The Interchangeability Of Live Action And Its Implications For Realism

One does not necessarily have to cluck in disapproval to admit that entertainment is all the things its detractors say it is: fun, effortless, sensational, mindless, formulaic, predictable, and subversive. In fact, one might argue that those are the very reasons so many people love it. At the same time, it is not hard to see why cultural aristocrats in the nineteenth century and intellectuals in the twentieth hated entertainment and why they predicted, as one typical nineteenth century critic railed, that its eventual effect would be to over turn all morality, to poison the springs of domestic happiness, to dissolve the ties of our social order, and to involved our country in ruin." said Neal Gabler, the author of Life in the Movie: How Entertainment Conquered Reality. I agree with this quote, that entertainment is mind numbing and lessen the values of our society. Back in the nineteenth century, entertainment was something that actually stimulated their minds,

The cinematic language that we know of today would not be as it is today if we had synchronous sound recording from the beginning of film. Cinematic Language is the systems, methods or conventions by which movies communicate with the viewer. A few examples of cinematic language are; montage; mise en scene, the use of long takes, depth of field shooting in order associate people or objects; Expressionism, the use of lighting techniques, severe camera angles, and elaborate props, to name a few aspects; and realism, a technique to make the action seem as true to life as possible. The list of techniques and styles of cinematic language go on, and can only be limited by the imagination. Early films, and early sound films both had something in common; they lacked many elements of the cinematic language. The reason sound films reverted back to the same pre-cinematic style of early films, was due to the fact that they had technical difficulties, that required them to fall into the style of the old ways. I do believe that if filmmakers would have had sound from the beginning, with the same sense of movie direction they worked with, they would have used sound as a crutch rather than an enhancing element.

According to Bazin’s theory on realism, there are different forms of realism using different techniques and technologies depending on the period. Editing systems such as Neorealist Cinema focused relatively on the poor working conditions and the underclass, using minimal editing and manipulation to the film. While, Classical Hollywood

To go along with that, I don’t really think that the film needed to rely on any fancy technical aspects anyway. It relied heavily on the emotional aspects and the actors to make the movie great and I think for the most part that they accomplished it. And out of the sparse special effects that were present, every one of them was very deliberate and had a purpose to help move the story along. Every piece of it helped set the tone for what people were supposed to feel, even though there wasn’t a lot of them. The lack of fancy technical aspects help create it and make it cinematically beautiful, One weakness that this movie had, in my opinion, was that it was confusing at times just because it wasn’t a super well known story of the time.

To make those special effects in the movie you would make all human and non-magical beings less detailed. Make them dull, dark colors, little make-up. And all the magical creatures in bright bold colors double the make-up. Have all their surroundings dull in the background when they are on screen and have them stand out with the special effects. The monsters have fine detail and dark colors but they are dark VIBRANT colors so that they look ugly and scary he makes them show up when least expected so that it surprises you and makes the humans fear him so that you would fear them as well. And the goddesses will show up when needed most you make them glowing and the good guys so that they seem more beautiful than they are. You have them play the parts of fair and understanding that way they are more intriguing and have an unexplainable beauty that you feel attracted to, they are the opposite of the monsters.

The aesthetics of realism in each film can be utilized in many diverse ways to offer certain truths about the world of the film to further express the film’s story. These theatrical elements emphasize what the film attempts to relay to the audience; moreover, it intensifies the authenticity of each aspect of the film. The use of real people, on-camera interviews, textual information, and of direct address to the camera displays the realism of each film.

Editing is all about bringing a creative force into a film. The process could mean fixing a number of things like moving things around, meaning to arrange, select, and assemble - this goes for every component in the film. What you visualize, hear, with the use of special effects all are components that are edited and added to the film in a unique way to create a good story. The movie to be analysis is the film Forrest Gump with editor, Arthur Schmidt, he won an Oscar at the 67th academy awards for best film editing. Arthur Schmidt had three responsibilities as an editor in the film, which are spatial relationship, temporal relationship, and rhythm.

    In order for a film to be successful many different elements must be taken into consideration even before beginning to shoot. The tone of the piece, what sort of lighting will be used, the location of the shots, and a palette for the film, are all elements that need to be considered before the actual filmmaking begins. However, even with rigorous planning, questions will still arise during shooting, questions that might not even be apparent or answered until the footage reaches the editing room. However, many shortcomings in shooting can be solved through editing. In fact, with good editing pretty much any type of footage can be made into a working piece of art. But good

Realism is a theory that depicts world politics as a ceaseless repetitive struggle for power. In other words, political realism seeks to explain international relations between states in terms of power. Realist “views that nation-state as the most important actor…because it answers to no higher authority;” in other words, it is an anarchic system (Kegley, 27). Some traits of realism are that states are sovereign, non-cooperation among states, and the exclusion if morality in policies.

Hollywood movies offer fictionalized accounts of real-world scenarios. Human resource managers can learn a lot from films that address human resources issues directly. Films like Nine to Five and Remember the Titans provide case study examples that can be applied directly to the workplace. Remember the Titans addresses issues related to diversity in the workplace. Nine to Five addresses sexism. Both films reveal the importance of strong leadership and provide blueprints for human resources development.

IT has also changed the way movies are shot particularly through application of film special effects. The film industry heavily relies on illusions to simulate imaginary events in a story (McClean, 2007). Computer Generated Imagery (CGI) is another key technology that is applied to special effects to enhance films. CGI is mainly used in special effects to enable filmmakers to control the scenes instead of using many extra actors. This has simplified film production and reduced the costs incurred. A lot of movies especially those classified under fiction, action, and horror genres rely on CGI.

How are the four elements of film style (cinematography, sound, mise-en-scene, editing) used in the film to create realism.

By making small but significant changes to the conventions of cinema, the artificiality of the

The introduction of sound films in the late 1920’s was a divisive issue among those involved and interested in the emerging motion picture industry. Even though it wasn’t the sudden breakthrough it is often perceived to be, the addition of sound and voice to mainstream cinema revolutionized movie making and led to conflicting viewpoints as to whether or not this innovation was a positive progression for film as an art and as an industry.

This following proposal will feature how the utilisation of symmetry within filmmaking, primarily in cinematography, is a stylised technique used to highlight significant events film narratives. This proposal will decipher whether symmetry used as a stylistic filmic technique, is a notable and powerful visual aid that heightens the viewers experience and significance of narrative developments. The purpose of this study is to gauge information about how symmetry showcases a posed and staged approach in filmmaking, and if that will drive the movement of film narratives. Thorough analysis of examples of works by American director Wes Anderson will be conducted throughout this proposal.