The Insatiable Techno Zombie Love

She allows the reader to truly imagine themselves in a zombie apocalypse by using description and comparison. “If you work in the many white-collar fields that have suffered in this recession, zombies are the perfect representation of the fiscal horror show” (Bosch, 651). Any reader that works in the white-collar fields, or knows anyone that does, can relate to what Bosch is saying because she used a vivid description and a comparison in one sentence. Readers will read this line and imagine their work chaos during the recession and immediately visualize zombies taking over the world and the madness that goes along with that. “There was a recession. It was a time of unemployment – of white-collar employment…” (Warner, 197). She also uses another type of figurative language: a metaphor. When she talks about the reality of zombie television shows and movies, she used a metaphor to compare modern day zombies to unicorns. “[n]o longer are zombies the beloved genre of the lonely, virgin teenage male, the macabre flipside of the girls’ obsession with unicorns” (Bosch, 651). She uses this metaphor to enhance the reader’s reading experience with humor but also by allowing the reader to understand how modern day zombie television shows and movies are looked upon. It is no longer for guts and gore but for fondness of shows and

Reading through the whole essay, there are many appealing strategies found in order to strengthen the essay academically. Brooks attracts the audience with a pathos-style strategy, giving specific movie examples to straighten up the essay. The movie Night of the Living Dead resonates the viewers with an image of a flesh-eating and harmful zombie figure instead of a harmless voodoo-created zombie, which makes the notion of zombies transformed into a horrifying figure, provoking the sense of fear of audience with emotional appeal. The revolutionary creation of zombie film was led by George A. Romero, the father of the entirely new horror genre. In his work, zombies are characterized as a form of undead

Klosterman uses elaborate metaphors and similes to seamlessly compare modern-day life to the prevalence of zombies in society’s media and entertainment, as well as using words with a negative connotation to influence his readers’ view of modern-day life. Through the comparison of the daily

“What if contemporary people are less interested in seeing depictions of their unconscious fears and more attracted to allegories of how their day-to-day existence feels?” (Klosterman 1).

Theodore Roosevelt once said, “We have nothing to fear but fear itself.” What is fear? Fear can be a noun or a verb. In the noun form, it is an unpleasant emotion caused by the belief that someone or something is dangerous, likely to cause pain, or a threat. In the verb form, it is to be afraid of someone or something that is dangerous, painful, or threatening. If one person looks into fear, then that person becomes feared. But imagine a whole society or community looking into fear. The fear not only gets larger as it spreads, but it also gets more fearful than it already is. The power of fear can be displayed in Arthur Miller’s The Crucible and in Ronald Oakley’s “The Great Fear”. As fear moves on from one mind to the next, it leaves the

In the possible occurrence of a zombie apocalypse, certain measures involving shelter, food, weapons, and fitness should be taken to better the chances of survival in such a desperate situation. Throughout the years, movies, television shows, and other miscellaneous hype have heightened a large number of people’s suspicion about the possibility of disease-ridden humans taking over the world. In reality, that atrocity is not exactly far-fetched. With so many vaccines and medicines being mass produced without the sufficient steps taken to test the results, the chance of humans contracting unimaginable side effects is a rational possibility. If

The name of the article is Our Zombies, Ourselves written by James Parker. In this article Parker discusses the historical backdrop of zombies and talks about where it is that they started from. Parker additionally raises exceptionally fascinating point on the notoriety of zombies and a short timeline on zombies. He also talks of different sorts of popular cultures which incorporate zombies and are utilized, for example, the movies Night of the Living Dead, White Zombie, the books The Zen of Zombies, Zombie Haiku, and the television series The Walking Dead.. By utilizing these references Parker helps demonstrate to us how zombies appear to ceaselessly draw our interest. The article additionally educates the reader about how zombies came

Fear is often characterized as an irrational sense of negativity toward the unknown or the unlikeable. In the eyes of many Americans, the majority of whom proclaim their Christian beliefs, this sensation is considered unavoidable. Marilynne Robinson argues in her article “Fear”, published by The New York Review of Books in 2015, that “...first, contemporary America is full of fear. And second, fear is not a Christian habit of mind” (Robinson 1). In other words, it is ‘unchristian’ to fear. In both the beginning and conclusion, she clearly expresses credibility through her extensive credentials and strong emotional arguments; however, this is overshadowed by the wordiness, sarcasm, and lack of

