The Intervention Of Lying And The Johari Window For Effective Communication

“Testimonials during court hearings are performed under oath, hence the statements of an individual being examined are assumed to be true and no other statement should be falsified or forged. When the officer does not pronounce the truth in court, he or she is still capable of providing a reason for his deception, based on a substitute arrangement, such as when he or she is operating as a witness to the prosecution and is not considered as the defendant in a court case. However, it is also required that the officer is conscious of the rules of the court system that he or she has sworn to tell the truth during examination” (Chevigny , 1969).

The opening scene in Alfred Hitchcock’s Rear Window essentially acts as one long establishing shot — only rather than establishing just the location of a scene, it establishes the entire film in more ways than one. One particularly important shot in the scene, beginning 00:02:36 into the film, tells the audience much of what it will need to know about Rear Window’s setting, characters, and themes.

Once someone crosses the redline, there is no way to go back. Peoples actions are not reversible, what is done cannot be undone. In both the short story by Joyce Carol Oates “Where Are You Going, Where Have You Been?” and the movie “Smooth Talk” directed by Joyce Chopra, the screen door is portrayed as a transition and a boundary although sometimes it is interpreted in different ways. If Connie crosses the boundary, it will lead to many bad consequences. When Arnold Friend reaches Connie’s porch, the conflict is between the protagonist Connie and the antagonist Arnold Friend who is trying to lure her out of the house to go for a ride with him. Arnold is taking advantage of her youth and vulnerability. The screen

In 50 Essays: A Portable Anthology, Stephanie Ericsson’s essay “The Ways We Lie” focuses on the many ways society lies today. “We exaggerate, we minimize, we avoid confrontation, we spare people’s feelings, we conveniently forget, we keep secrets, we justify lying to the big-guy institutions” (159). It is common for many people to think of lying exactly how it is on the surface, not telling the truth. Ericsson’s essay forces you to second guess this stereotype and begin to realize that lying is even more prevalent in today’s society than most people might imagine. Looking around today with this mindset would help us make more informed political decisions, better decisions on friends, and better “next-step” positions. Our lives are not horrible places, but better steps for these areas of our lives could improve our lives dramatically.

Secret Window opens with a straight on shot of Mort Rainey, played by Johnny Depp. His internal monologue plays over the audio as the camera stares into his eyes. “Turn around. Turn around. Turn the car around and get the hell out of here. Do not go back there.” Ignoring his own thoughts, he exits the car and runs inside the beaten down lobby of an old motel. Stealing a key off the wall he runs to the corresponding room and flings the door open, catching his wife cheating. The motel’s concierge emerges from the lobby upon hearing the commotion. A man vaguely resembling Psycho’s Anthony Perkins is dressed in a wife beater and khakis, slipping on a sweater. The parallel between the motel employee and Norman Bates is uncanning. The back story

Alfred Hitchcock’s Rear Window is a uniquely captivating film that is an exemplary style of cinematic craftsmanship. Reaching into the minds of the characters, as well as the audience, Alfred Hitchcock is the master at utilizing the juxtaposition of images to bring us into the minds of the characters. In Rear Window, the story is so distinctively executed that it allows us to relate to our own curiosities, question our identities, and ponder our closest relationships. What is happening on the screen is merely a projection of our own anxieties, our own existence, and our self-ambiguity as portrayed by the characters in this wonderful film.

In Alfred Hitchcock’s Rear Window, L.B. Jeffries, played by Jimmy Stewart, becomes completely obsessed with spending all of his waking hours watching his neighbors from his wheelchair. He even uses a camera to better his view and thus enhances his role as both a spectator and a voyeur. This contributes to the creation of a movie being played right outside Jeffries’ window. In this “movie within the movie” his neighbors’ lives become the subject for the plot. Each window represents a different film screen, each which is focused upon only when Jeffries directs his attention to it. He witnesses both the anxieties associated with the beginning of a marriage and the heartache of relationships ending. The

Deception According to Hyman (1989) deception implies that an agent acts or speaks so as to induce a false belief in a target or victim. Deception can occur in everyday life. Whether it is telling someone they look nice or not telling them that they look fat. This is an important process for forming relationships and general social interaction.

We are told from a very young that we should tell the truth, and that lying is wrong; an immoral action which we should not engage in. Yet lying is a large part of daily life, whether it be our lying to others or others lying to us, around us, or lying in ways that affect our lives. Oftentimes, the lies we tell are for social gain; for the purposes of esteem, affection, or respect. We lie as a way to manage others impressions of us. Studies have found that women are generally more intimate in their interactions, which would suggest that they lie less. However, might women lie more to benefit others, as opposed to self-centered lies? A study by DePaul et al. (1996) set out to answers questions about the frequency of lying, types of lies told,

Second, a dare from friends prompts Jamal to sneak into the apartment of a “mysterious” old man known only as "the Window". Throughout the movie, Jamal builds relationships with people and his relationship with some people change.

Alfred Hitchcock’s 1954 film “Rear Window” demonstrated a suspenseful and terrifying storyline, which captured the attention of a variety of audiences. The film focuses on James Stuart (Jeff) and ultimately his neighbors who live around him. Stuart is crippled from the beginning of the movie and is unable to leave his apartment. Due to his immobility, he remains confined in his home with a broken leg and begins to watch his neighbor’s particular behaviors and routines. The film progresses into drama and suspense that is seen through music, lighting, film editing processing and extensive detail to the neighborhood being watched. Rear Window exhibits these details in the scene where Grace Kelly who plays the role of Lisa, attempts to

Her looking out the window is a way for her to signal her want and

As many know, we lie to cover up things that we don’t want others to know. Maybe when you were a child you broke your brothers toy and when he confronted you, you lied and said you had no idea who did it, or maybe you completely try to change the subject. In a way, that is what interpersonal deception theory is, it’s an attempt to explain how individuals handle actual deception at the conscious or subconscious level while they are engaged in a face-to-face communication. And Actually This type of deception has 3 aspects such as falsification, concealment, and equivocation.

The opening images of Rear Window introduces the audience to J.B. Jefferies apartment with the window curtains rising. The camera is facing outside the window which reveals the small courtyard. After the camera gives the audience a tour of the courtyard, it then shows us Jeff sleeping on his wheel chair. From this, the audience should be able to perceive there is no privacy at all for the neighbors. What one does, everyone is able to see (only if they are observing). The music in the beginning sets the mood, the audience should feel safe and mellow as if nothing bad is going to happen. There is not one suspicion which tells the audience there will be a murder case throughout this film. With that in mind, the theme is portrayed through Jeff’s perspective from his observation of the neighbors. He observes the love life of his neighbors while he is questioning his own

What are lies? A lie is defined as follows: To make a statement that one knows to be false, especially with the intent to deceive. There are several ways that lies are told for instance, there are white lies, lies of omission, bold faced lies, and lies of exaggeration. No matter what type of lie that one chooses to tell many people believe that lies do more harm than good.