The Journey Of Candide

Candide begins his journey in Westphalia, at the home of Baron Thunder-ten-Tronckh in a sort of utopia, guarded from the world. He is raised under the teachings of Pangloss, a philosopher of optimism, which influenced a great deal of Candide’s early decisions. After he is kicked out of the baron’s home, he is “convinced by [the Bulgar soldiers’] courteous behaviour that all is for the best,” without knowing that he isn’t truly receiving dinner free of cost (Voltaire 23). Shortly thereafter, he takes a walk, not knowing his action would be considered desertion, and is punished for it. Candide’s ignorance brought about by his youth puts him in a few more situations that cause him

    Candide on the surface is a witty story. However when inspected deeper it is a philippic writing against people of an uneducated status. Candide is an archetype of these idiocracies, for he lacks reason and has optimism that is truly irking, believing that this is the best of all possible worlds. Thus Voltaire uses a witty, bantering tale on the surface, but in depth a cruel bombast against the ignoramuses of his times.

Voltaire's Candide is the story of how one man's adventures affect his philosophy on life. Candide begins his journey full of optimism that he lives in "the best of all possible worlds," but he learns that it is naïve to say that good will eventually come of any evil.

Even though many people practiced this doctrine Voltaire did not aside with it instead, he implanted doubts on the chances of achieving true happiness and real conformism. Voltaire’s opinion was that one could not achieve true happiness in the real world but only experience it in an utopia. With the many hardships that Candide goes through ultimately leads him to abandon his attitude of optimism. Candide’s misfortunes and adversities often contrasted with his optimistic view on life. Noticeably, Voltaire uses this satirical piece as a way to criticize this exaggerated optimism. This tale as stated by William Bottiglia, “ Has had a great effect on modern writers who confront mankind’s inhumanity to fellow human beings by presenting the human condition absurdly, ironically, and humorously...” (Bottiglia 112).

Voltaire’s Candide can be understood in several ways by its audience. At a first glance it would appear to be simply a story blessed with outrageous creativity, but if you look deeper in to the novel, a more complicated and meaningful message is buried within. Voltaire uses the adventures of Candide as a representation of what he personally feels is wrong within in society. Written in the 18th century (1759), known commonly as the age of enlightenment, Voltaire forces his audience to consider the shift from tradition to freedom within society. He achieves this by exploring the reality of human suffering due to

Candide is introduced to the story as an acquiescent youth with a simplistic view on life. His perception on reality has been formed from an overly optimistic theory explained by his friend and personal tutor Pangloss. The ultimate vision, which is Pangloss's theory, is extremely provincial in thought but the experience of those he teaches is exceedingly limited. This inexperience allows the hypothesis concerning “the best of all possible worlds” to influence Candide's mannerisms as well as his perceptions ultimately leading to Candide's

Voltaire's Candide is a novel that is interspersed with superficial characters and conceptual ideas that are critically exaggerated and satirized. The parody offers cynical themes disguised by mockeries and witticism, and the story itself presents a distinctive outlook on life narrowed to the concept of free will as opposed to blind faith driven by desire for an optimistic outcome. The crucial contrast in the story deals with irrational ideas as taught to Candide about being optimistic by Pangloss, his cheerful mentor, versus reality as viewed by the rest of the world through the eyes of the troubled character, Martin. This raises the question of whether or not the notion of free will is valid due to Candide’s peculiar timing of his

Throughout the story of Candide, the author Voltaire uses many of the characters to portray important things in life. The two characters that Voltaire used the most were Candide and Pangloss. Voltaire used these two characters to represent a particular idea or folly that he had about the world. In the story Candide, Voltaire is always portraying his own ideas by using the characters to illustrate his own ideas. Candide and Pangloss represent the main idea of the story, which is Voltaire’s folly of optimism. Even though they both represent the main idea of the story Candide and Pangloss have many similarities and differences.

In Candide Voltaire discusses the exploitation of the female race in the eighteenth century through the women in the novel. Cunegonde, Paquette, and the Old Woman suffer through rape and sexual exploitation regardless of wealth or political connections. These characters possess very little complexity or importance in Candide. With his characterization of Cunegonde, Paquette, and the Old Woman Voltaire satirizes gender roles and highlights the impotence of women in the 1800s.

In “Candide,” Voltaire’s satiric theme is broad and varied. Although the most interesting satire is the one on religion, especially the utopia in which Candide starts off the story in, the first in importance is philosophical optimism, specifically Pangloss’s philosophy which in the novel this philosophical optimism seems to represent mankind's overall and overused optimism as means to copping with tragedy or loss. Pangloss’s philosophy is both the most important point for debate among the novel’s characters and one of the main targets of Voltaire’s satire. Pangloss is inevitably humorous “Pangloss gave instruction in metaphysico-theologico-cosmolo-nigology" his character is very predictable and superficial, his so called doctrine on optimism which is voiced out repeatedly that even great evil leads to good is opposed gross absurdity with absurdity. "It is clear, said he, that things cannot be

Candide is a reflection of the philosophical values of the Enlightenment. Voltaire’s novel is a satire of the Old Regime ideologies in which he critiques the political, social, and religious ideals of his time.

In Voltaire’s Candide, we are taken by the hand through an adventure which spanned two continents, several countries, and to a multitude of adverse characters. The protagonist, Candide, became the recipient of the horrors which would be faced by any person in the 18th century. But Candide was always accompanied with fellows sufferers, two of which our focus will lay, Pangloss and Martin. In equal respects, both are embodiments of different philosophies of the time: Pangloss the proponent of Optimism and Martin the proponent of Pessimism. Each of the two travelers is never together with Candide, until the end, but both entice him to picture the world in one of their two philosophies. Throughout the story there is an apparent ebb and flow

Candide is a good-hearted, but very naïve young man from Westphalia. From the very beginning Candide had his eyes on a beautiful woman named Cunegonde who is the Baron’s daughter. Candide was chased from Westphalia after being caught stealing an innocent kiss from

Most of Voltaire’s characters were able to explain why they could consider themselves as the “most unhappy” by providing a story of what had occurred to them. Their experiences vary from natural to man-made misfortunes. However, even though, the characters’ reactions to their misfortunes are of a similar, the experiences between the male and female characters of Candide are quite different in regards to what is taken away from them.

The title character, Candide, is the illegitimate nephew of a German Baron (3). The Baron, throughout the book, always comes back to the fact that Candide has common blood, and refuses to let him marry his daughter (35). Voltaire uses this to show the pretentious, over inflated superior feeling that was common amongst the nobility of the time. The enlightenment was a period where people view point on the role of the kings changed drastically. The original theory of divine right, which stated that the kings were chosen and ordained by God to be the head of their states, was slowly replaced with the idea that the king was to serve the people and their needs. Enlightened despots such as Catherine the Great and Fredrick the Great enacted policies which were meant to lighten the burdens placed on the people. They built hospitals, decreased the amount of surfs and the harsh conditions, and even in some places built elementary schools. It was the enlightened despots whom Voltaire saw