The Influence Of Personal Experiences In Mary Shelley's Writing

Can you guess who was born during the 8th year of the French Revolution? It was a beautiful young women borned as Mary Wollstonecraft Godwin. Mary was born on August 30, 1797 in London, England. Mary was the child of Mary Wollstonecraft and William Godwin. She was later married to a man named Percy Bysshe Shelley. Mary’s parents were both writers which inspired her to later on in her life to write horror novels. Mary Shelley, the famous author of “Frankenstein”, used the experience of her hardships in life to create gothic and memorable novels that still can be appreciated by today’s readers.

Mary Wollstonecraft Shelley was born in 1791 in London. She is the daughter of Mary Wollstonecraft and William Goodwin. Wollstonecraft was a radical feminist writer, and Goodwin was a writer as well as a philosopher. It was said that this couple's combined intellect was dangerous to society; however, days after Mary's birth, Wollstonecraft died due to complications from the pregnancy. Mary spent a lot of time visiting her mother's grave when she was growing up. Her father taught her how to spell her mother's name by having her trace the letters on the headstone with her fingers, an interesting yet morbid way to teach a seven year old how to spell. Goodwin raised Mary by himself for the early part of her

Mary Shelley alludes to literary text, intellectual history, and her personal life in order to deliver the theme with literary style, to develop the characters’ background, and to emphasize the universality of the story. Literary texts such as Paradise Lost, The Rime of the Ancient Mariner, and the myth of Prometheus induces a sense of how commonplace the story of Frankenstein could be. Intellectual history adds to that effect by emphasizing the story with logic. Similarities to her personal life such as her childhood and marriage exemplifies her point. The external references in the novel serve to represent the Gothic and Romantic Movements and to encourage the readers to relate the situation to their own lives.

Human are the most social animals in the world. When becoming isolated, it a signal that emotions have been turned amongst ourselves. If not already there, it is normal to feel depressed, lonely, alone. In Mary Shelley's gothic novel, both the monster and Frankenstein are isolated. Frankenstein will not tell anyone about his creation because he has no one to pour his emotions out to. This causes the loss of his family, friends,and lover. Until the end, he tells his experience to the force but was never really believed so his tale is only really heard by Robert Walton, an explorer with ambitions as strong as Victor himself. In Shelley's novel, she characterizes Victor Frankenstein and the monster as being isolated to convey their misery.

Emotional isolation in Frankenstein is the most pertinent and prevailing theme throughout the novel.  This theme is so important because everything the monster does or feels directly relates to his poignant seclusion.  The effects of this terrible burden have progressively damaging results upon the monster, and indirectly cause him to act out his frustrations on the innocent.  The monster's emotional isolation makes him gradually turn worse and worse until evil fully prevails.  This theme perpetuates from Mary Shelley's personal life and problems with her father and husband, which carry on into the work and make it more realistic.(Mellor 32)  During the time she was writing this novel, she was experiencing the emotional pangs of her

Mary Shelley’s novel Frankenstein and Samuel Taylor Coleridge’s poem “The Rime of the Ancient Mariner” are similar pieces of works because they both emphasize the consequences of defying laws of nature. Both of the stories are told in a third person point of view and in a series of flashbacks. In Frankenstein, Robert Walton tells the majority of the story and in “Rime of the Ancient Mariner” it is told by the wedding-guest. The protagonist of both stories challenge nature and get punished for their mistake. Shelley and Coleridge both do a masterful job incorporating romanticism and Gothicism s into their works.

Mary Shelley discusses the themes of birth and creation, appearance and the necessity of companionship, love and acceptance in her novel Frankenstein. The themes that are explored in Frankenstein are relevant to today’s modern world. Shelley challenges readers by endorsing and confronting attitudes and values in her text through the events, circumstances and outcomes that take place in the novel, thus causing the reader to reflect upon their own lives and in turn the society around them.

Mary Shelley, author of Frankenstein, references many other works of literature in her renowned book. To name a few of the referenced works there were John Milton’s Paradise Lost, the Greek “Prometheus myth”, and the widely known poem by Samuel Taylor Coleridge, “The Rime of the Ancient Mariner”. Each of these allusions gave a new meaning to Shelley’s story, affecting how each of the readers interpreted her words.

