The Japanese Entertainment Industry
Thirty-five years ago, Japan’s entertainment industry found an answer to its problems. Still developing in the aftermath of defeat in World War II, and the subsequent restructuring plan instituted by the United States, Japan was without surplus resources. There was no money for the production of films. American films soon began invading the Japanese entertainment industry. Yet the Japanese people longed for entertainment which would reflect their own culture. And so “animation...developed in Japan to fill the void of high-budget film-making” (Marin, 69). In the years that followed, animation would take a pop-cultural foothold in Japan that has grown and transformed, and yet exists today. Even with the
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When he began producing animation, it too was varied in subject matter. Keeping with Tezuka’s creative process, nearly all animation in Japan has been derived from comics, which are known there as manga. This tradition for the most part still exists today. In the present age, anime is extremely popular in Japan and abroad. In Japan itself, anime constitutes approximately sixty percent of all television programming (Ed Goodwin, president of CA West). In Europe and Asia, Japanese animation has been widely accepted as well (DUinfo). One anime property, known as “Sailormoon...moves $250 million a year in tie-in toys world wide—five times the U.S. sales for the once mighty ‘Power Rangers’”(Karp, 36). Only one type of animation in the world can stand comparison to the nation of Japan’s animation as a whole: the animation of Disney. Disney animation is generally regarded to be the world’s most technically superior animation. But is Disney animation of superior quality to anime? Comparing the patrons of these two groups of animation, Walt Disney and Osamu Tezuka is like comparing Rembrandt to da Vinci. Both pairs have been aknowledged as masters in their respective fields. Rembrandt and da Vinci were painters, Disney and Tezuka were animators. However, the creative processes of the individuals within each pair are vastly different.
As any cliché artist would say, “I started drawing a lot when I was younger;” but not me –I can’t remember when I started to enjoy the arts. I have always been driven to create and express myself. I painted scenery to calm my nerves, draw intricate objects to focus on details, and draw dynamic poses to allow development of my eye. The mountain of used sketchbooks fills its’ own bookcase, dating back to early elementary years when I would create little stories much like a comic book. Despite my deep love for the arts, I always loved animation much more. Animation is the perfect blend of drawing and creating visual aid, while elaborately designing a storyline and plot to engage the audience –animation lets the average audience member to feel
In many people’s opinions, animation means funny and humor and designed for children. The content of the animation is nothing more than fairy tales, legends, fables, etc. Animation even becomes a symbol of Disney cartoon. However, if we re-examine the animation from another point of view, we will find that it has grown out of a single commercial mode constraints. Some of the animations are complicated, obscure and abstract. Variety kinds of visual images in it stimulate the audience's optic nerves. This is the salient features of experimental animation. Experimental animation belongs to the field which between film and pure art. Innovation is the soul of it. In the production process, the
For decades animation has been a pinnacle for entertainment, but most of the content created since the dawn of animated entertainment have contained excruciatingly problematic aspects
What images come to mind as you reflect on your childhood? Playgrounds, blackboards, and soccer balls may be among the warmest of memories. Yet for many mermaids swim their thoughts, princesses get swept of their feet, and lions roar to their loyal place in the animal kingdom. There is no doubt that today’s entertainment has most of its touch using classical influences. Walt Disney has produced animated films that have captured the heart and imagination of audiences of all ages around the world through the magic of storytelling and imagery. Many of us appreciate the imagination and magic that Disney puts into its animations with out knowing they are based off of classical and traditional storylines
During the 1940’s America was fighting battles both at home and overseas, both on-screen and off. The reason being, World War II changed the possibilities of animation. Before the war, animation was only used for comedy and entertainment. Animation were these shorts played with color, music, and storytelling both hand drawn and computer animated. The attack on Pearl Harbor was a turning point in this form of entertainment because never before has the movie industry and nation been so aligned with interests and goals. To explain, “Film studios used animated characters to spread propaganda and educate Americans about their enemies. And the animators themselves were employed to make insignia for military units and equipment” (Stillich). In brief,
The author of Animating Revolt and Revolting Animation, Judith Halberstam, uses rhetorical strategies to speak to her point that animated movies can be used to reach a wide ranging audience to convey deep underlying messages in a way that is entertaining for all. The author points out how Pixar movies brings non-traditional characters to life and faces them against real life struggles but does so in a happy ending manor that captivates audiences. This is accomplished by the author introducing a plot line from a Pixar movie that illustrates a struggle or classic battle and then describes the characters that are in the struggle and how they live through it. The author then describes an actual real life struggle and relates it back to the animated movie.
