The Irreverence Of Impressionism In Modern Art

Impressionism is an artistic style of painting that originated in France in the 1870s. This style of painting attempts to capture an experience or emotion opposed depicting a scene accurately. Every impressionistic painter has a distinct method of rendering as well as their own distinct set of qualities that reflect the artist themselves. For instance, The Basket Chair by Berthe Morisot and The Orange Trees by Gustave Caillebotte are two impressionist works of art of oils on canvas that contrast in many ways. These two paintings will be compared side by side with an in depth approach comparing the artist’s personal status in society, modernism’s role in the piece, and the execution of composition.

Impressionism is a late French 19th century art movement, which was all about the impression of art. The point was to emphasize the artist’s perception of the subject matter as much as the subject itself. More like if you had only just caught a glimpse of it, but could still recognize the subject. It incorporated new scientific research into the physics of color to achieve a more exact representation of color and tone. Someone using this style would apply paint in small touches of pure color rather than in broader strokes. Detail wasn’t something to worry about with this style it even lead to another style of art called pointillism. They were paintings with small dots, which gave them a greater sense of vibrancy when seen from a distance. This would cause a shimmering effect.

Impressionism is a way of painting which depicts objects using strokes and dabs of primary unmixed colours in order to simulate reflections of light. This style of painting was completely different and new at the time and both Seurat and Monet used these methods to become pivotal impressionist artists in the early 1870s.

Impressionist art, in its spectacular focus on atmosphere and the elusively delicate movement of light and air, such as Monet's ethereal "Vetheuil in the Fog" (1879), was innovative, going against everything taught as traditional and proper by the Salon authority. We see artists such as Manet defying artistic traditions with racy confrontation in "Le déjeuner sur l'herbe" (1863), and impressions of modern middle class life, rather than historical figures, as we see in Cassett's "At the Opera" (1880). Impressionists captured instants in time in the lives of the middle class people, rather than the classical focus on divine scenes or images of the elite. The ground-breaking beliefs and styles of the Impressionists, along with their persistence

This essay analyses the aesthetic and ideological underpinnings of the Modernist artwork, Impression, Sunrise of Claude Monet. The artwork and Impressionism is considered to be a visual articulation of the avant-garde and the latter statement is explained. References to the writings of Charles Harrison, Clement Greenberg and Wilhelm Worringer is used to theorise the aesthetics of modernity.

”3 Aside from the impressionists, another frequenter of

Impressionism: Impressionism is a method used in music videos that sets a concept around a subject. Get Away is a gong by a man and woman named Snoop Lion and Angela Hunte and came out in January 2014. The music video fits into the style of both animation, homage and impressionist. It pays homage to the '90s themed Pokemon Games. Nostalgia will stream for fans of the old Game Boy release as they watch an 8-bit version of Snoop Lion touring the rebuilt world reminiscent of the original games. He even fights a trainer, Major Lazer, who co-produced the track. I like this idea since it is virtually a form of referencing and this video will appeal to Snoop Lion's fans as well as fans of the Pokemon games. From this video, we can easily guess the

In France, a 19th century art movement marked the break of tradition from European painting. The Impressionist period brought new techniques to the world of art, such as small touches of pure color called Pointillism. Impressionist art, a style of in which the artist captures the image of an object as if they had just caught a glance at it, pictured landscapes more often and without details but with bold colors. Claude Monet, in particular, uses this style in almost all his pieces. In the Impressionist Period Exhibit of the Dallas Museum of Art, some of Claude Monet’s paintings showcase his handling of this style. In the pieces, “The Seine at Lavacourt”, “Valle Buona, Near Bordighera”, and “Water Lilies”, Claude Monet captures nature in its finest form and puts into a visual format for all to see in his perspective.

