The Influence Of Political Films On Society And Behavior For Large Masses Of People

Social change always creates a spark of controversy, and new attitudes will always have opposition. The Ku Klux Klan, which had died out in the 1870s, rose again to combat the turmoil that the nation was experiencing during World War I. The group came out resilient and often deadly, and members had influence in the United States that had not been witnessed before. Therefore, the second Ku Klux Klan that emerged during World War I was much more powerful than its former manifestation. The Klan arose because of social changes such as the increasing amount of immigrants, the movie The Birth of a Nation, and the highly-publicized murder of Mary Phagan. The combative nature of World War I triggered a rise in the feeling of nationalism among

Ku Klux Klan also has a main role in this movie. They are very strong together. They are cold blooded murders and just want to get rid of the black people. They have a high status in society, mainly because no one has the courage to do anything to them.

D.W. Griffith’s film, “Birth of a Nation”, portrayed Klansmen as heroic figures in society. This sparked inspiration in William J. Simmons, who later commenced the second generation of the Ku Klux Klan. Within weeks, the Klan went from just thirty-four members to roughly one hundred. This would set the stage for the next several years.

Birth of a Nation uses its histrionic plot to show how tangled destinies of a southern and northern family before and after the Civil War. It willingly portrays southern blacks as spiteful and uncivil, the northern whites as crafty, dishonest, and conceited, and the film’s southern whites as anguish recurrent radical and erotic mortifications at the hands of white northerners and black southerners before factually being saved by the thoughtful, Ku Klux Klan. The film is divided to show the different aspects of those two sides during this historical time. During this time Africans were coming to America and it started the reconstruction on our country. D.W. Griffith made this film to show us the reality of racism at this point in time.

Looking at the socially or culturally history of the United States, many historians use Hollywood films as a primary source. I also used many films such as Easy Rider (1969) or Dance, Girl, Dance (1941) to support my historical thesis paper and to make the topic more vivid by using the images of the film. Even though, some people think that films are accurate and authentic in its depiction, it is important to mention that films are still fictional. Directors and actors are responsible to make us believe their story, but this story does not have to be necessarily true. In that way, fictional films cannot be used as historical evidence in terms of how things looked like during that specific

And in 1915 the NAACP held a nationwide campaign against the film by D.W. Griffifth called The Birth of a Nation. This film was made to glorify the Ku Klux Klan.

The Birth of a Nation, arguably one of the most ambiguous names in the history of cinema, is only about to get more complex and chaotic. The Birth of a Nation was originally the title of D.W. Griffith’s 1915 racist propaganda film about the rise of the Ku Klux Klan who “saved” the South from being dictated by blacks during the Reconstruction era when the North tried to rebuild the South after the Civil War. Now, that title poises a new movie written, directed, produced, and starring actor Nate Parker that dramatizes the 1831 slave rebellion led by enslaved African-American Nat Turner.

These films all reinforced how children’s opinions sway through the way in which they are raised. It demonstrated how as children they were clueless as to who was their enemies and why they were. They also revealed how the government has played a significant role within the riots between the cultural diversity.

The film Birth of a Nation was released. The Ku Klux Klan was reborn. In January 1923, Fannie Taylor accused a black man of coming to her home and viciously beating her. A fugitive was originally accused. Aunt Sarah worked for Fannie & James Taylor. On New Year’s morning Aunt Sarah & her granddaughter witnessed a white man visiting Fannie. He visited a lot while James Taylor worked. People gossiped that they were having an affair. A posse gathered to find the black man who hurt Fannie. Jesse Hunter, a fugitive from another town was under suspicion. Aaron Carrier was arrested. Fannie’s white

In this movie the African Americans were treated nicely but in reality they did not feel this way. The masters mistreated their slaves but in the movie they were actually having conversations. There is a scene in the movie where a group of African Americans were shaking hands with the white Americans. The producer of the movie wanted to inform others that the “birth” of America was founded on the basis of equality rather than discrimination. If the producer of the movie did not show how the slaves were mistreated, the people will just see the world in only that point of view; the slaves’ point of view does not exist. Ruling countries oppressed both the undeveloped, barren places and the African Americans. The Birth of the Nation is a perfect example of a form of travel writing; the Americans wanted to inform others about America but this movie was only produced in their perspective. Rather than recording the reality, the produces or writers record history with the input of their own influences.

The history of African Americans in early Hollywood films originated with blacks representing preconceived stereotypes. D.W. Griffith’s 1915 film, Birth of a Nation, stirred many controversial issues within the black community. The fact that Griffith used white actors in blackface to portray black people showed how little he knew about African Americans. Bosley Crowther’s article “The Birth of Birth of a Nation” emphasizes that the film was a “highly pro-South drama of the American Civil War and the Period of Reconstruction, and it glorified the role of the Ku Klux Klan” (76). While viewing this film, one would assert that the Ku Klux Klan members are heroic forces that rescue white women from sexually abusive black men. Griffith

It disgusted me to learn how “Birth Of A Nation” resurrected the KKK and stopped any

The movies came out at a time when the country was at unrest in regards to new age racism. Racism today is well documented through the use of social media s compared to the past. In addition, the time period in which the movies were set people were afraid to express their opinions on racism due to fear of retaliation from the whites but this is not the case today. People are expressing their opinion in regards to racism be it through social media or peaceful protest such as the popular kneeling by Colin Kaepernick a football quarterback. The

Independence Day is an interesting film that is full of cohesive visual political and cultural meanings that represent the United States of America. Through its major genres of war and disaster its able to attract all categories of audience and bring out the true colours to the world that USA is composed off. This paper through these two common cinematic genres will reveal an interesting set of political ideologies that most Americans represent and pursue when approaching the people and countries that live in this world.

Films do and have always reflected society because they show what's important to people. Films demonstrate fads and hot button issues. Film is not only a piece of art but also a tool of social reform as it expresses the feelings of humans and their idea of contemporary society. Films are the mirror that reflect the society. They are controlled by powerful forces that filter information to the public as well as reflect their fears. This has been held true in the film industry for many decades. For example, when society had a fear of widespread crime then there were many films that reflected the police catching the criminals. When society felt that the schools were not educating the children then there were films reflecting inspirational