The Jewish Prophecies

Homer’s The Odyssey and The Holy Bible, are writings from the ancient civilizations! The proximity regarding similar narratives between the two publications has produced curiosity in inquiring minds. Interchangeable associations of both texts have prompted an investigation to explain why this literary phenomenon has occurred.

The Old Testament is the largest part of the bible nestled behind the leather binding in the front of the book. Unlike most books, told from one-person or even two this is comprised of multiple, some stories even having two different versions in another point of view; over time it has become a large collection of ancient texts written and re-written by different authors and editors over the many years. The stories show the ancient Israelites, they show the laws, and rituals, which make up their religion and the small embers, which will one day, turn to a flame that is Christianity. The Jewish people view these stories as collected in what they call the Torah, is the collection for what makes up their history and the promise that God gave to them, as well as their laws and what they worship today. For the Christians the Old Testament is still seen as sacred, but most place a stronger importance to the New Testament.

Throughout history, literature has served as a prominent tool in the examination of social values, ideas, and dreams. In addition, literature has provided a vital connection between historical, social, and political events. Through the incorporation of religious principles and philosophies, writers have discovered a way to portray different time periods, characters, feelings, and most importantly God.

of literary and poetic devices, and combined with the social context, form the changed voice of the

This essay will be about the analyzing of literary devices that are discussed in this book. The professor in the book thoroughly describes these devices and the allusions and symbols that are involved in literature over the centuries. I will be discussing the specifics of the allusions and symbols of the bible and the Christ like figures in literature.

New historicism is premised upon an ideological attempt to wed the practice of history and literary criticism. In this type of textual analysis, the literary work is juxtaposed with historical events (characteristic of the time period in which the work was produced) in an effort to understand the implications within the text. This line of inquiry serves to recover a "historical consciousness" which may be utilized in the rendering of literary theory. "Poems and novels came to be seen in isolation, as urnlike objects of precious beauty. The new historicists, whatever their differences and however defined, want us to see that even the most unlike poems are caught in a web of historical conditions,

“In a comparative study of texts we see that the connections between texts are realised through the different textual forms used by each composer.”

There is much debate over the historical accuracy of the Hebrew Bible and The Epic of Gilgamesh. Some claim that to understand a work of literature requires extensive knowledge of the background of this work. The contrary position is that a work of literature can be interpreted solely on it’s content. The meaning of the term classical literature is that it can be applied during any period of time, it is eternal. Yet the conditions surrounding the author might still be of interest to the reader, and of importance to the work. As with many cases, the truth is somewhere in between the two extremes. Both sides have valid arguments about the importance of historicity.

The biblical narrative derived for this composition origins from the gospel writings according to St. Luke in “The Holy Bible.” Within his writings, Luke recounts the Passover, Christ’s warning of the betrayal, and the night of the betrayal. On the night of the betrayal, he recounts Christ waking the sleeping disciples, Judas amongst them, explaining him rising to bestow a kiss onto Christ. St. Luke states: “And while he yet spake, behold a multitude, and he that was called Judas, one of the twelve, went before them, and drew near to Jesus to kiss him” (Luke 21:47). Giotto’s fresco directly becomes influenced from this scene, and becomes the point of action he creates within his biblical narrative fresco. His composition marks the beginning of the chaos that clouds Christ’s arrest; illustrating the powerful confrontation Christ and Judas are compelled into. While Christ is depicted unwavering in his pose and expression, Judas is rendered in a furious facial expression and stance. His face is inflated more so than Christ’s, illustrating the swelling of corruption beneath his physical features. He appears almost to gaze hatefully towards Christ, as his eyebrows become fused tightly together and appear to create a tension within his form. He pose is similar to an animalistic stance; he has one hand on Christ’s shoulder to draw him in nearer, while enclosing his long yellow cloak around his figure to envelop him within this grasp. By Judas’ expression and stance, Giotto depicts

At approximately 520 B.C., the prophet Haggai urged an apathetic Jewish population to continue rebuilding the Temple in Jerusalem. The project petered out after the builders completed the Altar of Holocausts and layed the foundations. The impoverished Jews, who had slowly been returning to the former Kingdom of Judah from exile in Babylon, also encountered resistance from ancient enemies such as the Samaritans, who considered themselves worshipers of Yahweh.; however, the Israelites did not allow them to help in the rebuilding. Hostilities ensued. Hagai 's focus was on Jewish expectations and subsequent disappointment. Why is there no success or prosperity? A terse accusation followed: "Because of my house, which remains a ruin, while each of you is busy with his own house."

11-11-11 is a movie about biblical events that will happen on the date November 11, 2011. On this chosen date a dimensional window will open and something spectacular will happen. But the writer Timothy Gibbs known as Joseph Crone do not realize that this event is about to take place and he is the main character in this phenomenon. Mr. Crone is currently a successful writer in this movie that is having nightmares about his mother and brother dying in a fire when he was a little boy. This child hood trauma is causing Crone not to go outside and have any human contact of any kind with anyone. Crone, a soon to be suicidal writer believes that he has no purpose in life and that there is no such thing as God. He also receives numerous strange phone calls telling him not to go to Spain in which his surviving brother and father lives. Strangely he receives a phone call from his brother, a coincidence, that his father is dying and his brother needs him to come to Spain and see him. He gets to Spain and see his sickly father, and his father tells him on his death bed that he needs to protect his brother because he is a great teacher and prophet and there will be people trying to stop him from preaching. Shortly after only being in Spain only 48 hours he realize something ghostly is happening and he can’t quite get a grasp of what’s going on so he starts to research but his brother denies that there is no evil behind what is happening its only in his mind. Crone is still seeing

As Lewis Chafer notes, continuity in the Bible is best shown through the fulfillment of prophecy (164). Christ is the fulfillment of the Old Testament prophecies. And the Second Coming of Christ is the expected fulfillment of the New Testament prophecies. In both cases, and throughout the Old and the New Testaments, "highways of prophecy" are directed towards Advents of Christ.

In the literary `movements' of neo-classicism and romanticism, Voltaire's Candide and Goethe's The Sorrows of Young Werther represent the literary age in which they were written. In the following composition, textual evidence will be provided to demonstrate how each book accurately represents either the neo-classicism age or the romanticism age. Candide and The Sorrows of Young Werther will be examined separately, and then examined together. After, a discussion about how each age seems to view the nature of man and the significance of moral and spiritual values will be presented. Also, a personal interpretation of the conclusion of each book will be given. Lastly, quotes

In biblical study, Narrative Criticism has been developed against the evolutionary models of historical criticism, which has been mainly focused to reenact the position and thought of the original writer and audience through certain ‘scientific and analysis of biblical material’. This discipline is the study of a narrative text most likely similar to any narrative literature. It is sub discipline of interpretation method under literary criticism, which emphases on ‘the literary form or shape of the text in its final form’ as pointer of what the texts meant. There is general agreement among the various disciplines of literary approach, that they all consider Scripture as a ‘literary document’, rather than a ‘historical’. These various disciplines,

“I was treading where academics cannot go because of the rigour of their discipline” (p. 10, l. 260-262). This combination of two such different ways to write allows her to bring back the voices of those who were left out of the historical texts.