The Intertextuality Relationship Between The Stories Of Where Are You Going, Where Have You Been, And Young Goodman Brown

Through plot, Oates demonstrates how Arnold Friend can be seen as a symbolic Satan. Plot starts when Arnold makes sure to tell Connie he is interested in her as he says,“Gonna get you baby” (Oates 1). Connie is in a drive-in restaurant for an older crowd when Arnold sees her for the first time. Once Connie leaves the drive-in dinner with a boy named Eddie, Arnold decides to make a move on Connie. Arnold uses foreshadowing to let her know he will meet her again. Just as Arnold says he is going to get Connie, he shows up in her driveway, creating a creepy situation. That Sunday afternoon, Connie is alone in her house while her parents and sister are on a picnic at one of their neighbor’s house, Arnold decides to use this opportunity to make his

The stories analyze the devil’s connection with the fallenness of humankind. Both in “The Devil and Tom Walker” and “Young Goodman Brown,” the devil snatches the protagonists’ soul, though the victim first decides whether to turn to him, because the devil cannot force himself upon the unfortunate. Yet, their depravity causes Tom Walker and Goodman Brown to succumb to the

The story “Young Goodman Brown,” in its entirety is an allegory, a literary device used to teach a religious lesson. The reader is lead to wonder if the story’s events truly took place or if it was simply a bad dream. The story leaves readers wondering why Goodman Brown feels compelled to journey into the forest. “Young Goodman Brown” begins with Faith’s plea for Brown to not leave her on that night. He chooses to go out into the woods and ends up taking a “walk with the devil.” On his journey, Brown struggles with his decision and at times wants to turn back. His conscious tugs at him, much like the devil tempts individuals to do things that are wrong and evil. Brown seems to be concerned with what others will think if they see him in the woods. When “Goodman Brown recognized

Arnold Friend represents Satan because of his physical character, his ability to know things about Connie, and his strange hypnotic power over her. Arnold Friend’s physical traits lead us to believe that he is trying to hide his true identity. He knows a lot of information about Connie that he shouldn’t know. He knew exactly where her parents were and what they were doing. He also has an unexplained force over Connie. This suggests that he has the power to make it seem like Connie was under his control. All of these things are common

Besides Arnold Friend physical appearance, which makes the reader assume that his character is not a human being, Oates gives him supernatural powers that a normal person could not have. One example of this is the power that he has over Connie; he knows everything that involves her: “ 'Just for a ride, Connie sweetheart.' Arnold Friend says. 'I never said that my name was Connie, she said.' And he replies: 'But I know what it is. I know your name and all about you, a lots of things, Arnold Friend said' ”(584-585). The security of Arnold Friend words gives to reader the impression that he has been watching her closely and all the time without her knowing it or noticing it. This confirms the reader’s hypothesis that Friend's is Satan. Moreover, when Connie tries to hide from him in her house, Arnold manipulates her into leaving the house simply by telling her what to do, like a puppeteer and his puppet: “You won’t want your family to get hurt. Now get up all by yourself. Now turn this way. That’s right. Come over here to me. Now come out through the kitchen to me honey and let’s see a smile, try it, you are brave sweet little girl”(591). Oates makes the reader infer that Satan’s only way to make her comes out is by using his demon powers, because the devil cannot get into your house unless you have invited him in. Therefore, he uses his

In “The Devil and Tom Walker,” the devil carries pious Tom away on his great black horse, and in “Young Goodman Brown,” all the village’s citizens, including Goody Cloyse, Goodman Brown, and his wife willingly gather at a worship service for the devil, which ruins the remainder of Brown’s life so that “when he had lived long, and was borne to his grave...they carved no hopeful verse upon his tombstone, for his dying hour was gloom.” The corruptness of man’s sinful nature made it possible for the devil to capture the souls of Tom Walker and Goodman Brown.

The depiction of Arnold Friend runs parallel to the common conception of the Devil. Many aspects of his outward appearance, as well as his behavior, contribute to this by portraying him in a sinister manner. His nose is "long and hawklike" and he has a "slippery smile." His "greasy" boots don't fit him right, "as if his feet [don't] go all the way down." The stereotypical Beelzebub is often seen with hooves. When he draws 'his sign' – the sinister letter X

Written two centuries apart, “Young Goodman Brown” by Nathaniel Hawthorne and “Where Are You Going; Where Have You Been” by Joyce Carol Oates are two seemingly different stories. However, if looked at closely, several elements can be tied together. Each story has a similar point of view, but the story is told from two different perspectives. Several themes are unique to the stories, but deep within similarities can be found. The authors conclude their stories in two different ways, but the endings are somewhat the same. These two stories contain elements that are obviously contrasting, yet comparable at the same time.

