The Life of the Famous English Painter, Sir John Everett Millais

It wasn’t until 1822 that his family allowed him to study the arts. They let him work under Alexander Lenoir, an artist and architect, that introduced him to some of the classic sculptors and artists like Titian and Rubens. He was pushed in a healthy direction by Lenoir, and soon began formal study at the Academie Suisse.

His high aptitude for drawing manifested itself early, around the age of 10, when he became his father’s pupil.is father was an aspiring artist that redirected his focus to his son’s career when he noticed his talent. From a very young age he was able to portray a life model on paper with the highest resemblance. The lucky to be born into creative environment (the father of the brightest personality in the 20th century painting

Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but

It is the first major survey of the art of the Pre-Raphaelites to be shown in the United States features some 130 paintings, sculptures, works on paper, and decorative art objects. The young members of the Pre-Raphaelite Brotherhood, formed in 1848, shook the art world of mid-19th-century Britain by rejecting traditional approaches to painting. Combining scientific precision, an innovative approach to subject matter, and brilliant, clear colors, Pre-Raphaelitism was Britain's first avant-garde art movement.

So, he went to Paris, France in the 50s to learn more art techniques, that later helped him advance in his art work. He was always surrounded by creativity, even his brother Joseph Delaney was an aspiring painter. His family of 12 were hardworking people who faced much hardship. His mother was even a slave, and the Delaneys often faced intense racism. Causing only four of the children

John Singer Sargent, an American artist, is regarded as the greatest portrait painter of the early 1900’s. Sargent, like many prominent artists, was exposed to art at a young age. He was encouraged by both parents, who were artist themselves, to draw. This led to his acceptance into École des Beaux-Art School at the age of eighteen. There he was able to study under great artists of that time and his new found love for portraits birthed his career.

In 1853 Vincent Van Gogh was born into a loving family. He got everything he wanted from his parents, since he was an only child. His dad worked for an oil company. He was a manager and wasn’t around very much. His mom on the other hand didn’t work and was with Vincent all the time. By the time he was 10 years old, his dad moved his family to France so they could have a better life.

Johannes Vermeer (1632 –1675) was born in Delft, Holland in October 1632 into the Calvanist tradition, during the Dutch Golden Age. He was introduced to the world of art, particularly painting, by his father. His father owned a tavern, frequented by artists and dealers and by the time his father died in 1652, the twenty year old Vermeer was left with much debt but also a great enthusiasm for art. Considered too young to be an artist by the Dutch Guild, he would need another six years apprenticeship to one or more masters.

Although it was in Nottingham where he finally laid his hat, he was born in Hull in 1813, the eldest of a remarkably large family. Perhaps his quick wit and penchant for performance was born out of necessity when faced with entertaining a horde of siblings, but it seems the family were drawn to the theatrical world, with all four sons who survived infancy going on to appear on stage or in the circus.

Claude was born in Paris, France in the year 1840. Despite the fact that Paris was his birthplace, Claude only spent 5 years of his childhood there as he and his family moved to Le Havre, a port town in Normandy. Claude developed a love for art in his early childhood and was well known in his town for drawing caricatures of his community members. His mother was highly encouraged his talent whereas Claude’s father wanted his son to become a businessman. Living in Le Havre, Claude had many opportunities to strengthen his talent such as meeting Eugene Boudin who was a local landscape artist and introduced Claude to landscape painting outdoors and set him on the track to his future success. In 1859 Claude moved back to Paris to pursue his career in art. During his time in Paris he was enrolled in the Academie Suisse and was influenced by the paintings of Barbizon School. Other great influences on his art were his friends Charles Gleyre, Auguste Renoir, Alfred Sisley and Frederic Bazille as well as Johann Barthold Jongkind who was a well-known landscape painter of the

Henri Rousseau, born in May 21, 1844, was a self-taught artist who started his artistic career when he was forty. He began his life working as a clerk, then he joined the French army after being accused of stealing money from his employer. He later moved to Paris and obtained a job working for the French Customs Office, and it was there that he began painting part-time. It was really this background of his that allowed his paintings to be original and uninfluenced by traditional painting techniques. Since he was a self-taught artist and had no significant experience with painting, he had the freedom to paint as he perceived and as he imagined. Henri Rousseau was a man who liked to exaggerate his life to make himself seem adventurous and exciting. He made up stories about his time in the military and overstated his importance in the Customs office where he worked. This was also reflected in his artwork where manipulated the painting to emphasize beauty and excitement.

John Everett Millais was born in Southampton, England in 1829. His mother, being very interested in art and music, encouraged Millais to pursue the same interests. Millais grew to become a child prodigy and was admitted into the Royal Academy Schools at the mere age of 11, an unprecedented achievement. There, he formed the Pre-Raphaelite Brotherhood with fellow students, whose goals were to relay a message of artistic renewal and moral reform. Millais produced many controversial works during his time as part of the Brotherhood. When he married his wife, Effie Millais, and his family grew with children, he realized he had to change his style to please the public; Millais needed the money to support his large family. Thus, he began to paint with

Pierre Auguste Renoir was born to a working class family in Limoges, Haute-Vienne on February 28, 1841. He worked in a porcelain factor as a young boy which helped to develop his paint skills as he was selected to paint designs on fine china. In his early years, he visited the Louvre, and studied the master artists of France. Renoir, like Monet, studied art under the hand of Charles Gleyre in Paris in 1862. Renoir was married to Aline Victorine Charigot in 1890, and had three children. Two years after marrying Aline, Renoir developed arthritis, causing him to adapt his painting methods to the point of strapping a brush to his paralyzed fingers. He never stopped painting however. In 1919. Renoir revisited the Louvre, and saw his own paintings

Under Madox Brown young Rossetti began to translate famous Italian and German medieval poetry. (“Dante”...The Poetry). Throughout his career, Rossetti was always interested in the medieval aspects of life and writing, focusing on incorporating the past style of Italian poets into his works. (“Dante”...World). Rossetti's poetry focuses on the strength of emotion and emits a certain mood throughout his writing. (“Dante”...Encyclopedia). In 1871, under the pseudonym Thomas Maitland, Richard Buchanan wrote a critical review about Rossetti as a leader of a school of poets. Although Rossetti's anxiety hit a high at this point, he responded to Buchanan's review with his article, "The Stealthy School of Criticism". Rossetti's brother noticed a change in his brother during this time, and that his brother was made a new man. Throughout the entirety of Rossetti's writing career, he continued to write and contribute poems and sonnets to his book, "The House of Life". (“Dante”...The Poetry). House of Life is a series of sonnets that depict "the love between a man and a woman with tragic intensity". (“Dante”...Encyclopedia). In 1848, Rossetti and a few of his friends created the Pre-Raphaelite Brotherhood, which "sought to introduce new forms of thematic seriousness, high coloration, and attention to detail into contemporary British art." Pre-Raphaelites' studies made it difficult to distinguish the difference

The name Pre-Raphaelite came from their opposition of the academy’s promotion of the Renaissance painter Raphael. Other inspirations came from art critic John Ruskin’s encouragement to ‘go to nature’, believing art to be a serious subject that should be treated with maximum realism and truth.