The Jarrett Family Film Analysis

The Frontline film Separate and Unequal discussed about creating a new school system; however, there are opposition by others who wants to maintain the current school system. If we look at the perspectives of the two groups, it is understandable in why there is support and opposition from the people of the city. The supporters of the new system wants a system that can provide better opportunities for their children without any violence. As the film claimed “the school was not teaching and were only babysitting the children”, which was likely a reason why there was a need for a new school system. With the chaotic and uncontrollable situation in the current system, many supporters have push forward the idea of a new system in a new city. From

First we must look for the root causes of the turmoil in the Jarrett family. The initial crisis was caused by the death of the Jarrett family's older son Buck Jarrett. His death in a sailing accident has left each of the surviving members of the family with their own issues. In response to this

I think the way the Jarrett family is trying to cope with their new group is a perfect example for how the behaviors in the family will change because of one person. One of the first things that happens is when Conrad decides to start seeing Dr. Berger. This brings a sense of relief to Calvin, and embarrassment to Beth. In one scene, Calvin is talking to a friend about the progress Conrad is making

Calvin thinks that Beth’s unwillingness to come back and join them in therapy is a threat to their relationship. He describes himself as powerless and abandoned by her. Also, Calvin is worried about Conrad well-being. He believes Conrad is too sensitive and does not want he blames himself as the reason for the marriage crisis.

The relationship between Calvin and his wife Beth is also extremely strained. Calvin, a kind and loving father and husband, spends a large part of the film playing the role of referee between Conrad and his mother. Calvin tries so desperately to mend their relationship but Beth makes it very clear that she is unable and unwilling to forgive Conrad and refuses to talk about it. It is no secret that Calvin cares vary deeply for both his wife and his son however, Beth's cold and emotionless attitude and behavior begins to change his feelings about their marriage and the love he once had for his wife. Beth's refusal and or inability to express any emotions/feelings makes her unapproachable and to some

Beth is a static and flat character; she does not change throughout the novel, and, on surface levels, does not appear to want to change. She is stuck in her ways of wanting everyone to think her life is still perfect. At a party in the beginning of the novel she avoids questions about her son or answers them falsely to keep her imperfect life hidden from the outside world. One example of this is when other guests at the party asked questions about Conrad and she states “He was sick for awhile...He’s fine, now.”(661) this is one way she tries to avoid questions. She put out a false sense of well being to allow herself to feel better about others opinions of her. The fight within herself to accept everything that has happened, Buck dying and Conrad trying to kill himself, has shut her off into isolation. This self induced isolation has lead her to believe everything Conrad did was to hurt her. In a later fight with Calvin she expresses this by “That whole vicious thing. He made it as vicious, as sickening as he

He was used to live in his brother’s shadow, but when the boat accident happened to them, he was the only one to survive. As he was always indentifying himself the less important one, he considered it was wrong that he was the one who would still have a life. As a result of nervous breakdown, he tried to kill himself with cutting his wrists in the bathroom, fortunately his father found out and save him. Then he went to the psychiatric for four months. When he comes back, there are still issues he needs to deal with.

The family consists of the mother Beth, father Calvin, and their son Conrad who are living in the aftermath of the death of the oldest son Buck. Conrad, who has attempted suicide and hospitalized because he inability to overcome grief and misplaced guilt, and therapy as way to feel more in control. Beth on the other hand always favored Buck and does not connect with Conrad. Whereas, the father Calvin is trapped in trying to hold the family together, but those pressures are building and he is coming to realizations of his own.

This family comes together in a time when they all need it. Phillip at one point tells Judd he’s on his side and has his back no what the situation is. Then every time Judd and Wendy meet on the roof to talk they are creating a turning point during a bad time. It can be see that each brother, sister, brother, brother, and/or mother, child moment is a growing point where something/someone else is thinking and acting different. The Altman family displays resilience by walking away at the end and assuring each other that they have their backs.