This technique is widely used by surrealists but especially by

Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. Officially consecrated in Paris in 1924 with the publication of the Manifesto of Surrealism by the poet and critic André Breton (1896–1966), Surrealism became an international intellectual and political movement. The Surrealists sought to channel the unconscious as a means to unlock the power of the imagination. Artists painted unnerving, illogical scenes with photographic precision, creating strange creatures from everyday objects, and developed painting techniques that allowed the unconscious to express itself. Its aim was to resolve the previously contradictory conditions of dream and reality into an absolute reality. Surrealists work features element of surprise and unexpected however many surrealist artists and writers regard their work as an expression of the philosophical movement. With respect to that surrealism has many characteristics of work completed such as Automatic Writing, the Surrealists were big on this thing called "automatic writing." That's when you write whatever comes to your mind without stopping or structuring your thoughts. You just go with the flow, and let everything pour out onto the page unfiltered. Juxtaposition, one of the defining stylistic characteristics of Surrealism is the juxtaposition of imagery. The Surrealists like to put together crazy things that we wouldn't normally associate with one another. They might compare

Pablo Picasso’s Les Demoiselles d'Avignon, painted in 1907, is considered to be one of the most innovative works of its time. However, when he showed his canvas to a group of painters, patrons, and art critics at his studio, Picasso managed to offend the Paris art scene. His painting, which took nine months to finish, is met with almost unanimous shock, distaste, and outrage. After the painting was first shown, it remained largely unseen for thirty-nine years.

Paul Cézanne is considered to be an influential figure from an era of Post-Impressionism that later spawned Fauvism and Cubism including their complexities. During the era of Post-Impressionism, Paul Cézanne “insisted that painting stay in touch with its material, if not virtually sculptural origins” (TheArtStory-PC, n.d.). In congruence with Paul Cézanne's (1905) The Large Bathers, Henri Matisse's (1905) Joy of Life (Bonheur de Vivre), and Pablo Picasso's (1907) Les Demoiselles d'Avignon, an observer may consider the balance of color and line conformity that separates style from each composition while simultaneously indicating the origin of influence.

Rewind roughly back to the 1860’s. Several apprentice painters, namely Claude Monet, Pierre-Auguste Renoir, Alfred Sisley, and Frédéric Bazille learned that they did not share the same views of the Académie des Beaux-Arts. The Academy believed that mythological and historical scenes for painting was vastly superior to that of still life and landscape scenes. The Académie des Beaux-Arts would run an art show, the Salon de Paris, which was the only way for an artist during that time to gain prestige, commissions, and of course money. The Salon would only accept paintings which were in their approved style, which was based on the art of the old masters. Since the art of these young painters did not conform to the standards put forth by the Académie des Beaux-Arts, their art was mostly rejected until Emperor Napoleon III settled to allow the public to judge the submitted art themselves. The Salon des Refusés was created just for this purpose. The results of the new Salon were such; “While many viewers came only to laugh, the Salon des Refusés drew attention to the existence of a new tendency in art and attracted more visitors than the regular Salon.” (Denvir, pg. 194). Louis Leroy wrote a disparaging review on Monet’s work, “Impression, Sunrise”. He suggested that Monet’s painting was a sketch, and it could not be called a finished work. This was where the Impressionists acquired their name. Yet even though their

The Surrealist group carried on and developed ideas from the Dada movement which was a protest and reaction to World War 1. According to ‘Understanding Modern Art’ by Bohm - Duchen and Cook’ The Word Surreality means ‘’beyond or above reality’’ which I agree to and especially in terms of the artwork I will be discussing this is a very true point and it makes sense when you read into the work and analyze it. The Surrealists wanted to connect the worlds of dreams and reality to make a new reality, be it in any media. A lot of surrealist work can be disturbing and bizarre but it can also be playful like the way dali often put things together that normally wouldn’t be seen with each other like his famous lobster phone. (figure

Heavily influenced by the previous art era,, the Realism period, The impressionism period came to rise in the earlier years of the nineteenth century. Impressionism focused mainly on the more modern world, but specifically targeted in the more urban parts of Paris. Impressionism originated from a group of French artists that created a style of art that was more likely for them to use. The subject of an impressionist artist was primarily composed of contemporary landscapes and depictions of modern art. Impressionists painted in a way that depicted light in the paintings as a form of movement. Impressionism artist preferred to paint outdoors rather than inside, to focus on the landscape and enjoyed to paint the everyday life of people. One of the more breakthrough artist during the Impressionism movement was Camille Pissarro. Pissarro’s style of art left a lasting impression on the followers of the impressionist movement. Later in the nineteenth Century, the era of Post-Impressionism was introduced to the world. The post-impressionism movement paved the way for the development of more modern arts. The artwork of Post-impressionism heavily rebelled against the style and structure of impressionism. The style of the post-impressionism movement was stressed throughout the significant increase of emotion and focus on more symbolic subject matter compared to the impressionism period.