The Intersectionality Of Race And Sex

The film is called the Urgency of Intersectionality by a speaker named Kimberle Crenshaw. The director has done a fantastic job with this film I find it very powerful and touching. I feel like this film is a part of a movement because at the beginning of this film Kimberle Crenshaw asked the audience to stand up, and she said to stand up if anyone in the audience know who these people are. Then she started to naming each individual who were African-American males who were the victims of police brutality. As she spoke on she then proceeded to name the African-American women who were also victims of police brutality for the past two years. Then the audience began to sit down.

Intersectionality is a framework that must be applied to all social justice work, a frame that recognizes the multiple aspects of identity that enrich our lives and experiences. This framework synthesizes and complicates oppressions and marginalization’s. In the article, “Why Intersectionality Can’t Wait” Kimberle Crenshaw talks about how the purpose of intersectionality has been lost. Intersectional somehow creates an environment of bullying and privilege checking. This society cannot afford to have movements that are not intersectional because all races need to be embraced and have equality.

The slave owner’s exploitation of the black woman’s sexuality was one of the most significant factors differentiating the experience of slavery for males and females. The white man’s claim to the slave body, male as well as female, was inherent in the concept of the Slave Trade and was tangibly realized perhaps no where more than the auction block. Captive Africans were stripped of their clothing, oiled down, and poked and prodded by potential buyers. The erotic undertones of such scenes were particularly pronounced in the case of black women. Throughout the period of slavery in America, white society believed black women to be innately lustful beings. The perception of the African woman as hyper-sexual made her both the object of white man’s abhorrence and his fantasy. Within the bonds of slavery, masters often felt it was their right to engage in sexual activity with black women. Sometimes, female slaves made advances hoping that such relationships would increase the chances that they or their children would be liberated by the master. Most of the time, slave owners took slaves by force.

In Russel Banks “Black Man and White Woman in a Dark Green Rowboat” The author implies that dealing with an unexpected pregnancy may be a difficult and uncomfortable situation. This story discusses a couple that is dealing with a unique circumstance and they have to make a decision. As a reader, you won’t want to miss the tension of this interracial couple as they battle against the pressure of society. I will be discussing symbolism as well as setting throughout this entire essay. In the first section I will be addressing the surroundings; establish a foundation , and illuminate some background on this story. The next part of my essay will be focusing on the conflict and how the setting demonstrates the tension between the main characters. The final section will focus on the resolution, how the lack of change in the setting is symbolic, and has a deeper meaning.

In Chester Himes’, If He Hollers Let Him Go the racial tension between blacks and whites was perfectly portrayed by protagonist Bob Jones and white counterpart, Madge. The relationship between the two was a great example of the advantage that was taken of African Americans in the United States before the Civil Rights Movement. Being friends with someone opposite of your race was frowned upon. With that in mind, for a white woman and a black man to be in a relationship was completely unacceptable. There were exceptions for any interracial couples. The memoir by Lillian Smith, “Killers of The Dream” also discussed the sexual tension between blacks and whites. In the 1940’s sex was already taboo to begin with. Since racial tension was also a

White explores the master’s sexual exploitation of their female slaves, and proves this method of oppression to be the defining factor of what sets the female slaves apart from their male counterparts. Citing former slaves White writes, “Christopher Nichols, an escaped slave living in Canada, remembered how his master laid a woman on a bench, threw her clothes over her head, and whipped her. The whipping of a thirteen-year-old Georgia slave girl also had sexual overtones. The girl was put on all fours ‘sometimes her head down, and sometimes up’ and beaten until froth ran from her mouth (33).” The girl’s forced bodily position as well as her total helplessness to stop her master’s torture blatantly reveals the forced sexual trauma many African females endured.

“Representing Whiteness in the Black Imagination” written by American author, feminist and social activist, bell hooks, dissects the dichotomy of black and white culture in a westernized society. Hooks utilizes the term ‘whiteness’ throughout her piece as an acknowledgment of the domination, imperialism, colonialism, and racism that white people have asserted among black people. This discipline progressively has evolved from history; through slavery and forth, leaving an imprint in

Social construct may be defined as the social mechanism or a category which has been created by the society. It may either be a perception which is created by an individual or an idea which is constructed as a result of the culture. The present society has created a large number of constructs which are not good. In this paper, the discussion will be done on the social construction of race and gender and the problems associated with the same. In addition to this, how can social construct forms to be the basis for discrimination and prejudice will be discussed? Further, racism and sexism will be discussed with examples. Further discussion will be done on patriarchy and its role in racism and sexism will be added.

