THE LAST MESSAGE FROM EARTH is a sci-fi thriller that features a compelling plot with a strong moral dilemma. The script merits consider, but there are still areas that would benefit from more development.
First, the goal is clear and the stakes are high. The opening sequence is strong with the disappearance of young Danny. Immediately the audience is emotionally invested in the outcome.
The script does a good job of establishing the goal for the parents. The structure works well. The opening establishes the ordinary life of Amelia and John Hart. It’s clear they are scientists or engineers. There’s a solid inciting event that immediately pulls the audience into the story with the disappearance of Danny.
The second act is propelled
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Even in a short, there could be an added scene that shows Amelia re-building the machine, as well as showing her physical and emotional struggle with building it. Perhaps a montage could highlight the stages of the progress, as well as showing Amelia sleeping with the Teddy Bear until she completes the machine. One might have her try it and it doesn’t work. This would elevate the struggle and anticipation. Then she figures it out. However, it’s not entirely clear how she would be able to recreate the exact same spot where Danny is.
The teddy bear is a nice plant and symbolic of the parents’ inner conflict. It’s a nice visual reminder of Danny. The use of the teddy bear also provides for a clever payoff when Amelia find finds the thumb drive. However, one small note about the Teddy Bear. It might be more emotionally engaging if the Teddy Bear is given to Danny when he’s born vs. first seeing the teddy bear when he disappears.
What’s not clear is the motivation for Agent Roger to help the parents. Consider showing his struggle with his decision, or maybe he pulls out a picture of his own son. The audience will understand his moral dilemma. They will understand he’s thinking about what he would do if it were his son.
Rogers helps, but reports them missing. One assumes he’s trying to cover his tracks by reporting them gone, but hoping they already escaped. However, it’s not entirely clear. Or perhaps he thought they would escape through the side exits. Try to
The director ended the film brilliantly focusing on the boys and showing crucial points this was provoking the audience to feel.
The first time where I was able to see the father actually care is when his wife gets a letter in the mail asking them to register their son into a special needs program to try and get him ready for kindergarten since he will not be able to progress as quickly as the other children in class. But his mom had a very hard time letting go of her baby bay. He still was only 3 years old but that’s when he needed to start learning how to communicate so that he can be ready for kindergarten. Mr. Clines signs the paper right away but his wife is still having a hard time excepting sending her son to school so early when she could
Roger’s character resembles the fall of innocence. At the beginning of the novel Roger is shy and when asked to introduce himself he muttered his name and was then silent again acordding to http://blog.yssd.org/ . Roger decides to throw rocks at Henry (one of the younger children). His morales stop him from harming the child. At that time he was still the innocent young boys he was back home. Roger , having to turn to survival instincts, he starts to feel rebellious. As the novel progresses Golding
As I was reading, many clues lead me to the assumption that Roger doesn’t have someone at home to tell him what’s wrong from what’s right. Therefore, Roger doesn’t have anyone to disappoint. A quote Roger said that reasons my assumption is, “There’s nobody home at my house.” Roger isn’t representing anyone at home but himself and no parent figure to tell him what to do, so he does whatever he desires. These two factors of nobody being there for Roger buttress why Roger will perform addition illegal form of act.
Also, in the story one of the symbols that doesn't represent anything for Nia or Bobby is the teddy bear because it represents a symbol for Nias mom because it was one of the things she held while Nia was in the hospital. Nias mom held this because she felt as to it was the only thing she had left of her daughter. So the teddy bear could symbolize comfort or it could also symbolize Nia for instance in the book Nias mom kind of shows a little bit of
Roger is an imperfect parent and makes Little Man’s life a huge struggle by beating him and eventually killing him when Little Man gets lost in a
The level of care that she shows Roger is absolutely absurd, and to some could also be somewhat suspicious. She is far too generous, and unless perhaps he was her long-lost blood relative, I do not think that it would be realistic at all to take a criminal, who had just attempted to snatch your purse, and bring him into your home and give him food and money. At least in my mind, that sort of behavior could be considered to be condoning theft, something that I would expect from very few people. Additionally, in spite of the fact that I believe that she is a key character in the story that helps Roger develop as a person, unless it was the author’s intention to be reminiscent of a bygone era of full of benevolence, the author wrote her in a way that was too suited to his/her purpose to the point where she simply was not believable. The following lines are one example that substantiate my claim:
Immediately once the show began, I noticed the forwarding aspect of the overlapping scenes to help bring momentum to the production. The specific reference I am making is to the introduction of the character Oskar, who was played by Sam Pinson, coupled with Hakan’s first murder. Hakan was played by Weston Vrooman and his first victim in the production is Torkel who was portrayed by Austin Reid. The overlapping of their two scenes set up a fast pace that added to some of the suspense the show itself calls for in its mood. I really enjoyed this directing choice to have the bar placed for high energy and pace right as the show began. Another aspect that I thought worked well for this production was the casting choice of Sam Pinson for Oskar. The reason I mention this is because Sam is not what I would expect in the casting of a young teenage boy. He is tall and not the typical type for that role. I had been skeptical of this decision because of how Sam is not visibly close to a child in the least, but Sam portrayed the role in a way that was
The opening sequence ends up with blank-faced boy holding the bloody knife as his parents look on. It is important that the audience is the point of view of somebody. It creates an illusion and the feeling when the audience is watching the opening sequence of the movie. At the beginning, the camera takes the audience around the house, watching through the windows and then it picks up a knife to kill the
In the film, Sean helps Will to overcome his trauma. Near the end of counselling session, Sean tells Will that everything that happened to him while he was kid is not his fault. By accepting his painful past, he can be mature. Therefore, Sean wants Will to accept that he shouldn’t blame himself for his past. Without building trust, going into other’s painful past can’t be done. Similarly, Luella corrects Roger’s behavior in the short story. When Luella passes money to Roger, she teaches him not to “make the mistake of latching onto [her] pocketbook nor nobody else’s” (Hughes 2). By providing money to him, Luella wants him to feel guilty about it and she is addressing him not to make the same mistake again. Roger realizes how important to behave himself because he learns that his behavior can make him in trouble. They improve trust and they act like mother and son despite the fact they are not related by
The opening sequence on the bridge easily captivates the audience. The images and action on the bridge, combined with the haunting church song, “Wade in the water” creates a solid chilling and melancholy pitch. The idea of water also becomes very symbolic. The audience is hooked.
At the beginning of the movie we are shown an opening sequence introducing the main characters in the movie. We are briefly introduced to each character’s situation and the goals they are trying to achieve but we soon
The narrative form exhibited in the opening sequence seems simple at first glance, but actually conveys a multitude of
There is much speculation as to who the Antichrist. I know him to be an evil alliance, a deceiver, a murder, liar, a man, or sinister individual or any individual who denies the Person of Christ; and in denying the Son you deny the Father. Some are saying his appearance is still in the future. Others say he appeared long ago in the days of ancient Rome. The bible doesn’t give us any specifics as who and where the antichrist will come from. But does indicate that he is alive today and will play a vital role in the final events of Earth’s history.
No one is modeling this skill to Roger at home, his parents are not there to care for him or be trusted by him. As of yet, he doesn’t have anyone to relate to that has been in his situation. Luella explains that she was once like Roger, “I have done things, too, which I would not tell you, son- neither tell god if he didn’t already know” (p. 3).