Essay about The Lady of Shalot

Prior to and throughout the late middle ages, women have been portrayed in literature as vile and corrupt. During this time, Christine de Pizan became a well educated woman and counteracted the previous notions of men’s slander against women. With her literary works, Pizan illustrated to her readers and women that though education they can aspire to be something greater than what is written in history. Through the use of real historical examples, Christine de Pizan’s, The Book of the City of Ladies, acts as a defense against the commonly perceived notions of women as immoral.

of Camelot and all that went with it. The Lady of Shalott is more of a

In both The Lady of Shalott and Mariana, Tennyson also uses deliberate stanza structure in order to stress his key themes. Although the meter of the two poems differ from one another, Tennyson's purpose for doing so is very similar in both works. The Lady of Shalott is based on lines one to four and lines seven to nine of each ten-line stanza being written in iambic tetrameter, and lines five and ten, most often occurring as iambic

In Lanval, one of Marie De France’s twelve Lais, she demonstrates a narrative poem about love and lust set in medieval times. Her short, romantic tale narrates a knight’s love affair with a maiden that is so beyond beautiful that she surpasses all earthly splendors. Lanval, a knight who sat at King Arthur’s Round Table, is the center of Marie’s story and is envied by all the other men and hated for his gallantry, kindness, attraction and courage. The poem’s location is based in the feudal town of Carlisle.

The Book of the City of Ladies During the renaissance many different views of leadership surfaced. Christine de Pizan’s The Book of the City of Ladies, Niccolo Machiavelli’s The Prince, and William Shakespeare’s Richard III each present distinct views of what would make a good leader during the renaissance period. Shakespeare and Christine de Pizan’s views align most closely with Plato’s.

Not only does this outburst cause Lanval to lose his lover, but now, he must also prove to King Arthur that he did not insult his honor by demeaning the Queen during his fit of rage. If Lanval had not acted this way, he still could have been a successful knight, yet the

In her poem "Lanval," Marie de France shares a fantasy with her readers, telling the tale of a mysterious woman who journeys from a distant land to be with Lanval, a dishonored knight of King Arthur's Round Table. Marie's portrayal sets Lanval's mistress apart from the maidens and ladies in waiting at King Arthur's court, as she eclipses even Queen Guenever. Much like an editor of a modern woman's fashion magazine, Marie targets her audience of mostly aristocratic twelfth-century women. She describes a mysterious lady whose retinue, meadow pavilion, clothing, figure, cultured sentiments, deportment, and conduct depict her as a superior being. Lanval's mistress is a model Marie's readers

An unlikely candidate to dispute the unfair, misogynistic treatment of women by men and society, Christine de Pizan successfully challenged the accepted negative views that were being expressed about women by the all-male literary world of her era. Part of Christine’s uniqueness stems from the time in which she lived, the middle to late 1300’s. The lack of a positive female role model to pattern herself after made Christine a true visionary in the fight for the equal rights of women. Her original ideas and insight provided a new and more intelligent way to view females. Pizan’s work, The Book of the City of Ladies, provided women much needed guidance in how to survive without the support of a man.

Shakespeare’s Taming of the Shrew objectifies women and portrays them as inferior to men. In Taming of the Shrew, Kate is a strong-headed woman, and because of that is looked down upon. However, we later see that all Kate really wants is a man that can handle her. Bianca is initially introduced to us as a very timid character; the ideal woman during Shakespearean times. Later on though, we see that Bianca is actually very headstrong.

The adulterous affair between King Arthur’s most trusted knight Lancelot, and his wife, Guinevere, is symbolic to the coming of the mischievous serpent in God’s garden as a result to an end of a perfect world. According to the influential work of Sir Thomas Malory at the end of the 15th century, there became one of the major causes of the downfall of Arthur’s Round Table. Through various parts of literature, Lancelot’s romantic character becomes known. In The Knight of the Cart (ca. 1175), by Chrûtien de Troyes Sir Lanceolt rescues Guinevere from the evil knight, Meleagent, and ultimately spends the night with the queen in her chamber. He later listens and obeys every instruction she asks Lancelot to do, such as to do his worst in the Tournament. Another major romance of which Lancelot is the protagonist is the extensive early 13th-century Prose Lancelot, a part of the Vulgate Cycle of Arthurian romances. Here, he is raised by the Lady of the Lake, and by 18 sent to Arthur’s court after realizing his royal percentage. He is given a sword by Guinevere, who knights him in a ceremony of divided loyalties. He goes to act of numerous adventures for the king to earn his reputation, but his adultery with the queen disables his legitimacy to succeed in the quest for the Holy Grail. In the last romance of the cycle, Lancelot and the

Saints are always different from everyday people, thus no one understands them in their lives, only a lot of years after their death. Joan of Arc was a saint like this as well, she was too far ahead of her times and was killed by her fellow men, because they didn’t know what else to do. She was canonized in 1920, after 489 years of her death. In my opinion, she was not only a saint, but meant to be an angel and showed a good example to all of us, how to behave ourselves in the name of honour, honesty, and glory.

Wishing to remain in darkness, "where plaine none might her see, nor she see any plaine,(144) she is alarmed by the knight's intrusion and uncoils her tail in an attempt to escape. The knight, quick on his feet, leaps "as lyon fierce upon the flying pray,(146)" and keeps here there to fight. This further shows that the knight is just looking for a fight to impress the fair Una. After he strikes the beast with his blade, she wraps the knight in her "huge traine." The tail is a literal foreshadowing of the tangled mess the knight gets himself into with the other evil female character, Duessa, who, figuratively, holds him in her tail of evil and deception.

When we look at Tennyson as content with his seclusion, we see also see a man who also desired his poetry to be heard. . Perhaps it was the voice of disapproval foe materialism to be heard from by the public, torn by the materialism brought with fame. He had been said to have a desire to be famous, and was called "the most instinctive rebel against the society in which he was the most perfect conformist" (p.1911). The need for fame could be the temptation for materialism, or perhaps the recluse giving into materialism gave leverage for his poems to be heard. The conflict can be thought of as Tennyson's curse, causing opposing feelings. The curse is reflected in "The lady of Shallot." At first, the lady is content in seclusion. She becomes mesmerizes by materialism of glittering gold of the Red Crosse Knight. His

Tennyson portrays the isolation of women through the reoccurring theme of Romanticism, this is shown through the poet’s constant associations with nature being the centre of the poem. The poet focuses more on the surroundings of the main character as she lives “By the island in the river…And the silent isle embowers The Lady of Shalott.” Tennyson presents the speaker to hide the details of the actual lady, her imprisonment and the curse which leads us to believe she is a mystery as the nature around her seems overpowering and consuming her. Tennyson portrays the lady in the poem to be an embodiment of a typical woman of the contemporary culture as he describes ‘A charmed web’ which the woman is ‘weaving, either night or day’. The ‘web’ can be a symbol of slavery but also a symbol of creativity and possibility. When the woman tries to turn away from the web she refuses to be a slave and ultimately

John Keats’s poem “La Belle Dame Sans Merci” dramatizes the conflict between dreams and reality as experienced by the knight. On a late autumn day, the speaker stumbles upon an ailing knight and asks what is wrong. The knight reveals that he had fallen in love with a beautiful lady, “a faery’s child” (14), who then abandoned him after professing her love and spending one night together. The speaker is recounting his experience with the knight to his audience.