From start to finish the author uses pathos to capture the reader’s attention. Kaplan paints a fearful, gruesome, scary picture of how throughout history people have viewed vampires and zombies. The author shows this with his word choice, metaphors, and the stories he chooses to explain. From the start, the author uses words such as fear, scared, morbid, evil, and terror throughout his entire story. In just the first page of the text he uses the word fear three times accompanied by terror when writing about vampires in ancient times. Kaplan uses metaphors throughout the story, but especially in his introduction to capture the reader’s attention. Examples of this include when he states, “they are predators like lions and play upon the terror

During the atomic age, the zombie was born, as a new monster that resembled Cold War anxieties. One of the most known fears was the fear of the spread of communism in the United States that would "[turn] citizens into mindless hordes." Nowadays, zombies have developed and are not stupid and slow as shown in the first zombie movies, but they are smart and fast today. The perfect killing machines. Zombies can be compared to "terrorist sects and sleeper cells [...]" (66). The zombie walked represents insecurity in a culture, about "who we are, who the enemy is, and whether s/he is us." The zombie walk helps participants to express their feelings about cultural anxieties related to death and warfare. The destructive force of zombies is detectible in modern anxieties over terrorism and worldwide war. Here, zombies walks have a deep meaning. They "act as a means for working through [...] the structural conditions of a new and violence that so

The author showcased through his writing that survival is critical in the world and also pointed out that Americans like the zombie genre because they believe they can survive anything with the right tools and

As anxieties within the public become more complex and evolved, the zombie culture infects the aspects that our world is so desperately dependent on, “The spread of the living dead reflects a variety of anxieties in the American body politic buffeted by asymmetric threats and economic uncertainty” (Drezner 825). Looking through a psychological lens, anxieties embody random and unpredicted emotions and fears that are almost uncontrollable. So, when the zombie culture embodies such feelings, one cannot help but associate the two and fear not only the task of dealing with said anxieties, but the overwhelming fear of zombies themselves. As depicted through many forms of media, especially through narratives, zombies are unconscious bodies that perform actions not related to any logic or reasoning. The critical threats that enthrall the public’s attention in today’s society are those that do not even originate from a conscious actor, but ones that are considered impersonal and remote, such as a virus. With these nontraditional threats now embodying the zombie persona, the appropriation of zombies solidifies the cultural significance to a greater extent. With zombies becoming an intricate reoccurrence within today’s media, it is almost impossible to ignore their significance, “It should be pointed out, however, that constant references to the

Is it possible to kill an idea when it is undead? Classic movie monsters tend to fade in and out of popularity as audiences grow bored and move on to fresher concepts. But there is one that has risen up and does not seem to slow down: zombies. Zombies have gone from being a small subgenre of horror film to a staple of popular culture across various media. This paper will explore the rise of zombies in popular culture and why it continues to remain relevant.

“Our Zombies, Ourselves: Why we can’t get the undead off our brains” is an article written by James Parker in The Atlantic in 2011. He stated that “we might reasonably have expected the first modern zombies to start showing up around 1919” (_______________). It means that zombies came in the 19th century. In this article, Parker discusses the historical background of zombies. Also, he raises remarkably captivating point on the infamy of zombies, and a short timeline on zombies. In addition, he talks about the different sorts of popular cultures which include zombies and are utilized, for example, the movies like Night of the Living Dead, White Zombie, the books like Zombie Haiku, The Zen of Zombie, and the television series like The Walking Dead. Indeed, by using these references, the author helps demonstrate to people about how zombies appear to incessantly lure their interest. Also, the author explained in his article about how the zombies arose, and which prominent movies began to truly make the zombie what it is in these days. In addition, he discusses the role and development of zombies. Also, he stated that people did not reached the peak point of zombies.

Fear is natural, it is part of being human, and to state the obvious people living in different times are different. The terrors that appear in modern literature are different than those found in early American literature. Some of these fears that stand out are a fear of a lack of control, a fear of the past, and a fear of change. Which can all be boiled down to a desire for freedom.