The Language Of Nudity : Gendered Voice Of A Women's Confined Desire

As C. Sykes examines Victorian literature in his essay, he recognizes that many authors reveal gender issues. While some define characters by his or “her marital status,” others reveal inequality through “female capabilities” (Sykes). Victorian literature, like Bronte’s Jane Eyre, reveal gender

Lucy lectures Eliza on her “coquettish” ways and suggests that she be cautious in her attempt to rebel (7). However, Eliza does not heed Lucy’s advice and continues her quest for her ideal husband.

Throughout time, there has been a battle present in which females try to rise above the power of men and the hold they have on women. Whether the battle be for the equal treatment of both sexes or simply establishing a level of respect and understanding from the opposite sex, the meaning stands the same in which there is an ever-present power struggle that is continuously ongoing between the sexes. No matter the intentional meaning of the work, women suppression by men are seen when one looks beyond the simple statements given and examines the female characters in great detail to better understand the struggle she endures daily due to men. One author in particular that allows an interesting viewpoint into the mind of a blossoming woman is Susan Minot. Minot demonstrates in her story “Lust” how the female narrator is influenced and altered by her male sexual partners. Through each sexual encounter, the reader is able to see the changes these encounters have on the young woman emotionally and other affects a man has on her as she grows up in a male dominated world. This can all be determined by observing closely the figurative language used in the story, the fluctuations in emotions seen in the female character, and the thoughts the woman has about men throughout the story.

Sexuality has an inherent connection to human nature. Yet, even in regards to something so natural, societies throughout times have imposed expectations and gender roles upon it. Ultimately, these come to oppress women, and confine them within the limits that the world has set for them. However, society is constantly evolving, and within the past 200 years, the role of women has changed. These changes in society can be seen within the intricacies of literature in each era. Specifically, through analyzing The Scarlet Letter by Nathaniel Hawthorne and The Bell Jar by Sylvia Plath, one can observe the dynamics of society in regards to the role of women through the lens of the theme of sexuality. In both novels, the confinement and oppression of women can be visibly seen as a result of these gender roles. Yet, from the time The Scarlet Letter was published to the time The Bell Jar was written, the place of women in society ultimately changed as well. Hence when evaluating the gender roles that are derived from sexuality, the difference between the portrayals of women’s oppression in each novel becomes apparent, and shows how the subjugation of women has evolved. The guiding question of this investigation is to what extent does the theme of sexuality reflect the expectations for women in society at the time each novel was written. The essay will explore how the literary elements that form each novel demonstrate each author’s independent vision which questions the

The sexualization of women and girls surround Americans and is damaging to females as well as to American society. Females receive the sexualized messages regarding their appearance and how they should act via the media, retailers, and American society’s acceptance of these behaviors. As a mother, Girl Scout Leader, and school paraprofessional I cannot help but to question are these messages inflicting psychological damage on girls? Whom can I hold accountable for sexualizing female youth? What can I do to prevent sexualization from affecting all of the young girls in my life? The sexualization of girls is unacceptable because it is degrading to females, can cause serious life-long psychological damage and sexist attitudes, and may lead to violence against women and girls.

Presenting literature to the public that is meant to be a commentary on social or political issues, masked under the guise of entertaining and fictional, is a tool implemented by authors and activists for centuries. While not all satire is as overt as Jonathan Swift’s suggestion that we eat the babies, it does not diminish the eyebrow raising suggestions that are conveyed once the meaning has been discovered. In Aphra Behn’s The History of the Nun and Eliza Haywood’s Fantomina, the established expectations of the female role within society are brought into question then directly rejected. These expectations establish that women should be deferential to men, morally unblemished, and virtuous at all times. Men, however, are not held to these expectations in the same way. The masculine roles assumed by Isabella and Fantomina demonstrate a private rebellion against the established patriarchal society as it warns against the under-estimation of women and proves that women exist independently.

It would be nearly impossible for one to try and count the amount of products in today’s market aimed at bettering one 's self exterior. The Millennial’s are often dubbed as the ‘most selfish generation’ because the majority is preoccupied with its self-image and with receiving praise in return for working toward perfecting this self-image. Media sexualization is guaranteed to spark a response and has become common to the point where viewers are becoming desensitized to the obvious extremes. Advertisers take note of this and the evidence is conspicuous.

In addition, the feminist view of sexuality is evident throughout Rossetti’s poem. Laura and Lizzie’s magical experience portrays the pursuit for sensual awareness while struggling between physical identity and spiritual salvation. Furthermore, “She clipped a precious golden lock, she dropped a tear more rare than pearl, then sucked their fruit globes fair or red, sweeter than honey from the rock” (ll. 126-29) and “sucked until her lips were sore” (l. 136). With blatant sexual undertones, this pivotal moment signifies the character’s transition from maiden to woman or innocence to experience. Additionally, this exchange could be a metaphor for Laura’s relinquishment of her sacred virginity. As Laura falls sicker and slowly begins to deteriorate, Rossetti illustrates the consequences of succumbing to the temptation of men’s deceit and the importance of remaining pure. With use of vivid imagery, Rossetti further emphasizes the animalistic and uncanny

With reference to relevant cultural theories analyse the representation of sexuality in a film/television text of your choice.

