The Lady With An Ermine

Another change that occurred during the Italian Renaissance was the artistic perspective of this world. People were no longer painting two dimensional art, and non logical portraits. A new technique, chiaroscuros a technique that involved light and shadows, gave their paintings more depth and a realistic imagery. They also made their paintings more realistic by making the objects relative to one another. They emphasised emotions and belief in a universe full of harmony.

It is a famous example of Renaissance art showing portraiture, realism, and some perspective. In this painting there are four distinct characters. Each has a different expression that shows how they are feeling. There is also more detail in the faces then in any other parts of the painting. Another technique it demonstrates is heightened realism. Whereas before the Renaissance the figures may have been painted simply and in only enough detail to get the general idea across, these figures are shown more realistically. Lastly there is the technique of perspective as shown in the background of the painting. The sea stretches out into the sky and the land in the background is shown how it would look if the viewer was actually

The painting depicts real people doing everyday things, like studying. Classical Antiquity was greatly displayed through another painting it depicts a normal person holding a balance. In the Middle Ages this would have been frowned upon because they discouraged the making of realistic paintings (Follett software). Realistic paintings would not have been introduced to the Renaissance without the humanists studying classical antiquity.

Art helped support the research that people did. It became more of a story, than a basic scene from The Bible. People started becoming familiar with the artists who created the paintings. The details in the faces displayed the appreciation the artist had for the people. When comparing the Mona Lisa to the portrait of Mother Mary on the document, it is obvious that there was much more appreciation for the individual beauty of Lisa Gherardini than the appreciation for the religious scene (Document A). Another idea that that is easily identified when looking at a painting from the Middle Ages and the Renaissance, is the use of gold in the paintings from the Middle Ages. The use of gold keeps the paintings very similar to each other and basic. The techniques that were developed during the Renaissance were light and shadow which helped show emotion and detail in the paintings. Also the use of three dimensional features helped show motion to portray a story. The switch from Middle Age art to Renaissance art helped lead others to further the research being done in their own categories of

Man has been creating art for over 30,000 years. There are cave drawings, sculptures, Egyptian art, Greek Art, Modern Art and plenty more but to many, the Renaissance Art period is considered to be most important. Never had so many geniuses in art lived at one time and never had so many pieces of cherished art been produced. Two examples of Renaissance paintings are Cigoli’s Adoration of the Shepherds and Moretto da Brescia’s Entombment. Both paintings posses the attributes that were popular during the Renaissance period which I will now contrast and compare.

The Mona Lisa was Leonardo’s most famous painting. In painting this piece, Leonardo took art to a whole new level. See the trees in the background? and the dirt road the gradually gets smaller? He made distance in this painting by doing these things. Being that he used oil paints, added a greater contrast, and a glow to her and the background. A great painting overall, but a things that were questionable. Where’s her eyebrows? Mr. Cotte conclusion is

Key changes observed in the artwork of the time included the used of warmer color tones and portraits, such as the one discussed in our forum, featured women in a more relaxed position. These modifications reflected the changing times as many people began to branch out from social norms and make their own statement. William Cullen Bryant

Leonardo da Vinci clearly displayed this idea through his new techniques and styles of portraiture, clearly seen in the Mona Lisa, allowing the evolution of medieval art into modern day artwork. Leonardo da Vinci used things such as Chiaroscuro and sfumato to create a natural landscape and 3D form, first used by him. He used these techniques to create a smooth transition from the figure to landscape, using oil paint and idealism to give the painting a more realistic feel. He used the pyramid design and pillars on either side to focus the viewers on the woman in the portrait, while also using the light and dark tones on the figure to give the background depth. The new colours used as well as the shading and blending of paint give the painting a new sense of realism and

These transcripts taught the designers unique techniques for painting and how to obtain a desired effect through simple brush strokes. Carefully adhering to these lost principles, painters rediscovered the process of more lifelike imagery, causing many portraits to seem almost real. Many times, these realistic pictures would be commissioned by the wealthy elite as a symbol of status and success. Famous examples of portraits include Mona Lisa, Arnolfini Wedding, and the Ambassadors. The Renaissance exact and realistic style is most accurately portrayed through the knowledge of classical documents and beautiful

The Renaissance movement was also significant in that it influenced the developments which occurred in philosophy, literature, music and science. This influenced Leonardo Da Vinci to created one of his most accomplished works of all time “Mona Lisa. “Mona Lisa” was an portrait oil painting created in the early 1500s and is widely considered to be the greatest artwork of all time. Leonardo Da Vinci used gaze and demand within the artwork. This allows the audience to feel interactively connected to the artwork and the character. Leonardo Da Vinci achieved an unusual effect of having Mona Lisa's smile alter depending on the angles the audience looks at the artwork. The use of perspective also gives the artwork a three dimensional feel. This allows the audience to see idealised female form as well as the themes and values of the Renaissance. The artwork “Mona Lisa” by Leonardo Da Vinci had a focus on challenging the International Gothic Style as well as representing the values and attitudes of the world at the time.

Renaissance artwork never took perspective into account within any of its altarpieces or frescos. Most artists never thought it of in any sense and just drew items and humans however they wanted as long as the story was relayed well enough to readable. Than out of the early 15th century, a man named Brunelleschi came out of the artist community and brought up this bizarre idea of perspective and how it can create visual interest in in a piece. In “The Architecture of Brunelleschi and the Origin of Perspective“ by Giulio Carlo Argan, he talks about the shift into perspective artwork, and focuses on the positives it brought, and how other artists took up the challenge to make their images more life like and as if it could be a real event. The article also discusses the differences between traditional and modernist views on

Leonardo 's Cecilia has sloping, slender shoulders, white skin over delicate collarbones, a pale throat adorned with a black necklace, an exquisitely elongated face with a superb nose. She is turning to look at someone, perhaps at Sforza himself. This sidewards turn gives the artist an unselfconscious view of her, and in it one senses the depth of Leonardo 's fascination. It is not just Sforza who adores Cecilia. From this portrait, it looks as if the painter is attracted to her, as well.

In the book Leonardo da Vinci: The Marvellous Works of Nature and Man, Kemp demonstrates his knowledge on Leonardo’s portrait through stylistic analysis and historical input. Shell and Sironi presents their article Cecilia Gallerani: Leonardo's Lady with an Ermine, through studies in the identification of the painting. The authors of the article study physical and historical features of the painting to create meaning. Through the analysis of stylistic features and examination of history, the meaning of the Lady with an Ermine can be uncovered as a portrait with poetic vitality and aristocratic value.

Leonardo’s most famous painting by far is the Mona Lisa. It is a simple portrait of a young woman whose identity is unknown. She is sitting in front of a mountainous nature scene dressed in the clothing of the time. The most captivating aspect of the mysterious young woman is her very subtle smile. Not only is this a beautiful painting superficially, but also it is filled with many puzzles that art historians have been studying for years. One of the most interesting is the mismatch in the horizon of the background. The left side is significantly lower than the right. So if the observer focuses on the left side of the painting, she appears to be much taller and more erect than if he focuses on the right (WebMuseum). Da Vinci was a master of using perspective to trick the eyes of the observer.