“Frankenstein” by Mary Shelley was born out of the waking nightmare she had on June 16, 1816 (see notes 1 and 4). It was an intense vision that produced one of the greatest and powerful horror stories n the western literature, it is a story which assumed a mythic view as it taken into account the profound result concerning understanding of a man of his position in the world and the results of transgressing against nature and God (Gilbert, 2000, 1-4).

Frankenstein is a story full of questions and excitement. What is interesting about Shelley’s novel is the absence of God and multiple female characters. She ignores the proper way of conception and birth. Due to this, the science of what Victor accomplished had gone awry. His goal while creating the monster was a perfect race in which they would help mankind, “even though the dream of the new race is...exploded” in the end (Levine 12). Victor Frankenstein

The horror classic novel Frankenstein has gathered a great deal of critical and commercial attention since first being introduced in 1818, and naturally there has been many academics who have analyzed many of the novel’s biggest themes, symbols, and motifs. This also includes in analyzing the author herself, Mary Shelley. Marcia Aldrich, who has her Ph.D. in English from the University of Washington, is one of the academics to underline the role of being a female writer in the 19th century and what importance this plays on the novel Frankenstein. In her article, co-written by Richard Isomaki, “The Woman Writer as Frankenstein” analyzes the significance of Mary Shelley being the daughter of a writer and how this contributed to her writing Frankenstein, which they speculate as her, Mary Shelley, envisioning herself as the Monster. Aldrich and Isomaki’s “The Woman Writer as Frankenstein” makes valid and persuasive points, which effectively argues that the novel is semi-autobiographical in the sense that Mary Shelley pictured her as the Frankenstein Monster, for many of the concerns that the authors bring up in their article highlight the insecurities, doubts, and inexorable frustrations of a young woman writing in the 19th century.

Nineteen-year-old Mary Shelley didn’t know when she began it that her “ghost story” would become an enduring part of classic literature. Frankenstein is an admirable work simply for its captivating plot. To the careful reader, however, Shelley’s tale offers complex insights into human experience. The reader identifies with all of the major characters and is left to heed or ignore the cautions that their situations provide. Shelley uses the second person narrative style, allusions both to Coleridge’s “Rime of the Ancient Mariner” and the legend of Prometheus, and the symbols of both light and fire to warn against the destructive thirst for forbidden knowledge.

The use of the strength of emotions in her classic novel Frankenstein empowered Mary Shelley to build a strong connection with its readers and rule their hearts for hundreds of years today. Shelley beautifully incorporated different feelings into her writing to provide visualization of events as the readers read through pages and feel the true essence of the characters’ sensations. Some of the emotions depict the tragedies of Shelley’s own life, thus adding life to the story. In short, Shelley’s Frankenstein is an emotional roller coaster covering a wide range of human emotions from joy and sorrow to hatred and revenge, and highlighting how different experiences of lives modify these sentiments into one another.

Frankenstein was written two hundred years ago by Mary Shelly when she was eighteen years old. A science fiction novel but often read as a gothic horror story and ominous warning about the ramifications exceeding boundaries of science. The main character, Victor Frankenstein, at a young age has been fascinated by life and death and classical experiments of the alchemists, thus creating his first subject the Monster. Frankenstein epitomized the climatic change in the study of science during the eighteenth century. The time is characterized by important experimentations and rise of scholars such Faraday, Dalton, and Benjamin Franklin. There were signs in the novel that it was influenced by scientific discovery of our modern understanding of electricity. Shelly attempted to uncover the limits to which science can surpass morals. Frankenstein who attempted to attain powers through science by his display of creation of life and death, has forbidden limitations and unforgiving ramifications.

Having lived between 18th and 19th century, author Mary Shelley was greatly influenced by the intellectual movement of Romanticism. Since she was closely associated with many of the great minds of the Romantic Movement such as her husband Percy B. Shelley and Lord Byron, it is natural that her works would reflect the Romantic trends. Many label Shelley¡¯s most famous novel Frankenstein as the first Science Fiction novel in history because its plot contains the process of a scientist named Victor Frankenstein creating a living human being from dead body parts, but that is only a part of the entire novel. At its core, Frankenstein is a product of Romanticism featuring the traits of a Romantic hero on a Romantic quest, the embracement of