The Last Judgment of Hunefer

The work I chose to analyze was from a wall fragment from the tomb of Ameneemhet and wife Hemet called Mummy Case of Paankhenamun, found in the Art Institute of Chicago. The case of the Mummy Paankhenamun is one of the most exquisite pieces of art produced by the Egyptian people during the time before Christ. This coffin belonged to a man named Paankhenamun, which translates to “He Lives for Amun” (Hornblower & Spawforth 74). Paankhenamun was the doorkeeper of the temple of the god Amun, a position he inherited from his father.

There were many ways that the Ancient Egyptian society and the Mesopotamian society were similar yet at the same time they were very different. Egyptians and Sumerians agreed on religion in a sense that both cultures were polytheistic. However, the relationships between the gods and goddesses were different between the Sumerians and Egyptians. This essay will discuss those differences in culture, religion and the viewpoints on death and afterlife.

The Egyptians believed that the human soul used the first night after death to travel into the afterlife. The body, which the

Regardless of social strata, death and the afterlife were almost always valued by the living in ancient Egypt. The afterlife was birthed and designed for great societal rulers but eventually trickled down and was adopted by other levels of society (Murnane in Obayashi, 1992, p. 42). Death was interpreted as “new life in another state” by ancient Egypt, and the ultimate goal of immortality could be attained if specific burial arrangements were made for the dead. This was to avoid a final death of the soul known as the “second death,” and measures such as burial with food, drink, and personal possessions, were taken to aid the soul on its journey into immortality (Murnane in Obayashi, 1992, p. 36).

The Egyptians believed very much in life after death. As Taylor states in Death and the Afterlife in Ancient Egypt, “It is often observed that they appear to have devoted greater efforts and resources to preparing for the afterlife than to creating a convenient environment for living” (Taylor, 2001:12). The Egyptians viewed life on earth as one stage and death as the beginning of another. They believed that, “human existence did not end with death and that survival of the body played a part in the new life” (Taylor, 2001:12). One of the key elements in the Egyptian culture and religion was the preservation of the body. The body was the most important aspect because it was like a portal through which an individual could continue to live

Way back in the ancient cultures beliefs’ and faith played a major roll in their lifetime. It treasured the art that spoke to them and made them closer to god, since writing was not indicate back then. Some believed in only one god, some in many gods and some people believed in objects like animals, the sun, items and even the weather. After visiting the Kimbell Art Museum in Fort Worth and observing some of the ancient Egyptian art collection displayed, I have decided to pick the theme of God to inform about. After my research, I discovered new and different key points about the Egyptian beliefs in god and how it affects us in our world today. My first object is the Kneeling Statue of Senenmut, Chief Steward of Queen Hatshepsut, the second object is Red-Figure Cup Showing the Death of Pentheus (exterior) and a Maenad (interior) and the last object is the Head of a Ewe.

The reliefs of Ankh-neb-ef are limestone panels with paint that originated from the Old Kingdom of Egypt in 2150 BC during the reign of Pharaoh Pepy II. The delicate carving of the panels in the sunken relief presents a magnificent image. They portray Ankh-neb-ef, an ancient Egyptian priest whose name translates to “may his lord live.” In the reliefs, Ankh-neb-ef holds a Kherep-sceptor and a walking stick, which were symbols of authority in ancient Egypt. Egyptian civilization was extremely religious and most ancient Egyptian artworks involved the portrayal of gods, goddesses, and Pharaoh, as well. Moreover, the Egyptian reverence for order and conservative ideals led to the institution of intricate rules that governed how artists represented both humans and gods (Saylor.org 4). For instance, the apparel worn by Ankh-neb-ef in the painting is not a simple fashion statement. The priest is wearing a prestigious sarong and ornamentation, bracelets, and a wide collar. The jewelry kept their owner safe in a dangerous passage to the afterlife. This formula for representing the human figure in a painting remained popular over several centuries (Robins 24).

While Phaedrus, the Bhagavad Gita, Epicurus’ Letters to Menoeceus, and the story of “The Priest Walchelin and the Hellequin’s Hunt” all offer slightly different theories on what happens after death, they all agree that the death of the body is inevitable. However, the texts fail to give explicit instruction on how mortals should best live their life so as to be best situated for existence after death. Identifying how the texts instruct people to live life in a way that’s meaningful despite its temporary nature will help identify methods for benefitting humanity and thus retroactively reveal our shortcomings. According to these texts, the only way to live a meaningful life is to focus on the betterment of the soul. Because the soul will

Nevertheless, the right to depict those scenes on the walls of tombs explicitly was not available to individuals only in the era of the New Kingdom which indicates that the Ancient Egyptian was aware of and believed in the idea that people were equal in everything that they faced in the Netherworld since ancient times. Accordingly, the idea of judgment in the Netherworld was a logical idea in the history of

During the course I realized how large of a role art plays in helping create cultures and developing and preserving the history of civilizations. I find it interesting that when there’s no written history or any historical buildings, cultures will always make their own ancient past grander than what it really is. The Israelites, the Greeks and Romans all tell stories of their history that has no written proof. It seems that we as people want to have a connection to our roots and to understand where we come from. This is why I believe that most people want to believe in a higher power.

The Judgment of Hu-Nefer, shows Hu-Nefer being taken to get his heart weighed by the Feather of Truth (British Museum). If his heart is lighter than the feather, he is deemed worthy of seeing the God Osiris and thus presented before him and his ancestors. This artwork, and Egyptian culture for that matter, is based around the premise of the afterlife. Everything you do within this life will be judged when the time comes. Whether you are judged to move on to the afterlife, or be condemned for all eternity, is completely up to the gods themselves.

The ancient Egyptians are known for their fondness for animals, and the cat was a favorite household companion. Cats were common in ancient Egyptian art that depicted domestic scenes since they were greatly appreciated as killers of rodents, snakes, scorpions, ect. Typically homes with cats had less sickness, and fewer deaths. But beyond these roles, cats were cherished as pets and even worshipped. The ancient Egyptians revered and worshipped many animals, just as other ancient civilizations did, but none were worshipped as reverently as the cat. This essay will carefully analyze the Egyptian relief

On the main portal of the Autun Cathedral, the Last Judgment is on display in the tympanum, and depicted in the center is Christ who is enthroned in a mandorla, that is being held on either side by angels. Each side is divided into two scenes with the architrave underneath. The upper scene shows the Virgin Mary enthroned and two apostles watching the judgment. In the lower scene, to the right of Christ, eight apostles stand, facing the enthroned figure in the manner of petitioners. Represented in the arcade structure, St Peter is shown with keys and is guarding the entrance to the heaven where those that have been resurrected are l trying to squeeze in with the help of an

Throughout the vast history of art, historians can find connections throughout the centuries. Artists from the beginning of humankind have been inspired by the world around them. From the Apollo 11 stones to present day, history and culture have provided inspiration and have been the focus of various pieces. Examining artwork from the 15th-18th century, viewers can be shown a whole world that would be unknown to us without these artist’s contributions. History, religion, and cultural events have sculpted the art world, and we can observe this through many pieces during the 15th-18th centuries.

The weatherman stated with some authority that the Fens was living up to its reputation as the driest place in England. To anybody who was not from this part of the country that would be a tad hard to believe. To the outsider the Fens was a saturated wetland rather a parched wasteland. However, the meteorological office had predicted another scorcher for today. If the current heatwave continued then records were destined to be broken this year.