show the aspect of female stereotypes (i.e. Jasmine in Aladdin). The third stage is the “hero” stage, where the princesses are shown to fight the female stereotypes (i.e. Mulan). Although Disney has portrayed more complex, yet evolving gender roles as time went on, Disney’s princess movies had significant effects on young audiences by planting changing gender stereotypes.

Questioning the masculinity within male characters of Disney/Pixar, by watching their son's perspective on the film "Cars," in "Post-Princess Models of Gender: The New Man in Disney/Pixar," Ken Gillam and Shannon R. Wooden examine multiple movies and point out that the leading male characters in "Cars," "Toy Story," and "The Incredibles," are victims of emasculation. Prior to Disney/Pixar releasing nine movies, Disney conveyed all its main male characters to be "alpha male" (472). However, Pixar opened new types of characters, those that led to having the characters' masculinity stripped by another supporting character in the film. The authors draw attention from the strong male model to the "New Man" (476) role. Gillam and Wooden focus on the main male characters in each of the movies who all start with a high machismo personality, which rapidly transitions into an effeminate identity.

When you think of Disney, you think about how everyone lives their happy ever after fairytale. Most Americans grew up with Disney and have a strong connection with the brand. Yet, there is a lot more to a classic Disney film, then what the average American sees the first time viewing.

A little girl sits on the floor with her gaze fixed on the television screen in front of her, watching magical images dance before her eyes and catchy songs flow through her ears. Even though she had seen it at least twenty times before, she still loved The Little Mermaid just as much as she did the first time she watched it. As she watched it, she longed to be a beautiful mermaid with a curvy body and wonderful singing voice like Ariel. She longed to be saved by the handsome Prince Eric, and fall in love and live happily ever-after like Ariel did. In today’s society, women strive to achieve equality between the sexes. Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these

What young girl does not dream of becoming a princess and living in a castle happily ever after? Virtually every young girl identifies with princesses and has watched at least one Disney Princess movie. From the first movies of Snow White and Cinderella, to the later movies of The Little Mermaid and Beauty and the Beast, to the most current movie Moana, Disney Princess movies permeate not only the movie theaters, but also our culture. In fact, “becoming a princess is as easy as purchasing a tiara and hosting a princess-themed birthday party or buying a Halloween costume and playing pretend” (Garabedian, 2014, p. 23). Nonetheless, as declared by Princess Merida in the movie Brave, “there comes a day when I don’t have to be a princess. No rules, no expectations. A day where anything can happen. A day where I can change my fate” (Andrews & Chapman, 2012). In other words, does the life of a princess measure up to the expectations of little girls everywhere? The Disney Princess brand has grown incredibly popular, especially with young girls. In spite of this, the franchise has also become extremely controversial due to potential gender stereotypes in the films. “Gender is one of the most discussed topics in today’s society…[it] represents and also reproduces certain attributes, expectations and roles which are associated with male and female…influencing the views and opinions of future generations” (Maity, 2014, p. 31). Yet, is the Disney Princess brand harmful to young children due to gender stereotypes? Two essays that contemplate the Disney Princess brand and gender stereotypes with opposite viewpoints on this controversial issue are “Girls on Film: The Real Problem with the Disney Princess Brand” by writer Monika Bartyzel and “In Defense of Princess Culture” by writer and mother Crystal Liechty. However, Liechty’s essay “In Defense of Princess Culture,” is the most effective article in convincing the audience of her point of view due to the claim, support, warrant, language, and vocabulary employed.

For decades now, Disney Corporation has been providing us with countless films made to delight and amuse children and adults alike. But not all Disney films seem particularly appropriate for their target audience. Many of these films portray violence, gender inequality, and skewed views of leadership roles that seem altogether inappropriate for impressionable young children. Better and more contemporary heroines need to be added to Disney’s wall of princesses in order to counteract years of sexism.

In the article, “Post-Princess Models of Gender: The New Man in Disney/Pixar,” written by Gillam and Wooden, they argue that Disney's line of animated movies depict a “new man.” Their argument is based around three movies: Toy Story, The Incredibles, and Cars. Gillam and Wooden then state that all three of the movies start with a traditional alpha male character who, throughout the movie, begins to accept his more “feminine” aspects. The idea that the two present is that the lead characters show traits of “acute loneliness and vulnerability.” From there, Pixar emasculates the character through some type of disempowerment that then leads to the overall maturing of the characters (Gillam and Wooden). Throughout the article they bring up many great arguments of which I agree to. However, Gillam and Wooden only cite the three movies mentioned above, when in fact Disney/Pixar has continued with the trend of having an “alpha male” character who throughout the film becomes more mellowed out and less dominant. The idea of emasculation can be carried into the Pixar movie “Up,” where the viewer can witness acute loneliness, slight depression, and eventually the admittance of defeat, where the character is forced to take on help and accept the “emasculation”.

Disney is one of the most successful and largest companies in the world. They have their hand in nearly every form of entertainment as well as media, and broadcasting. Disney is best known for their animated films, unique cartoon characters, catchy musicals, and fairy tales that most of us were first introduced to as children. They are one of the few entertainment companies in the World whose primary demographic is children and teens. Nearly everybody is familiar with the Disney name and its brand, and its realistic to suggest that nearly everybody has experienced a Disney film and animated character at some point in their lives; which may have helped to influence them or their behaviors or even their

Introduction: As long as there have been civilizations, there have been stories, myths that are told to children. These stories are usually the basis of the cartoons characters except some which are from creator’s imagination. This story telling is a means of not only comforting and amusing a child, but of teaching the child the societal norms of their nation. These are memorized by children and remembered forever. Children idolize their favourite character, the character they have most in common with and are best able to identify with, and try to emulate that character’s

Overall, the social structure theories observe institutional provisions within a social structure and social processes as they affect socialization and have a major influence on social life. According to the social structure theories, a person's position in the socioeconomic structure influences their possibility of becoming a criminal. For instance, people who are underprivileged are more probable to commit crimes because they are unable to achieve economic or social success in any other method. Therefore, crime is the result of an individual's position within the structure of society. In general, there are three main types of social structure theories including the social disorganization theory, the strain theory, and culture conflict perspectives.

In Arthur Miller’s, The Crucible, the figures of authority have to find ways to settle the uneasiness throughout the town, whilst proving their citizens guilty and innocent. This becomes especially difficult for Reverend Parris and Reverend Hale, when the townspeople put an immense amount of pressure on them, because of their social status and capabilities. Reverend Parris has authority because, in a Puritan society, church and government are closely tied together. Though, he does not use his authority in an effective way when the trials are occurring for the reason that, he is committed to protecting his reputation, and his social standing. When Parris finds out that the reason his daughter cannot wake is because of Abigail and the other girls dancing in the forest, he draws the conclusion that his name and reputation will be ruined, “I saw it! Now tell me true Abigail. And I pray you feel the weight of truth upon you, for now my ministry’s at stake … Abigail, I have fought here three long years to bend these stiff-necked people to me, and now, just now when some good respect is rising for me in the parish, you compromise my very character” (Miller 11). Parris is ordering Abigail to tell him the truth about what had happened in the forest, the day that all the girls were together. She denies that it was witchery or any activity that could harm anyone else, “it were sport uncle!” (11). Revered Parris continues to attempt to force it out of her, by informing her that he is