The Issue Of India Is Illiteracy

To understanding the long, not just personal, but societal effects it is necessary to conduct a research on the history of film, and the individual effects of the exposure of it from any

Today, Film and Television are among the most internationally supported commodities. Financially, their contributions are enormous: both industries are responsible for the circulation of billions of dollars each year. Since their respective explosions into the new media markets during the mid-twentieth century, film and television have produced consistently growing numbers of viewers and critics alike. Sparking debate over the nature of their viewing, film and television are now being questioned in social, political, and moral arenas for their potential impact on an audience. Critics claim that watching films or television is a passive activity in which the viewer becomes subconsciously

Although cinema is now a priority, some feel as if cinema is no longer the cinema when it was first established. Movies no longer have that special feeling like viewers once had. Today, films are not only shared within a theater, if one pleases they could always have the same experience elsewhere. Moreover, with technology expanding, it takes away the importance cinema once had. “The

Movies have the ability to transport people to different times and places and distract them from ordinary everyday reality. They allow for a range of emotions to be experienced. At their core, movies examine the human condition. There are plenty of deeper truths woven into screenplays and plenty of lessons to be learned, even when an individual is solely seeking entertainment.

Although the best reasons for “going to the movies” are to be entertained and eat popcorn, understanding a film is actually quite complex. Movies are not only a reflection of life, they also have the capability of shaping our norms, values, attitudes, and perception of life. Through the media of film, one can find stories of practically anything imaginable and some things unimaginable. Movie-makers use their art to entertain, to promote political agendas, to educate, and to present life as it is, was, or could be. They can present truth, truth as they interpret it, or simply ignore truth altogether. A movie can be a work of fiction, non-fiction, or anything in-between. A film is an artist’s interpretation. What one takes away from a film depends upon how one interprets what has been seen and heard. Understanding film is indeed difficult.

Film is one of the most influential means of communication and a powerful medium of

In the contemporary context, when one tries to analyze the idea about women from previous decades being an audience and not the crew of a film industry, one wants to question and ask: why were women only an audience or, actors? Maybe there were some culturally held values and beliefs with respect to their contexts? However, with the passage of time, cultural and professional values improved. Technology began to improve and so did the mind-set of professional groups along with the audiences. Film industry has had an impression of providing first entertainment and, second education. Hence those working for the films might have had hurdles in choosing working for films as their career or vocation. At different times in the history, women in different cultural contexts have worked for certain film industries. I want to explore the idea about women and their talent in the film industry. Since I am primarily a viewer of the Bollywood industry and an occasional viewer of the Hollywood cinema, I want to compare the cultural and professional values of those who work for films in different settings. Since the course readings provided information with respect to certain cinema contexts, I wanted to add some ideas providing a comparative analysis of the women talent in diverse film settings.

“The biggest mistake we have made is to consider that films are primarily a form of entertainment. The film is the greatest medium since the invention of movable type for exchanging ideas and information, and it is no more at its best in light entertainment than literature is at its best in the light novel.” - Orson Welles

“I’m going to make a name for myself. If I fail, you will never hear of me again” Edward James Muggeridge. True to his words he succeeded in making a name for himself and he created the first movie or “motion picture”. Movies are a rollercoaster ride that transcends people into a whole different world fresh out of somebody’s imagination as seen through the genres of horror, drama, and science fiction. The movie business allows people to break through the burden of everyday life. Considering today’s way of life, people would be lying if they did not admit that movies are an influential entity in our culture. Movies have been successful in ingraining values and elements into society. Movies exaggerate, sensationalize and at

The cinema is one of the most unique forms of media because it has the ability to make a

movie had some flaws, it did closely represent the feelings of the era that was depicted. This paper intends to analyze and give

This journal concludes that “While film can be considered an artistic expression, albeit a commercial one, it also crosses into the public consciousness through the influence of its images”. When he concludes the author also points out that film as a medium should be used to inform teachers, students, and parents about individual abilities and social

Films and movies hold much than we can guess, they reveal a lot of vices and rots that are happening in society. Others give a history of a particular society, its beliefs, culture and their standard of living in the society. Films are used to disclose the social responsibilities in a given season and customs, moral values, societal worries and other cultural practices.

2. From a range of Native American perspectives that we have studied in these last four weeks of class, how did Indians respond to the government’s agenda to solve “the Indian Problem”? Where did they cooperate—and why—and where did they resist—and why?

The BBFC has commissioned me to undertake research as part of a project to ascertain to what degree films can be regarded as powerful within contemporary society. In this assignment, I will comprehensively explain the relationship between audiences and films with well explained examples. I refer to the different sectors relating to the topic that include the following: