The Influence of Shakespeare's Sonnets

12. A Petrarchan Sonnet has two parts, one stanza that contains 8 lines and another containing 6. It “uses a rhyme scheme that ties the first eight lines (the octave) together, followed by a rhyme scheme that unifies the last six (the sestet)” (Foster

Shakespeare examines love in two different ways in Sonnets 116 and 130. In the first, love is treated in its most ideal form as an uncompromising force (indeed, as the greatest force in the universe); in the latter sonnet, Shakespeare treats love from a more practical aspect: it is viewed simply and realistically without ornament. Yet both sonnets are justifiable in and of themselves, for neither misrepresents love or speaks of it slightingly. Indeed, Shakespeare illustrates two qualities of love in the two sonnets: its potential and its objectivity. This paper will compare and contrast the two sonnets by Shakespeare and show how they represent two different attitudes to love.

The second essay, titled Brenda Gutierrez (2013), also speaks about Shakespeare’s “Sonnet 30” and Millay’s “Sonnet”. Gutierrez’s essay and Similarity and Differences in Shakespeare and Millay Sonnets, talk about the same theme, making it easier to see the similarities and differences between the two essays. The common idea of the two essays is that the speaker in “Sonnet 30,” “does not rely on something like time to end his sorrows but rather the simple thought of his ‘dear friend’”. Gutierrez’s idea that both speakers, “mention their troubles though one goes into more detail than the other” is defended clearly in the essay through the meaning and theme of “Sonnet” and “Sonnet 30”. Gutierrez's essay shows once again the absence in quoted material to support the claim and the absence in the ability to see things in a new and bigger perspective.

A sonnet is a poem of fourteen lines that rhyme in a particular pattern. William Shakespeare’s sonnets were the only non-dramatic poetry that he wrote. Shakespeare used sonnets within some of his plays, but his sonnets are best known as a series of one hundred and fifty-four poems. The series of one hundred and fifty-four poems tell a story about a young aristocrat and a mysterious mistress. Many people have analyzed and contemplated about the significance of these “lovers”. After analysis of the content of both the “young man” sonnets and the “dark lady sonnets”, it is clear that the poet, Shakespeare, has a great love for the young man and only lusts after his mistress.

In 2010 Billy Collins writes Sonnet, a piece of literary work I consider to be the antihero of sonnets. Collins ironically follows neither the constructs of a Shakespearean nor Petrarchan Sonnet throughout. He also creatively breathes new life into a strict art form while rejecting the historical rules a sonnet must follow in this work. Upon further review of Sonnet, it becomes clear that this deliberate rule breaking is a skilled nod & side-step to historic norms and a promotion of a new age of creativity in the making of a sonnet.

Since its introduction in the 1530s, nearly every major British and American poet has made use of the form" (Sonnet xxi). In Versification, James McAuley defines that the sonnet is, "In the strict sense, a fourteen-line poem usually in iambic pentameters. The Italian or petrachan type, consists of an octet, usually rhymed cdecde or in some permutation of these. The English sonnet type consists of three quatrains plus a concluding couplet, rhymed variously, the Shakespearian form being abab cdcd efef gg. In sixteenth- and seventeenth-century use, the term was also loosely applied to any lyric poem, especially a love-poem, as in [John] Donne's (1572-1631) Songs and Sonnets" (82).

This essay will address how Shakespeare and Rossetti engage with the sonnet form, through Rossetti’s “A Sonnet” and Shakespeare’s “Sonnet 52”. Both poets arguably subvert the traditional Petrarchan sonnet genre, though in different ways. Rossetti’s ‘A Sonnet’ explores the sonnet as an art form rather than as a means of currency, as sonnets were seen to be at the time, and how if treated as a commodity, the value of a sonnet is diminished. Similarly, Shakespeare’s ‘Sonnet 52’ explores the connection between frequency and worth. However, ‘Sonnet 52’ adheres more closely to traditional sonnet form, as the prevalent theme is romance, and the idealisation of the “fair youth”. In contrast to Shakespeare’s adherence to the traditional romantic focus of sonnets, Rossetti subverts the genre by using “The Sonnet” as a metatextual device to explore his ideas around the form of a sonnet itself.

The world has many if not endless methods and techniques for demonstrating those specially dear a form of affection. However, the display of the complex understanding of Shakespeare, which to the opinion I lack to the fullest, in the 130th Sonnet, Sonnet 130, demonstrates the speaker’s affection through the development of a complicated attitude through his use of certain writing attributes. Anyhow, sonnet 130 expresses the speakers affection by portraying the real person that he loves and stating that he does not need no fancy gibberish to express his love. This sonnet begins with a generalization of an ugly women or so it seems to divert from the ordinary or tradition vision of beauty creating a direct tone in the speaker.