The interaction between Connie and Friend start when Friend shows up to Connie’s house uninvited. The author Oates states “After a while she heard a car coming up the drive. She sat up at once, startled, because it couldn't be her father so soon. . . It was a car she didn't know,” (qtd. Oates. pg.2) Connie’s first reaction was to evaluate how good she looked instead of finding out whether Friend was somebody she knew or not. When they finally come face to face, she was met with flirtatious small talk from Friend, who exclaimed “Don’tcha like my car? New paint job,… You're cute” (qtd. Oates. pg.3) Connie is in awe of his faded pants and his huge black dark boots and actually considers getting in the car as he requested. The awe of the mysterious however, rapidly shifted as he makes demands and threats due to Connie’s refusal to get in the car with him. Alarmed, Connie tries to put a call. Arnold request that she come out of the house and if she doesn't comply to his demands she and her family are going to “get it”. Slowly, Connie begins to realize that there's something off about Arnold Friend. He looks to be wearing a wig, and he's

Goodman Brown represents every man, who has struck a universal bargain with Satan. Initially he is young, naïve, and immature and fails to understand the gravity of the step he has taken

In the stories “Where Are You Going, Where Have You Been” and “Young Goodman Brown,” there is a common theme that the characters are in a dreamlike state with a subconscious presence of the devil. Not only do they share these common themes, they also reveal the meaning of the story, which is each characters’ coming-of-age journey and crossing boundaries. “Where Are You Going, Where Have You Been” is about a girl named Connie, who wants to grow up fast and flirts with the temptation that comes with being an adult. “Young Goodman Brown” follows a man, Goodman Brown, on a night journey into the forest to meet with a stranger, even at his wife’s protest. These characters are in a dreamlike state and their interactions with the devil gives them a glimpse of how their actions will play out in the future and the consequences they will suffer when those boundaries are crossed. With the theme of being tempted by the devil, in Connie’s case growing up fast and in Goodman Brown’s case a communion in the woods, both characters face significant changes in their outlooks on life.

The story of ?Young Goodman Brown? exemplifies the struggle of one man?s internal conflict of good and evil. The main character, Goodman Brown, leaves Salem village and his wife, Faith, to travel into the depths of the dark forest. The Young Goodman Brown will be aged with the knowledge he faces in this one night. Brown keeps his appointment with the devil in the forest, and he must choose to go back to his ?faith,? or explore the evils that the devil has to offer. Next, Brown is confronted with the virtuous people who live in his community, who will be attending the witch?s meeting with the devil. He has to decide if he will follow them along this

In “Young Goodman Brown,” there is a fight between good and evil with one main character being torn between the two sides and every other character seemingly on one side or the other through the reader’s view, although many characters do deceive Goodman Brown about whether they are good or evil. This fight between the two sides and the deception that causes confusion for Goodman Brown is the source of tension throughout the entire story. In “Young Goodman Brown,” every character’s traits and dialogue, the setting, and even colors mentioned have double meanings and are symbolic to the main binary oppositions of either good or evil.

He was telling her that he thought she was cute, and she said back to him, that she didn’t know who he was. He told her that his name was Arnold Friend, and he acted like she should know him. They kept going at each other, Arnold from the driveway and her from the house (behind the door). Arnold seemed to know everything about her family. He knew that they were out for the day and that they wouldn’t be back. He told her that he thought that she was cute and that she should come for a ride in the car. She told him flat out that she didn’t want to, but he told her that if she hadn’t done so that he was going to hurt her family. (Oates 367) He told her too that if she picked up the phone and called the police that he was going to come into the house, but otherwise he wouldn’t come in.Connie was terrified she didn't know what to do so she put the phone down “Cmon honey”. She put her hand to the door, and walked towards Arnold Friend. He said to her “My sweet little blue eyed girl.”(Connie had brown eyes)…Oates tells in the end “Connie had never seen so much land before and did not recognize it except to know that she was going to it.” (Oates 377) Arnold friend took Connie away……

In Nathaniel Hawthorne's "Young Goodman Brown," Hawthorne introduces Goodman Brown, who doubts himself and reiterates his false confidence to himself repeatedly. His struggle between the evil temptations, the devil, and the proper church abiding life, is a struggle he does not think he can handle. This story is about a man who challenges his faith in himself and in the community in which he resides. Goodman Brown must venture on a journey into the local forest, refuse the temptations of the devil, and return to the village before the sunrise.