Kimberlé Crenshaw is an esteemed civil rights advocate and law professor. Crenshaw introduced the concept of “intersectionality” to the acclaimed feminist theory close to 30 years ago in a paper written for the University of Chicago Legal Forum, describing the “intersectional experience” as something “greater than the sum of racism and sexism. (Crenshaw)” She wrote in terms of intersectional feminism, which examines the overlapping systems of oppression and discrimination that women face, based not just on gender but on ethnicity, sexuality, economic background and a number of other axes. She speaks on it in a sense that the term intersectionality provides us with a way to see issue that arise from discrimination or disempowerment often being more complicated for people who are subjected to multiple forms of exclusion because of the protected clauses they may possess. Crenshaw speaks on the “urgency of intersectionality” in her Ted talk. This as well as her spreading awareness for the #SayHerName campaign drives a tie between the necessity for intersectionality advocaism and the the occurrences of neglect and violence present in societal happenings today. The question that stands in the forefront of her work is how can we effectively apply an intersectional methodology to analysis of violence and other acts against people who are often being neglected of any sort of recognition in social issues today? Intersectionality is one of the better known concepts within the

Examining the links between sexuality and power in a system of interlocking race, gender, and class oppression should reveal how important controlling Black women's sexuality has been to the effective operation of domination overall. The words of Angela Davis, Audre Lorde, Barbara Smith, and Alice Walker provide a promising foundation for a comprehensive Black feminist analysis.

Race, gender and class defines our experience. Studies have shown that, even though, these three aspects define who we are, they are interwoven. Each of these three aspects affects our decisions which could be either positive or negative. Class, race and gender as an individual is determined by our parents and If any of these changes, it would automatically change every aspect of the individual.

The theory of intersectionality has received a widespread of various distinct definitions and usage; it is often unclear of its designed function may be. Intersectionality is defined as “the acknowledgment that different forms of identity-based discrimination can combine to give rise to unique brands of injustice”(Lucas 8). In other words, how the classification of one’s individuality such as gender, race/ethnicity, sexual orientation, and class can intertwine with each other among the social structure. The term was first coined by feminist and civil rights advocate Kimberlé Crenshaw who spoke upon the discrimination and marginalization of black women and how both institutions interconnect with one another. The significance of

Similar to the author Kimberle Crenshaw, the author of “Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory, and Antiracist Politics,” I would like to start my critical review essay by mentioning the Black feminist studies book entitled “All the Women Are White, All the Blacks Are Men, But Some of Us Are Brave.” Having this idea of problematic predisposition to treat race and gender as mutually exclusive entities in mind, I would like to review Angela Davis’s book entitled “Women, Race, and Class”, and compare my findings to Kimberle Crenshaw’s groundbreaking article that we have read in class, where she famously terms the idea of “intersectionality.” I will start with the examination of similarities between Davis’s and Crenshaw’s arguments regarding the erasure of the Black women’s experiences in social sciences and feminist writings, and will also point out the additional consideration of class that Davis brings to the idea of intersectionality of race and gender initially suggested by Crenshaw, and further discuss the triple discrimination that Black women face on the fronts of race, gender, and class. My main aim in the review of the two author’s texts is to reveal the prevalent problematic notion in Black societies of viewing race implicitly gendered as male, and recognizing gender mainly from the white women’s standpoint.

Discussions of loving blackness in hooks’ class stems from her reading of Nelia Larson’s novel Passing. hooks wants to discuss Clare’s love of blackness and the consequence of her love for her race. She writes, “I asked the class to consider the possibility that to love blackness is dangerous in a white supremacist culture-so threatening, so serious a breach in the fabric of the social order, that death is the punishment” (9). Death in society can be literal, but it can also take other forms, such as isolation and self-segregation. hooks’ students’ stark refusal to discuss loving blackness is a testament to these impediments and how they have been fixed in the minds of citizens white and black.

Relationships span the spectrum, from the mumbled “hey” tossed over the shoulder to a colleague to the intimate “oh, how are you?” pressed into the palm of a lover or loved one. Many factors complicate them, but assumptions about race and racism can pull a relationship up or drag it down. Such is the case in Americanah by Chimamanda Adichie: Ifemelu, the protagonist, realizes that race tangles relationships until it is impossible to tell the beginning of the string from the end. While race, in the context of fleeting relationships, causes different people to be treated differently, it can also deepen lasting relationships and create cherished bonds between the two parties involved.