Essay on The Life and Writing of Liza Ward

On the other hand, Holmes’ chapters can be a bit too disturbing at times, especially with the knowledge that none of what Larson has written is fiction. In “Remains of the Day” Holmes murders both his pregnant wife Julia and her daughter Pearl without a second thought. It is chapters like these that make the reader appreciate the seemingly mundane chapters of Daniel Burnham and the fair even more.

In the short story, “Marigolds,” by Eugenia Collier, the theme that is shown through the story is, “Beauty can be found even in the darkest times.” An example of this theme is represented through Lizabeth’s thoughts after she tears apart Miss Lottie’s marigolds. As Miss Lottie looms over Lizabeth, she thinks, “The witch was no longer a witch but only a broken old woman who had dared to create beauty in the midst of ugliness and sterility. She had been born in squalor and lived in it all her life” (Collier 223). This shows Lizabeth’s realization that the “witch” she had known for all her childhood years was simply a woman who wanted to create beauty through her wretched condition.

There comes a point in one’s life when they must recognize the hardships placed upon them, and instead of being ignorant of those hardships, they must confront them head-on. In “Marigolds”, a short story by Eugenia Collier, the main protagonist, Lizabeth, encounters various struggles that come with living in a poor town in rural Maryland during the Depression, allowing her to learn more about growing up and accepting reality with all its flaws. Lizabeth is a 14-year-old girl who feels a conflict between her inner child and her inner woman, as she is unable to do anything that satisfies both sides of her. She feels too old to be a child, yet too young to be a

When first introduced to the narrator, readers quickly pick up on how observant she is to the world around her. However as the novel draws to a close, many quick events take place with little to no explanation or commentary from the

Two characters, Elisa Allen and Mary Teller, struggle with the idea of being accepted into the society of the 1930s. Women’s rights were not fully accepted in the 1930s, and these two characters were set in the common day view of men and women. In the 1930s, “[Society has] assigned to white women such roles as housewife, secretary, PTA chairman, and schoolteacher. Black women can now be schoolteachers, too, but they are most prominently assigned to such domestic roles as maid, cook, waitress, and babysitter” (Chisholm 123). These assigned roles have impacted women around the world, including the two characters in these short stories - “The Chrysanthemums” and “The White Quail”. Not being activists in women’s rights, these women conformed to society and lived their lives as any typical housewife in the 1930s. Their passions and choices during this time affected their way of living and relationships. The two stories reflect similarities of the women’s love for gardening and lonely marriages, but also reflect their different viewpoints on the world they live in.

The heroine, Mrs. P, has some carries some characteristics parallel to Louise Mallard in “Hour.” The women of her time are limited by cultural convention. Yet, Mrs. P, (like Louise) begins to experience a new freedom of imagination, a zest for life , in the immediate absence of her husband. She realizes, through interior monologues, that she has been held back, that her station in life cannot and will not afford her the kind of freedom to explore freely and openly the emotions that are as much a part of her as they are not a part of Leonce. Here is a primary irony.

The protagonist fears, she may be forced to socialise with the inmates ‘smelling of pee’. Additionally expressing her feelings and obsession concerning hygiene. Unearthing Doris‘s neglected period of life, the saddest era of her being. In which recollections of Doris’s past history are triggered by present day objects such as; the wedding photograph of Doris and Wilfred represented to be a strong symbol, of the implication, in which Doris’s endless campaign against dust, has cause the glass to crack. Representing the destructive nature of Doris’s cleaning mania, and the separation of herself and Wilfred. Doris initial reminisces of the past, begin with thoughts like many of the elderly, of the golden days through coloured spectacles, in which the protagonist ruefully looks back upon the era where ‘people were clean and the streets were clean and it was all clean.’ The present for Doris lacks what she values and sees as important, and does not at all appreciate what the present has to offer – that is, a home- help; Zulema, and the prospect of care in an old people’s home. Doris perceives these interferences within her strictly controlled life as an adversary to challenge – if possible – demolish the remaining control the protagonist withholds within her life.

In Alice Sebold’s novel, The Lovely Bones, the Salmon family learns that their fourteen year old daughter, Susie Salmon, has been raped and murdered. Because of this her father, Jack, sister, Lindsey, and mother, Abigail, all go through their own respective journeys in order to accept this ordeal. During this time of grievance for Susie’s family, her father, Jack, believes that the person responsible for the murder of his daughter is his neighbour, a man named George Harvey, and reports this to detective Len Fenerman. However, Len Fenerman becomes too preoccupied with his affair with Abigail to aid Jack with his suspicions. Meanwhile, Susie’s younger siblings Lindsey and Buckley, try to learn how to cope with the loss of one of their very own, without their parent’s attention to aid them. In The Lovely Bones, Susie’s father, mother, and sister, all explore the theme of grief by going on their own pathways through the five stages of grief; denial, anger, bargaining, depression, and acceptance, in order to come to terms with the brutal murder of their beloved Susie.

Visualize a world where a significant person in your life died from one’s gruesome desire, where that special someone suffered and became a victim of a cruel, mysterious murder. Was the murder itself quick or was it revolting and brutal? Susie Salmon was a victim of a crime that should not be forgiven. In the novel The Lovely Bones by Alice Sebold, Susie’s past on earth affected people that took part in her life because the past was all that they had of her. Memories of or with Susie were treasured; however, they were also feared by the one who killed Susie’s future.

In the story “Marigolds,” the author, Eugenia Collier, uses voice elements to support the poignant tone of the story. In the story, Collier includes a metaphor that evokes a feeling of sadness when her father cried. Lizabeth heard “[her] father, who was the rock on which the family had been built, was sobbing like the tiniest child,” (Collier 404). This reveals that Lizabeth’s father is the strong foundation that built the family and gave it confidence, love, encouragement, and a role model. Although was the foundation of the family, his wife worked every day making her the breadwinner. The metaphor eventually destroys Lizabeth confidence because her dad is crying and that gives her insecurities that something is going wrong. This relates to the poignant tone because the metaphor evokes the feeling of sadness.

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

As the novel opens, Young introduces Mackenzie Allen Phillips as the main character. The story unfolds as Mack’s daughter is abducted during a family vacation. Her body is never recovered, though the police find evidence in an old shack to prove that she was brutally murdered by an infamous serial killer. Young illustrates how his daughter’s death ultimately causes Mack to live in the shadow of

Austen has set out to save the rising art form of the novel. In this address to the reader she glorifies what a novel should be: the unrestrained expression of words conveying the wide range of raw human emotion. This veneration of the novel is necessary to the development of Catherine's fiction-loving character as it justifies the narrator's right to remain fond of this flawed heroine.

takes us to the scene of her murder describing the manner of her brutal rape and death. Following this first chapter the book follows the attempts of the Ada police department as they try to solve the murder of Debbie Carter, and also the abduction of Denice Haraway a few years later.

Eveline loves Frank but his love proves not enough to free her from the cage of a lonely life she has become trapped in. Miserably alone, Eveline finds herself after the passing of her mother and living with a controlling alcoholic father.: “At the center of each story is the conscious decision-making process, the pros and cons of running away, the security of the hearth against the freedom of escape” (Putzel 5). Whether it is the promise she made her mother to take care of the family or her father that stops her from leaving, Eveline makes her choices based on the feelings and thoughts of others. After reading “Eveline” by James Joyce it is clear that Eveline Hill is longing for a new life, one that brings her face to face with adulthood struggles, leaving her literally stuck within her mind and dark surroundings.