The Law of Chevalrie: Courtly Love Essay

Literature of the Middle Ages can not be discussed without acknowledging the undeniable importance of chivalry. Chivalry in relation to the middle ages is defined as “the code of conduct adhered to by Medieval knights with gallant knightly values including honor, bravery, courteousness and honesty.” This key characteristic is essential in defining an ideal knight as well as his expectations. A knight must live by a chivalric code in which he becomes indebted to the people, his fellow knights, and most importantly, his lord. No other knight displayed more of a devotion to upholding the code then Lanval of Marie de France’s lai “Lanval.” Lanval demonstrates his chivalric nature in essential every action from maintaining comitatus amongst the

love so strong that you cannot live without your lover; imagine love so strong that if you cannot

Whats a good medieval romance without chivalry? The combination of qualities expected of an ideal knight, especially courage, honor, courtesy, justice, and a readiness to help the weak. “The world of Sir Gawain and the Green Knight is governed by well-defined codes of behavior. ... The ideals of Christian morality and knightly chivalry are brought together in Gawain's symbolic shield. The pentangle represents the five virtues of knights: friendship, generosity, chastity, courtesy, and piety.”

In two stories there is a code that knights follow. Chivalry is the code that they follow. The code says that a knight should be a brave warrior, a good christian, and selflessly fighting for justice. The knights are supposed to fight for their king and queen. In the stories Sir Gawain and the Green Knight and from Morte d’Arthur they show the idea about chivalry.

There are many misunderstandings with the word chivalry, one of them being that the knight never actually swore an oath of chivalry until later in the middle ages. Chivalry was a word that was created by French-speaking English nobility, during the medieval period. The word originates from the French word cheval meaning horse, and the French word Knecht meant knight, by putting the two words together, we get the word chevalier which meant horseman. During the early medieval ages, a knight was known as a chevalerie which meant horseman. Then the lords, who ruled over the

In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.

     An act of chivalry is described as the qualifications or character of the ideal knight. Knights were expected to uphold this code of conduct. In the English literature Le Morte d?Arthur, French for ?The Death of Arthur?, by Sir Thomas Malory, the characters display acts of chivalry from beginning to end. Though the code of chivalry contains many qualities or acts, nevertheless bravery, loyalty, and courtly love are demonstrated more throughout this literature.

In Geoffrey Chaucer’s poem, The Knight’s Tale, the author encapsulates chivalrous characteristics in his telling of a battle for love. In its fundamental form, chivalry idealizes a knight’s conduct, both on and off the battlefield (Gregory-Abbott). Chaucer employs this “heroic code [of] bravery, loyalty, and service to one's lord” to illustrate the idillic knight throughout the narrative (Rossignol). Chaucer’s poem, The Knight’s Tale, exhibits the ideals of chivalry in the form of two knights, desperately in love with the same woman, and a wise Duke who embodies the voice of reason. Each knight upholds honor through compassion, troths, and heroism on the battlefield, despite their afflictions with each other.

Two conflicting disciplines are prevalent throughout Arthurian Legend; that of chivalry and that of courtly love. The ideal of each clash throughout the medieval tales, and it is impossible to interfuse the two models for society. Chivalry is a masculine code, an aggressive discipline, whereas courtly love is based upon women - their needs, wants, and desires. The consistent problem if Lancelot and Guinevere’s adulterous relationship in different tellings of the affair relates back to the differences presented in chivalric code and courtly love ideals.

Chivalry and courtly love were two major parts of being a knight in the medieval time period. Chivalry was the code that knights lived by and consisted of bravery, unselfishness, and other traits of being a good protector. Courtly love is the love between a knight and a woman that he was attracted to. In the movie, A Knight’s Tale, William has courtly love with Jocelyn, but so does Adhemar. They fight for her heart so that she can see which one she wants to love and adore. William conveyed more knightly traits than Adhemar through his love for Jocelyn, showing mercy when he was jousting the prince, and playing the role of a knight.

The historian Richard Kaeuper notes that prowess being crucial to honor may have contributed as much to the ‘problem of violence as it provided a solution’. Therefore, this appears to convey why the concept of chivalry began to be associated with violence and warfare as knights, in the pursuit of honor, became reliant on violence and battle to prove their aptitude. This idea is supported by a medieval knight Sir John Chandos, who stated that men brought up for martial calling ‘cannot live without war and do not know how to’. Maurice Keen argues that ‘chivalry was quintessentially bellicose’ as it presented those who fought has having a ‘pinnacle of honor’. As a result, the use of force by knights as a way of denoting their gallantry led to the belief that violence was intrinsic to the notion of chivalry.

The conventions of courtly love stem from the precise chivalric code of knights in the Middle Ages and passionate romances of European medieval folklore. Fantastic tales of dauntless knights and their fair damsels, often set in King Arthur’s kingdom

At this point in history the men who fought the wars were lead by their leaders with a code of chivalry. Chivalry can be explained as “the Anglo-Saxon code on steroids.” (McGee) Which is, explained further, a moral system for a good way to conduct fighting. The knights in Arthurian time went even further with that code to say that it was a way to conduct oneself not only in battle, but at all times. Knights, by being chivalrous, were kind to all people, fought well and true, kept faith and believed in the Christian God, and fought for their kings. Chivalry can be found across the Arthurian texts, The Song of Roland is one of the texts that has multiple examples of chivalry.

Chivalry was considered to be the code of behavior expected of a knight. It was the conduct, ideas, and ideals of the knightly class of the Middle Ages. It became standardized and referred to as chivalry, a term derived from the French word chevalier, meaning knight. The code urged the knight to be brave, courageous, honorable, true to his word, and loyal to his feudal overlord, and to defend his Church. A knight was truthful, honest, capable, educated, physically fit, noble, sincere, and subservient to the king. A serious violation of these vows could result in a knight being classed as an undignified knight, which was the ultimate insult because of all the hard work that was put into becoming a knight. It made it seem as if all of work

Allowing their feelings to cloud their judgment and control their actions, the men lose all sense of reason and decorum as they resort to antagonistic behavior and name-calling; contrary to the standards of the pledge they have avowed to honor. Rossignol asserts Chaucer’s characters “undercut the very ethos [of chivalry] . . . the knights themselves display ambivalence toward their own motives and behavior” (Rossignol). Palamon and Arcite, oblivious to any personal responsibility or wrongdoing in the dispute over Emily, expect the other to uphold the chivalric code without doing so himself. Most certainly, if one or both of the men heeded the high expectations of conduct, they would spare their brotherhood and avoid the perils of their battle, but neither man finds it within his conscience to do so.