The Issue of Death and Cormac McCarthy

Mccarthy creates a bleak post apocalyptic society through the use of imagery. He describes a world where there is no wildlife and all that’s left are the ashes. “The road was gullied eroded and barren. The bones of dead creatures sprawled in the washes. Middens of anonymous trash”(177). While the man and the boy travel the road, they rarely come across other living things. The boy even shows a lack of knowledge about animals, constantly asking his father questions about them. They always have to keep moving due to the constant threat of danger. Their nomadic lifestyle prevents them from becoming attached to anything. This gives the feeling of absolute isolation. Throughout the novel, the man often has dreams of life before. His dreams are described in vivid colors, "walking in a flowering wood where birds flew before them he and the child and the

McCarthy writes, “I want to be with you. You cant. Please. You cant. You have to carry the fire. I dont know how to. Yes you do. Is it real? The fire? Yes it is. Where is it? I dont know where it is. Yes you do. It’s inside you. It was always there. I can see it” (pg. 278-279). Here, the lack of punctuation marks are prominent features of McCarthy’s writing style. One can infer that by doing this, he emphasizes the struggle and hardship of the current world, and how the civilities of the preapocalyptic world are no longer deemed significant in the present society. The dialogue between the man and the boy comprise of no quotation marks, which make it difficult for the reader to understand who is speaking which words. On the other hand, McCarthy structures the interactions between the man and the boy in a manner that it is almost poetic-like. Furthermore, the simplistic nature of the dialogue allows for interpretation of the raw emotion that is present in the text. Fear, lack of confidence, love, and fatigue are common emotions that the man and the boy inflect through their nightmarish journey on the road. “Carrying the fire” is a phrase that is used frequently in the novel. One can assume that the phrase is referring to having optimism in the goodness of humanity. Unfortunately, many of the inhabitants of this gruesome practice repulsive lifestyles including, but not limited to, cannibalism, rape, unprovoked battery, murder, and theft.

The setting of each of these books is of a world gone awry. In the book The Road the world is bleak and gray there is no sign of anymore life besides the few humans that remain in the aftermath. “With the first gray light he rose and left the boy sleeping and walked out to the road and squatted and studied the country to the south. Barren, silent, godless,” (McCarthy 4). The world in McCarthy’s book is gray both in the visual sense and the metaphorical one. The Road is metaphorically gray as the entire world has gone to ruin and is left rot losing its glorious colors that it once held. The world is also literally gray, as it is covered in a layer of ash due to the end of the

In the novel, The Road, Cormac McCarthy illustrates the expressions, settings and the actions by various literary devices and the protagonist’s struggle to survive in the civilization full of darkness and inhumanity. The theme between a father and a son is appearing, giving both the characters the role of protagonist. Survival, hope, humanity, the power of the good and bad, the power of religion can be seen throughout the novel in different writing techniques. He symbolizes the end of the civilization or what the world had turned out to be as “The Cannibals”. The novel presents the readers with events that exemplify the events that make unexpected catastrophe so dangerous and violent. The novel reduces all human and natural life to the

In the novel The Road, Cormac McCarthy illustrates the actions, geographical setting, and expressions to shape the psychological traits in the characters struggle to find survival in the gloomy and inhumane civilization. McCarthy uses imagery that would suggest that the world is post-apocalyptic or affected by a catastrophic event that destroyed civilization. In Gridley’s article The Setting of McCarthy’s THE ROAD, he states “On one hand the novel details neither nuclear weapons nor radiation, but the physical landscape, with his thick blanket of ash; the father’s mystery illness; and the changes in the weather patterns of the southern United States all suggest that the world is gripped by something similar to a nuclear winter”(11). In other words, Gridley asserts that McCarthy sets the setting as an open mystery, so that anyone can draw his or her own conclusions. The surrounding of the colorless and desolate society affects the characters behavior positively and negatively. Similarly the surroundings and settings of the society illuminate the meaning of the work as a whole.

For example, he writes a very detailed part in which the “[dad] walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe”. (McCarthy 66) This elaborates on the idea of the dismal situation humans are in. Despite this, the dad and son continue to withstand obstacles and reach their goal to go South. The secret symbolism of fire is portrayed again because it moves them figuratively. McCarthy writes specific word phrases such as “Every day is a lie. But you are dying. That is not a lie”. (McCarthy 123) The quote reveals the truth of the world which inevitably ends in death. Even though death will take place in their life, the dad and son can still push their hardest to even survive one day at a time. The dad continuously reminds the boy to “carry the fire” which contributes to last part of the book. The boy ultimately chooses to follow the family by asking if they are “carrying the fire” (McCarthy 149) and thus the influence of the symbolic fire is

The use of McCarthy’s style of writing is written in a way that someone can detect the feelings of the character rather than the story of what happened. The purpose for narratives is to focused on the plot of the story but McCarthy wants the readers to really feel exactly what the characters feel so he in repetitive of how “Cold and Grey” (McCarthy 19) the world around them is Even when they are physically battle something like hunger, you can really feel that they were almost always “Out of food” (McCarthy 197).