Love comes in many colors. The blood-crimson of lust and the jade-green of jealously are but two of the vast palate required to paint this inescapable human passion. William Shakespeare’s store of colors is unrivaled. No human failing, foible or foolishness escapes his gentle, comedic reproof. He equally enjoins his audience to venture as bravely as he does into the palpable horror of love gone amiss. In “OTHELLO,”“MACBETH,” and many more dramas, love’s fatal potential to provoke vengeance or the quest for earthly power is powerfully felt. These are epic investigations of love’s progression. A sonnet, however, is the equivalent of the modern short story. It is a snapshot of a single, significant experience. In two of Shakespeare’s sonnets – diverse in time and temperament, but complimentary in their conclusions – Shakespeare states his deepest feelings about the potential for a human love that is an un-judgmental commitment to the selfless nourishment of a partner. Sonnet 116, with a certainty and wisdom obtained from experience and suffering, marches out a rigorous and profound definition of true love. Sonnet 29 finds a soul in turmoil salvaged by an epiphany of understanding the power of true love to heal. By examining the perspective of the respective speakers, their individual progresses, the themes evoked and the poetic devices employed to compliment content this essay argues that for Shakespeare, true and enduring

One of the major themes in Romeo and Juliet is Love and its difficulties. Shakespeare tends to use this often in his plays and verses to create many emotions an effects. The relations and comparisons between the Acts/scenes and sonnets (18,129,36,29) in the play are studied in detail to understand Love and its difficulties. Shakespeare shows us how Love and relationships can change depending on situations by using the sonnets/ scenes and different language /imagery. This play was written during the Elizabethan era and this gives us an insight of what things were like in such a patriarchal society.

ROMEO AND JULIET: PERSUASIVE LITERARY ESSAY EVALUATION ROUGH COPY #2 TOPIC: What is the impact of Shakespeare’s use of sonnets in Romeo and Juliet? Edits done in red by: Sarah Homsi Some people believe that destiny is solely a figment of one’s imagination; that humans truly control their future based on the decisions they take.

What Shakespeare and Donne have in common is that numerous of their sonnets have a universal theme of love as well as their desire for a loved one. The most distinct theme in Shakespeare and Donne’s sonnets and plays is true and eternal love. In Shakespeare’s Sonnet 116 and Donne’s “The Flea,” marriage is illustrated similarity even though both of the poets have different views on marriage. In this analysis, both Shakespeare’s Sonnet 116 and Donne’s “The Flea” will be observed for the reoccurring theme of love as well as how both writers define marriage.

Shakespeare has been known for the use of old English and deeper meanings between the lines of all of his work. He is most known for Romeo and Juliet, the Tragedy of Othello, and especially his one hundred and fifty four sonnets. Sonnets are a 14-line poem that rhymes in a particular pattern. The sonnet, like any other work of Shakespeare, is very difficult to interpret and even more difficult for the poet to write himself due to the restrictions of length. Sonnets 1-126 start off with the affection the poet feels for another young man and how it becomes corrupt and unhealthy. Sonnets 127-154 then have to do with the poet and a new love interest, that just like the first one, doesn’t end up well. The sonnets weren’t published until 1609

“Sonnet 18” and Sonnet “130,” were some of William Shakespeare’s most famous sonnets that he ever wrote. Both sonnets are very similar with the theme of love and beauty; however they contrast each other in their purpose, style, and whom William Shakespeare is writing the sonnet to. The sonnets are both written in two different styles of writing. “Sonnet 18” was written in a more traditional format, which paints the woman in a divine spotlight. “Sonnet 130” however contrasts “Sonnet 18” by instead of describing their subject as being beautiful they rather describing them as with imperfections and how they love that subject. Shakespeare uses a complimentary tone when he wrote “Sonnet 18” and uses a more ironic and satirical tone in his “Sonnet 130.” With the help of a complex metaphor, the tone he uses in each sonnet, and imagery, Shakespeare gives two very different takes on love and beauty.

Shakespeare, who wrote the sonnets in 1609, expresses his own feelings through his greatest work of literature. The theme of love in the poems reflect thoughts from the Renaissance period. Love is one of many components of Shakespeare’s life shown in the sonnets. Love can be defined in many ways other than a strong affection for a lover. In Shakespeare’s sonnets, the concept of love can be seen through many uncommon means such as the love of life before death in “Sonnet 73,” love in marriage in “Sonnet 116,” love through sexual desire in “Sonnet 129,” and love through nature in “Sonnet 130,” proving that love can be expressed through many different feelings and emotions.