Animation has a variety of differences between Japanese culture and the culture of the United States. While animation is usually made for the sole purpose of entertainment for children in the United States, Japanese animation, also known as anime as it is referred to both in Japan and in the West, is a form of media that is enjoyed by people of all ages. Unlike the Teenage Mutant Ninja Turtles and SpongeBob Square pants, both very popular American animations shows in their times, anime focuses more on drama and other non childlike qualities. The differing cultures of the United States and Japan can be considered the main factor to the huge differences in their own respected animation styles.
In recent years, animated programs have dominated the world of film and TV in both America and Japan. These programs, known as cartoons and anime, are some of the most popular forms of entertainment today. Anime and cartoon shows, such as One Piece and Family Guy, have been running for decades and are very well known among society. Animated films such as Disney’s The Lion King and Studio Ghibli’s Spirited Away have also thrived and even surpassed animated television shows in some instances. Both American and Japanese animation industries have flourished, and their cartoons and animes continue to grow in popularity. However, similarities and differences between the two soon arise when compared closely; these observations are often what lead fans to prefer one style over the other as well as shape pop culture.
Some people may think this is a bad thing. They’re children are embracing another culture instead of their own. And what is so wrong about that? Would you rather they hated every other culture except their own? The Japanese ‘Boom’ is a way to open minds, expand imaginations, and open doors to new cultures. One child may grow up on anime and go on to learn other cultures. S/He may grow up to be a democratic negotiator, or something of the like because s/he embraced other cultures at an early age.
“Animation offers a medium of storytelling and visual entertainment which can bring pleasure and information to people of all ages everywhere in the world,” said Walt Disney of his beloved cartoons. While it is true that cartoons are an interesting medium of visual entertainment, their unique ability to convey information to people, adults and children alike, make the animated film medium one of the most far reaching means of propaganda. Today it is impossible to imagine American animated cinema without Disney and its cartoons. The American captivation with Disney has not changed much in the seventy years since World War II. In the early 1940s, two thirds of Americans went to the movies every week and these moviegoers were enamored
Japan, that strange and exotic land in the east, has a complex and interesting history that has shaped and molded its culture into a very unique society today. Of course their customs have influenced their entertainment, especially television and movies. In a day and age where information is free to all through the internet and reliable postal systems these television shows, movies, toys, and comics have made their way all over the world. The reception of
As Japanese economy soared, its media products such as manga, TV shows, movies and music spread out across Asia. Especially, the young people in Asia began to embrace Japanese culture rather than the culture from the most dominant culture exporter- the United State, and this phenomenon was analyzed by Koichi Iwabuchi in his Feel Asian Modernities. His account of this intra-regionalization in Asia is cultural proximity that Japanese culture shares intimate similarities with other Asian countries and appeal to the audience to perceive this cultural flow.[ Iwabuchi, K(2004), Introduction: Cultural globalization and Asian media connections. Feeling Asian Modernities, pp 12.] In this way, American
In a world where technology is rapidly developing and evolving, it is sometimes hard to keep up with the changes that are made. When looking back on changes that are made it is particularly interesting to look at the development of animation over history. Today when one thinks about animation it is impossible not to think of Disney and their major motion pictures. The Shreck films, Finding Nemo, and Happy Feet, to name just some of the dozens of animated films Disney has produced, raked in million upon millions of dollars at the box office, and have been hit films with people in all age groups.
Anime is a type of cartoon but rather, it is complex, mature, broader, and even the animation drawing is on a higher level than that of a mere cartoon. Anime, which originated in Japan, is drawn by a “Mangaka” (artist) into manga (comic) drafts. These drafts are then rearranged, colored and synchronized by a hundred of staff. After the sequencing, a “Seiyuu” (Voice Actor) will give life to the character. One second of movement needs twenty-five to thirty-five drafts of drawing. Since it originated in Japan, most of the Animes shows the culture and hidden beauty of Japan, its technological advancement, friendship, love and student’s life, the Japanese way.
Anime, is a term that is used to represent Japanese animation (Lamarre 1). It is a combination of both form of content and form of expression. However, there seems to be more emphasis on form of content rather than expression when discussing anime. Form of content includes the genre, story and narrative while form of expression includes the animation and the style. Form of content can be described as what the audience is being shown and the message that is conveyed. On the other hand, form of expression emphasizes how the animation is shown and as a means for the animation to be shown. In this paper, the first episode of the television anime series Pretty Guardian Sailor Moon (also known as Bishōjo Senshi Sērāmūn in Japanese), will be