There was a complaint in 1992 about having The Nude Maja in a classroom. The complaint came from a feminist English professor who stated that the painting made her students, as well as herself, uncomfortable. Another incident occurred at the University of Arizona when a female student’s photographic artwork consisting of self portraits in her underwear was physically attacked by feminists. There was also an occurrence at University of Michigan when some of their law school feminists organized a conference “Prostitution: From Academia to Activism”. This group removed a feminist-curated art exhibition held in conjunction with the conference. They felt that videos showing

Ernaux is executing a reclamation of female sexual desire in Passion Simple. She is taking back power from the patriarchal society in which female desire is constructed, and reframing it from a female perspective. The author described the songs which “bouleversaient” her and empowered her to live her passion, “Les chansons accompagnaient et légitimaient ce que j’étais en train de vivre.” The accompanying thoughts and events included a night when, naked, and in search of a beer, she was reminded of “les femmes, seules ou mariées, mères de famille, qui, dans le quartier de mon enfance, recevaient en cachette un homme l’après-midi”. Finding herself in a situation that would have gathered the same societal and neighbourly reproach as the women she knew as a child, the author thought of these women “avec une profonde satisfaction.” Her inclusion of this memory gives these women, who followed their own desires, but were shamed for it, a voice, a representation of themselves through a popular medium, and one which divorces itself from the patriarchal taboo. It also leaves women in a position of dominance. It was they who invited men into their homes during the afternoon, when their husbands were either at work, or non-existent. The women had the control of being in their own environment and fulfilling their own sexual desires at will. It is this dominating position that Ernaux makes clear in Passion Simple.

An example of this notion is shown in Hope Leslie when Governor Winthrop, the landlord, reacts to Hope, the tenant, coming home late and refuses to reveal her reason why: “...Winthrop was not accustomed to have his inquisitorial rights resisted by those in his own household, and he was more struck than pleased by Hope’s moral courage” (184). Evidently, Winthrop’s reaction proves that women with “moral courage” are unladylike because moral courage is a manly trait. On the other hand, Esther Downing, another character in Hope Leslie, embodies the cult of true womanhood. Esther’s mere look at her love interest Everell is described as “a look of...pleased dependence, which is natural... and which men like to inspire, because --perhaps -- it seems to them an instinctive tribute to their natural superiority” (219). So, “Esther’s look … of dependence” confirms that the expectation that all women are supposed to have the same behavior, gestures and personality is meant to not only please men but to also hide their true form. Therefore, the cult of true womanhood presents an internal battle in female writers and Sedgwick presents this womanly struggle through the contrast between Hope and Esther. Society wants women to be quaint housewives but publishing a book defies the cult of true womanhood. Thus, defying the qualities rooted in the cult of true womanhood causes high risk of

12.5. Is this it the average number of times Cornell students cry during Finals week? Nope. 12.5 is the number of videos viewed per person on Pornhub.com if it was divided evenly among every person on Earth. Pornography has become a crucial part of our our entertainment consumption, especially with the rise of the Internet, where anything you can dream of can be found with a click. Although porn is as accessible as Facebook nowadays, many feminists believe that pornography is problematic and is a tool for female oppression. One feminist scholar who believes that pornography should be eliminated completely is Catherine MacKinnon. In her essay, “Sexuality, Pornography, and Method: ‘Pleasure under Patriarchy’”, she discusses the issues with pornography in our society. Although McKinnon makes valid points in saying that pornography is an extension of the patriarchy, I believe that pornography should not be eliminated because doing so will not address underlying social problems and because alternative ways, such as changing pornography to be more feminist, is more effective.

Bronte takes the fire and transforms it to illustrate the image of sexuality and passion. By doing this, she also proposes the way in which internalized feelings of opposing ideas give into self-depleting energy through the loss of self-control. Here, Jane has the fear of becoming like Mrs. Reed. She comes to the realization that if this is not what she wants to be like, then she must keep her passions under control. Otherwise, she could become "black and blasted after the flames have died." This is presented to embody what Victorian society believed to be true and is a fine example of everything that it despises, which is namely the expression of passion. The fulfillment of self becomes the foundation of society's views, on which the fears of women and their passionate behaviors are laid.

Caryl Churchill explores the Beauvoirian idea of women “denying [their] feminine weakness” in order to justify their strength, while the “militant male... she wish[es] to be” may be the catalyst of her masculine qualities dying; literary techniques are utilised to exploit these ideas. Within Churchill’s text, Nell says “our Marlene’s got far more balls”, by applying a male specific body part to Marlene, it