Based on Conrad’s character in the movie, he could be described as having more of an intuitive grieving style. This style of grieving utilizes more of the affective domain and uses little of the cognitive (Martin & Doka, 2011). For the intuitive griever, grief is characterized by the experience of painful feelings. The feelings of guilt and sadness were those that Conrad experienced the most. After

The emotional agony that Conrad experienced following the death of his brother almost led to his end. The conflict inside of Conrad is only the beginning of his suffering. The emotions that engulf one's mind can swallow them up and eat them from the inside out. They demand to be felt, but the management of the emotional conflict has been just as important. For example, when the Jannett family is together to take family photos, including the grandparents, the disconnect between Conrad and his mother are clearly visible to the naked eye. After being asked to take a picture with her son, Beth hesitates, violently insisting a different photo to be taken in order to avoid accepting and showing the increasing disconnect between her and her son. Siting and watching, Conrad struggles internally to decode the intentions of the scene depicted in front of him before he burst into an outrage. Initially, Conrad practiced silence in the form of withdrawal. Thus, he situated himself in the isolated window chair. The actions of his mother spoke to him in the sense that she hated him, wishing to have nothing to do with him. The silence remained silent until he burst with rage, projecting the instructions of his father for the camera to be given to his emotionally silent mother. Conrad rested on the assumptions he formed based not only on his mother’s current action, but passed actions as well, to reveal what he

Regarding psychological functioning, Conrad is under the vicious cycle of depression. His brother’s death led him to adapt a negative explanatory style. This in turn resulted in his depressed mood and cognitive and behavioral changes. He also believes that he has disobeyed his parents and does not deserve their forgiveness or affection (1:09:38). Conrad lives with a sense of guilt, not only for attempting suicide, but for things he had no control over (ex. Karen’s death). From a socio-cultural approach, Conrad depression worsens due to his unstable relationship with his mother, along with other relationships in his life. Throughout the movie, we clearly see that Conrad’s mother does not understand the severity of Conrad’s mental state. She frequently believes that Conrad is fine and wants their lives to ‘get back to normal’ (0:24:37). She believes Conrad’s mental health is a phase that can be fixed by simply being harder on him. The movie also takes place in a time where discussing mental health is taboo. Mental illness was significantly less common and thought to be a touchy subject. Throughout the movie, we can see that people do not know how to approach the Jarretts about Conrad’s state and frequently stumble through conversations or do not understand the situation (0:22:14; 0:31:52; 0:48:05). This plays a part in Conrad’s depression because he feels he can’t talk to or relate to anyone

The movie Parenthood (1989) revolves around the psychological stresses that are faced by families. From the name of the movie, the main theme is coined, involving the issues that are faced by parents while raising up their children. The movie is centered in the family of Gil and Karen, and their extended family. Set in a middle-class white society, the anxieties and pains of raising children are presented in the movie. Gil Buckman is a parent and businessman. His wife, Karen, comes out as a nearly perfect parent, and always stays at home. Gil and Karen have three children. The oldest child is Kevin, a nine-year old boy with emotional problems. The emotional problems that are experienced by Kevin form a very significant aspect of the movie,

It caused him to do things that the civilized Kurtz would not dream of doing. He became mad to the point of exhibiting the heads of native men that he killed on stakes outside of his home. Those heads “showed that Mr. Kurtz lacked restraint in the gratification of his various lusts, that there was something wanting in him… that could not be found under his magnificent eloquence” (87). Kurtz embodied what was at the heart of imperialism. Through his character, Conrad demonstrated that the result of progress outside of social restraint is madness and ultimately reveals a heart of utter

At an opportune time, Conrad tells his parents that he is seeing Dr Berger. Calvin is pleased to hear the news but Beth feels threatened. What if her friends find out? What an embarrassment! What would her friends think? Beth is so used to covering up and controlling her own feelings that the idea of someone prying into her family life is unbearable to her. We could speculate that perhaps her mother’s mannerisms and personality traits have rubbed off on Beth. Beth’s mother, Ellen, fakes a warm personality, which masks true critical