How does Cormac McCarthy’s Novel The Road, challenge a reader’s ideas, beliefs, experiences and values?

A man and a child, father and son, are alone against an inclement nature while pushing a cart filled with tools, blankets, and things that they have found along the way to the south. About ten years before the world had been reduced to ashes by an apocalyptic disaster, which it is not known whether it was caused by a natural event or the foolishness of human beings. The world is reduced to a single color, gray, that of the ashes covering all that is left, that of hearts and minds, clouded by the pain of the loss and the terror of solitude. All that is left of the humankind is a few tenacious survivors struggling unceasingly against hunger and cold, and those who have lost any trace of humanity giving free vent to the lowest instincts of oppression and violence. But in the novel “The Road,” Cormac McCarthy paints a vivid and dramatic picture of the catastrophic consequences of a cataclysm that are nothing more than an excuse to minimize the outer contingencies with the sole purpose to bring up what is really dear to his heart, the relationship between a father and a son. They have been deliberately left unnamed for the whole story to epitomize the archetypes of the man and the child, a hymn to paternity, and to unconditional love. In a world reduced to the essentials, McCarthy aims not merely to explore the complexities of the relationship between the two, which in fact remains

Throughout the novel, The Road by Cormac McCarthy, McCarthy repetitively uses symbolism to portray several deeper themes throughout the novel. One theme of the symbolism that is mentioned many times in The Road is the fire. A significant occurrence of this is when the man is discussing the fire with the boy. '' 'Is the fire real? I don`t know where it.' 'Yes you do. It's inside you. It always was there. I can see it' "(McCarthy 279).The fire represents the hope for humanity, and the man sees the fire inside the boy. The boy shows compassion for everything, alive or dead. Not only does the fire symbolize the hope for humanity but it represents strength and the will to live. During the novel fires are lit to keep The Man and Boy safe and warm but the fire keeps them alive even in the heart of the storm.

The encounters and interactions the man and boy had while on the road help develop McCarthy’s larger theme of humanity losing its selflessness when it’s in danger. For example, while the man and the boy are traveling to the coast they come across a burnt man, half-dead lying in the road. After some observation, the boy asks the man if they could “help him” but is continuously shot down by his father who repeatedly tells him to “stop it” (McCarthy 50). The Road’s setting is one of the strongest over the weak, those who can’t survive for themselves they simply won’t. This burnt man, who was struck by lightning, is an example of that as he is now in no condition to scavenge for food and medical supplies and will probably just die where he currently sits. The boy, realizing this, wanted to do something to give the man even a small chance at survival, but the man knew he was a lost cause and should be left to die. The boy and his overwhelming desire to help the dying man is representative of old society and its pressure to help those with lesser than you, ideals that were result of religious codes and churches. But in a world where none of that matters or is present, the man is what humanity has become, selfish being whom only care about

“The Road” depicts a solemn and deteriorating environment that can no longer provide the fundamentals to a society due to the nuclear disaster. The sudden depletion of the resources within their environment made it difficult for the father and the son to find sustenance. They were constantly traveling towards the South looking for safe places to situate themselves because the father knew that they would not be able to survive the nuclear winter. The genre of the novel is post-apocalyptic science fiction because it revolves around a dismantling society. Cormac McCarthy’s “The Road” depicts how environmental destruction finally gave sense for people to value the world and what it had to offer.

the Red Death shows the futile attempts by a prince and his guests of a party,

What makes Cormac McCarthy’s post-apocalyptic novel The Road stick out from most dystopian works is that The Road takes place not before or during but after the end. The novel follows a man and his son as they survive the dangers of what once was the United States after an unspecified calamitous event. There is not much left of the world: no food, no animals, and no hope. Many readers will ponder how someone could still be motivated to keep moving forward under such circumstances. If we were living in the same conditions as the man and the boy, this question might seem more imperative. But arguably it is a question that can be applied to today: what, if anything, makes human life valuable or worthwhile? Through the dialogue between the characters, the novel provides two conflicting arguments that serve as potential answers for this question. The first argument is hope, which is associated with the Christian religion, while the other argument is futility, which has a nihilistic outlook of the ravaged world. This paper will examine the Christian imagery and nihilistic arguments contained in the novel and how the moral systems of the two conflict. While at first The Road might present itself as a powerful challenge to both Christian and nihilistic views of the world, in the end, the novel never explicitly reject either worldview.

Picture this. The father of modern crime and detective stories, known as Edgar Allan Poe, is sitting down about to write a beautiful piece of writing and BAM! He whisks away into a story of love, death, and just plain out horror; either characters are losing someone near and dear to their hearts or they are plotting to kill. Edgar Allan Poe, at a very young age, lost both of his parents, and later on in life, lost his wife to tuberculosis, so in one way or another, these stories reflect off of his personal experiences. A major theme in Poe’s writings is death. The theme of death is seen throughout the works of Annabel Lee, the Cask of Amontillado, the Raven, and the Black Cat.