The Knight And The Nun In Canterbury Tales

Chaucer satirizes knights and chivalry in two different ways: in the prologue and in the Knight's Tale. The first way in the prologue is with the pilgrim Knight's character. Chaucer wanted to present a realistic knight, but he also wanted to give the Knight some very

Adapting to someone’s piece of art like this is like taking a craft, and altering it or to build off it to produce a new piece of art. Sometimes adaptation mimics the original piece. Other times the resemblance is so slight that it can be considered completely stray from the plot and theme.

In The Canterbury Tales, the knight is a modern type of knight. Although the description of this character’s personality is vague, it is not hard for modern day people to visualize him. In the prologue, it mentions that the knight follows the five basic ideals that a good knight should possess: “chivalry, Truth, honour, generousness, and courtesy” (Chaucer 4). The knight fought in the Crusades, wars in which Europeans traveled by sea to non-Christian places and tried to convert people’s culture by brute force, which was considered noble and brave hearted. From his love of the five basics ideals previously mentioned to his impressive military career, the knight is a perfect example of how a knight should be represented. Indirectly, the tale is discussing both the knight and the idea of how a knight should be. The tale does not describe much about the knight as in physical appearances and characteristics of this knight but as the tale comes to an end, the book starts to unfold how this story connects with this character. The tale itself is not important yet it’s what the tale represents that is important, such as pursuing courtly love, risking death, and respecting women. All of the previously mentioned attributes are ones that knights should possess to achieve expected standards.

In Geoffrey Chaucer’s poem, The Knight’s Tale, the author encapsulates chivalrous characteristics in his telling of a battle for love. In its fundamental form, chivalry idealizes a knight’s conduct, both on and off the battlefield (Gregory-Abbott). Chaucer employs this “heroic code [of] bravery, loyalty, and service to one's lord” to illustrate the idillic knight throughout the narrative (Rossignol). Chaucer’s poem, The Knight’s Tale, exhibits the ideals of chivalry in the form of two knights, desperately in love with the same woman, and a wise Duke who embodies the voice of reason. Each knight upholds honor through compassion, troths, and heroism on the battlefield, despite their afflictions with each other.

In the “General Prologue”, the Nun exposes the hypocrisy and manipulation of the Church through her actions. Nuns are supposed to devote their lives to Christianity while portraying a positive Christian figure. Chaucer describes the Nun’s actions toward being well mannered.

Chaucer's "The Nun's Priest's Tale" is at once a fable, a tale of courtly love, and a satire mocking fables and courtly love traditions. To this end, Chaucer makes use of several stylistic techniques involving both framing and content. The tale begins and ends with "a poor widwe somdeel stape in age" (line 1), but the majority of the content involves not the widow but the animals on her farm, in particular an arrogant rooster name Chauntecleer. The first mention of the main character does not come until the twenty-ninth line, after twenty-eight lines of minute description of the widow and the farm. The donation of large amounts of time to detail slows down the plot of the story; this plot is even further drawn out by the Nun's Priest's

Upon entering his description of the Knight, Chaucer wastes no time to praise this pilgrim in every way. Not only does he note the strength and bravery that the Knight shows in his battles but also his “softer side”, where he speaks about how he “never had foul-spoken in his life”, and wears chainmail “begrimed with rust” (Chaucer 4-5). Compared to the descriptions of many of the other pilgrims, Chaucer only states positive things about this character, using no time to speak negatively about his life. Even when speaking about his “dated” clothing, he spins it around to make it sound like a positive by showing off his selflessness. Along with this, the Knights section

Three of Chaucer’s tales are written with a central Christian theme, the Prioress’s Tale, the Second Nun’s Tale, and the Parson’s Tale. The Prioress’s Tale is said to be about a miracle of the Virgin Mary, the Second Nun’s Tale is a biography of Saint Cecilia, and the Parson’s Tale is considered a sermon. Just as The Canterbury Tales shows a theme of Christianity, it also shows a theme of religious corruption. In the tales of the Friar, Prioress, Pardoner, and Monk, corruption of the church is shown and influences each character in a different way. In the Friar, the focus is on money, horses, and the responsibility of his monastery. But, the Friar also seduces women and provide them with a spouse to stay out of trouble. In the tale of Prioress, Chaucer describes her as too busy being a court lady to take care of her nunnery. In the Pardoner, he takes advantage of others by taking money for giving pardons for the sins of others, even going as far as selling relics. The Monk takes money for forgiveness, refuses to help the poor, and pays other beggars to leave so he can attain all of the money from that area. He does all of this while he is supposed to be pledging his life to poverty and those less fortunate. Chaucer shows a theme of Christianity just as he shows a theme of religious corruption. As

