Suggestion 2
Based on the fact that learners want to feel autonomy and competence, the teacher could try a technique called “the KEYS method for teaching poetry” by Diana Detterick (2011). This technique provides certain guidelines to analyze a poem, yet, the student is in charge of carrying out the task.
The teacher starts explaining the acrostic KEYS:
K : Knowledge about the poem’s language
E : tonE
Y : whY
S : Structure
For example, in the previous poem, before showing the stanza, the teacher asks the student: “What do you know about haunted houses?”
Another possibility is to have the student brainstorm on “haunted houses” (K).
Next, the teacher requests the student to identify the tone of each stanza of the poem. In this case, he should
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When the student observes how rhymes are formed, identify the rhythm, create a picture and understand the meaning of the poem (symbolism), he can really appreciate the beauty of these written works. Eventually, this will lead him to enjoy poetry.
Explanation
According to Detterick (2011), learners can find it difficult to understand poetry since they have never seen most of the poems studied in the class. That is to say, they are not familiar with them, as a result they undergo certain level of fear and anxiety. However, as control promotes self-motivation, the teacher must provide them with the appropriate information so that students are able to perform the activities on their own (Woolfolk, 2014). Thus, the KEYS method is a priceless aid that allows students to do the task successfully.
Likewise, we can note that each step relates to activate previous background knowledge (K), develop listening/reading skills while listening/reading (E) the poem, since the student has to catch tones, develop speaking skills so as to express, support or debate opinions (Y). Then, it goes over the structure and meanings of the
To start off focusing on what the author is saying. To the perspective that the author is saying a lot of thing. For example when in the poem it says
Discuss how your investigation of the generic conventions of poetry has influenced your understanding of at least one poem that you have studied in this unit.
The Poem “Introduction to Poetry” is by Billy Collins, an English poet, and it is about how teachers often force students to over-analyze poetry and to try decipher every possible meaning portrayed throughout the poem rather than allowing the students to form their own interpretation of the poem based on their own experiences.
My English Literature major has helped me to achieve an outstanding level of appreciation, enjoyment, and knowledge of both American and British Literature. As a high school AP English student, I struggled through great works like Hamlet and To the Lighthouse. My teacher’s daily lectures (there was no such thing as class discussion) taught me merely to interpret the works as critics had in the past. I did not enjoy the reading or writing process. As a freshman at Loras, I was enrolled in the Critical Writing: Poetry class. For the first time since grade school, my writing ability was praised and the sharing of my ideas was encouraged by an enthusiastic and nurturing professor. Despite the difficulty of poetry, I enjoyed reading it.
The most essential parts of active reading are always focusing on an article and thinking more than just passively read, striving to enter into a dialogue with the editors. First, briefly look over the article and read the main points of it, at the same time the readers can also write down their ideas about the topic. These two steps are significant because the readers will be more spirited than usual, so that they can catch the editors’ central idea better and have a deeper understanding of it. Next, make marginal notes or comments. The example of a student’s notes on a poem well shows that take notes can help the readers recall where important points are discussed. Not only can they summarize the article and give assent, but also they can ask questions about it. Finally, the readers are encouraged to keep a reading journal of an essay or chapter in a reader’s own words because this can stimulate one’s own thinking. The given examples are two students’ journals, which show their critical thinking on a poem and their ideas combined with their specific
Billy Collins uses dark rooms, oceans, hives, color slides and mouse mazes to describe his poem “Introduction to Poetry”, but also a way to analyze poetry in general. Growing up, students are advised by teachers how to analyze poetry. The speaker of Introduction to Poetry, Billy Collins, attempts to guide the readers by teaching them a unique and appropriate way to analyze poetry. The use of personification and imagery, by the author, gives the readers a new perspective to interpret and find the significance in poetry. In this particular poem, the speaker does not want the reader to listen to the teachers of the reader’s past, “tie the poem to a chair with rope and torture a
to represent these ideas on the page is entirely up to you, but you should
Today 's lesson objective is: Students will explain how the author’s use of similes and/or metaphors contributes to the meaning and tone of the poem.
In today’s modern view, poetry has become more than just paragraphs that rhyme at the end of each sentence. If the reader has an open mind and the ability to read in between the lines, they discover more than they have bargained for. Some poems might have stories of suffering or abuse, while others contain happy times and great joy. Regardless of what the poems contains, all poems display an expression. That very moment when the writer begins his mental journey with that pen and paper is where all feelings are let out. As poetry is continues to be written, the reader begins to see patterns within each poem. On the other hand, poems have nothing at all in common with one another. A good example of this is in two poems by a famous writer by
ability to arrange a poem can greatly add to, or takeaway from, its overall effectiveness. In
While reading the poem “Introduction to Poetry,” Billy Collins sends a message to the readers that they should be patient and impartial when it comes to analyzing a poem in order to see the true meaning behind the without being over analytical. There is a revieting situation that takes place because Billy Collins is delivering his message to all readers about the way that one should be able to read a poem. This poems educates the reader on how to be able to read and plunge into a poem, through using many techniques like mood, tone, and literary devices to do so. In the first two lines Collins demands that we tackle a poem with a invigorating eye. There should be an exploration of what the poem means to us. How does this poem apply to our
poem is not merely a static, decorative creation, but that it is an act of communication between the poet and
Select two poems that you consider to be your best work from the required writing assignments in lessons 1–6. Each of these poems should be at least eight or nine lines in length and no longer than thirty, which means that if you choose to submit a short poem such as a cinquain or a haiku, you will need to select an additional one in order to meet the minimum length requirement. One of the poems should follow an established format (a sonnet, villanelle, cinquain, or haiku, etc..) and one should be written in free verse. Both (or all) poems should include the following:
On his first day, he asks someone to read the introduction of the students’ textbook on poetry. The introduction was full of complex wording and ideas about how to understand poetry, which Keating thought was meaningless. He then tells the kids to rip out the whole introduction, saying that poetry goes well beyond the “technical aspects”.
Poetry allows the writer, the reader and even those listening to get a deeper sense of being. It gives us the opportunity to break free from simple and boring routine. If done correctly a poem will done correctly a poem will be able to stir emotion, and create wonder. In order to this however all the part that make up a poem must be in sync. Its tone, diction, imaginary, rhythm, symbolism and subject matter are all critical areas. A good poem will draw an emotional reaction from its audience, whether those are light and upbeat or darker more serious feelings they will come away with a new experience, changed by what they just experienced. Two such poems that embody what a good poem should be are “Lady Lazarus” by Sylvia Plath and “Harlem”, also published as “Dream Deferred” by Langston Hughes. These poems elevate the experience for reading, listening and writing poetry, and serve as an excellent reference for a poem should be.