The Italian Word Paragone

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The Italian word paragone refers to a type of competitive comparison in an art-historical context. In 16th century Italy, due to the development of artistic practice and theory, various theoretical discussions were raised among the industry. Renaissance artists and theorists were preoccupied with the means and of various arts in the abstract. A debate was generated from the Italian Renaissance in which form of art (such as painting, sculpture, poetry, music and architecture, etc.) has supremacy on all others. The discussion of the relative merits that whether painting or sculpture was more convincing and descriptive form of art got unfolded in both Italy and the Low Countries like Flanders and the Netherlands. From that period, the example of paragone between painting and sculpture mainly involves paintings that emulate sculpture and sculptures that emulate painting. Both painters and sculptors made an interesting statement claiming about the superiority of one art over the other. These debates had laid a solid foundation of the modern system of fine arts. The ultimate goal of art at that time is about imitation, thus, the best means to arrive this goal had a more than theoretical interest. As a notable, one-of-a-kind sculptor from that period, the “divine” Michelangelo has proposed his treatise that sculptures champion the superior on paintings. He expressed his statement with the support of his increased engagement on sculpting. For the issue is imitation. “Every

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