The Canterbury Tales, the most famous and revolutionary work of Geoffrey Chaucer, is a collection of twenty-four tales presented in the form of a story-telling contest by pilgrims who are traveling from London to Canterbury. In my viewpoint, The Canterbury Tales can be understood as a representation of the English society at Chaucer's time as it documents several of the social tensions of life in the late Middle Age. The choice of setting the tales as part of a pilgrimage allowed the author to cover a wide range of social roles with varying hierarchical positions and occupations. Therefore, the tales depict a number of the evolving themes by that time in many segments of the society, such as the ones presented in The Wife of Bath tale: the

The Friar is a man of many traits, but trickery is one of his best traits. The Friar is a character in the poem The Canterbury Tales by Geoffrey Chaucer. The Friar was in a religious Order, and he was loved by many people. He is a character that appears to be graceful and elegant, but he abuses his power as a clergyman, which was a common theme in the church during this time. The author, Geoffrey Chaucer, uses this poem to inform his audience of the practices in the Middle Ages. He uses the characters of the stories to show some of these practices. The Friar is one of the characters in which Geoffrey Chaucer shows the corruption of the church during the Middle Ages. The Friar is a prime example of one who used his position to get

      In the General Prologue to the Canterbury Tales, Chaucer describes the men and women of the Church in extreme forms; most of these holy pilgrims, such as the Monk, the Friar, and Pardoner, are caricatures of objectionable parts of Catholic society.  At a time when the power-hungry Catholic Church used the misery of peasants in order to obtain wealth, it is no wonder that one of the greatest writers of the Middle Ages used his works to comment on the religious politics of the day.

In Geoffrey Chaucer’s The Canterbury Tales, the prioress’s behavior can be interpreted as being part of the change occurring within religious institutions, which were changing to allow for freedom of thought and individual choice, as the nun does when she takes the liberty of customizing her fine garb by wearing it with beads and a gold brooch. The nun is one of the first characters to be given a name and as such is identified as being an individual, and not just seen as being a nun. The nun’s deviation from expected behavior and norms can thus be seen as a positive trait which Chaucer praises as women became more independent and redefined their own roles in society. Excessive understatement, negative imagery, and refined diction, however

In Geoffrey Chaucer's, The Canterbury Tales, Chaucer narrates the accounts of several pilgrims on their way to visit the shrine of St. Thomas Becket at the Cathedral in Canterbury. Through his narratives, Chaucer presents his audience with a broad representation of life and social class interaction in both the pilgrims and the characters in their tales. Chaucer brings to light various ideas, thoughts, and commentary in regards to medieval society. The two most significant characters who provide the greatest insight into contemporary medieval society are the Wife of Bath and the Prioress. Through both the Wife of Bath's Tale and the Prioress's Tale, Chaucer articulates his opinionated views of the etiquette and conduct of women in the

In the Canterbury Tales, Chaucer gives a detailed description of what life was like in Medieval times . In the “Prologue”, the reader comes to better understand the people of the time period through the characters words and actions. Chaucer uses a variety of groups of society to give the reader a deeper insight into the fourteenth century Pilgrims customs and values. Through the Court, Common people and the Church, Gregory Chaucer gives a detailed description of ordinary life in the medieval times.

The “General Prologue” provides us with no evidence as to the character of the Nun’s Priest. Only in the prologue to his tale do we finally get a glimpse of who he might be, albeit rather obtusely. As Harry Bailey rather disparagingly remarks: “Telle us swich thyng as may oure hertes glade./Be blithe, though thou ryde upon a jade” (p.235, ll2811-2812). I say this cautiously because much criticism has surrounded the supposed character of the Nun’s Priest, his role in the tale, and his relationship to the Canterbury Tales as a whole. One example, in my opinion, of an unsatisfactory reading is exemplified by Arthur Broes’s 1963 article “Chaucer’s Disgruntled Cleric: The Nun’s Priest’s Tale.” Broes argues that the Nun’s Priest is an “erudite