The Limitation Of Magic In Fantasy Novels

When most people think of J.R.R. Tolkien, they often think of his great imagination and his world of great dragons, warriors, orcs, hobbits, wizards, dwarves and elves. But most people forget about the deeper meaning behind his stories and his controversy towards society. Tolkien was a British, fantasy, writer during the mid-1900s. Through his love of languages, religion, and country, J.R.R Tolkien’s works of The Hobbit and The Lord of the Rings are controversial but masterpieces because Tolkien represents “good” as a fuller, more imaginative reality than evil.

The spookiest experience Kaylee ever had was the time she almost died at surf camp. She was trying to go where the water wasn't breaking into waves and as soon as she got just about there, a 3 foot wave came and was just about to crash and she was in the range to get hit so when it finally crashed it took her under the water and flipped her over about three times to the point where she couldn't breathe and she almost died. This scenario is related to the traits of gothic literature and magic realism because they both show life threatening situations. It is also different however, because Magical Realism is more relatable to a person with a normal life that has been interrupted with strange events, while in Gothic Literature one cannot

There is no doubt that magic is present in the Snow White fairytale by the Brothers Grimm; in fact, magic remains pretty common through fairytales as a whole. But there may be more magic then originally meets the eye. Some aspects are very easy to pick out either because they are blatantly called magic or they are events or actions that defy physics or common logic. This being said, some magical acts especially within Snow White are not so easily spotted. Most people know the mirror and the apple were magic, and in the Disney version the true loves kiss was magic, but Snow White herself seems to contain magical characteristics either by birth that appear to grow along with her which allow her to save

While reading the stories Death Constant Beyond Love and And of Clay We Are Created I found myself glued to the text. The both of them had such great detail and it kept you wanting to read more and more. These stories really exemplify the use of Magical Realism. What is Magical Realism? Magical Realism is reality mixed with a touch of non-reality. This really draws you in and makes you feel like part of the story that is in front of you. By utilizing the technique of magical realism, authors like Marquez and Allende are able to transform, what was a simple realist story, into something much more powerful, which makes it more interesting and exciting to read.

The Lord of The Ring’s trilogy is considered one of the greatest Hollywood films in the century. These films have broken several movie records for the Hollywood industry. Also, these movies relate with an all age audience because of the great development of all the characters in the movie. To be clear, some would say that they feel like they know the characters after watching the trilogy. In my experience after watching the trilogy, it left me in aww because the different aspects of film it portrayed. Nevertheless, after watching the trilogy twice I became more familiar with some metaphors the author, J.R Tolkien, was trying to reveal. Overall, these metaphors can be seen through the Ring, Gandalf’s role and the friendship between Frodo and Sam.

use of music, this is done in both films, (The Wizard of Oz and A

Magical realism is clearly present throughout Gabriel-Garcia Marquez's novel Chronicle of a Death Foretold.  Magical realism is the juxtaposition of realism with fantastic, mythic, and magical elements. A secondary trait was the characteristic attitude of narrators toward the subject matter: they frequently appeared to accept events contrary to the usual operating laws of the universe as natural, even unremarkable. Though the tellers of astonishing tales, they themselves expressed little or no surprise.

In the introduction of the book Magic in the Middle Ages chapter, one emphasizes the definition of magic. During the medieval era, Europeans believed that there were two types of magic, which were called natural and demonic. As natural magic was considered to have a correlation with science as the Wolfsthurn handbook illustrated the usage of a combination of herbs and magic in conjunction. For example, using herbs to treat an illness with the addition of reciting specific words was deemed as natural magic. On the other hand, demonic magic was not thought to be a form of science but was a perverted depiction of religion. That demonic magic’s power source was from demons and that words that could not be interpreted were thought to be demon names. In addition, treatments that involved animal skin from the Wolfsthurn book would be considered demonic magic as it was suggested that it was a ceremonial sacrifice to demons.

In William Shakespeare’s book, A Midsummer Night’s Dream, magic is a powerful and useful tool for the characters that have the capability to use it. Some of the characters abuse the power of magic, while others are more responsible in how they use it. Oberon is one the characters that abuses the power of magic. Oberon’s magic has an immense impact on the plot of A Midsummer Night’s Dream. More specifically, Oberon’s magic affects his own life, the lives of other characters, and all the characters in the story experience his magic differently. We will see that even the person who has power to use the magic can become surprised by it. Magic, the ultimate supernatural power, is often unpredictable and inexplicable.

Similarly, Lewis’ colleague at Oxford, J.R.R. Tolkien also defended Fantasy, or as he called it, “fairy-stories.” Tolkien was known for his fantastic works that included The Hobbit, The Lord of the Rings trilogy, and an assortment of companion books to the series. He was also well known for his criticism of Beowulf, “The Monsters and the Critics.” His Fantasy series have had broad implications on the fantasy genre as a whole since publication, influencing the current generation of writers with the firm grasp of history

Fantasy Literature is an integral part of Literature. As a genre, it has different definitions. It is a popular genre among children and adults. Fantasy helps the reader to escape the real world into the world of imagination. It often contains supernatural elements and magical elements which make the work even more attractive. Some of the famous works are The Wonderful Wizard of Oz, Harry Potter, The Game of Thrones, The Chronicles of Narnia so on and so forth. Tolkien is one such fantasy writer.

Tolkien, unlike Rowling, has had to use many imaginary words and phrases to fit into his fantasy novel set in a different world.

Fantasy has no limits or boundaries making it unique and unpredictable. “The difficulty in finding material that is both new and true increases drastically”. C.S Lewis highlights fantasy’s ability to be unpredictable in The Adventures of Alice in Wonderland. Near the end of the novel Alice is about to be decapitated by the Queen of Hearts when she shouts out, “‘Who cares for you? . . . You’re nothing but a pack of cards!”. Fantasy’s ability to be unpredictable is a especially important because our everyday world is at times quite predictable and mundane. Roald Dahl also uses the element of unpredictability in his novel, The Witches. In reality we know a battle between one small child and a room full of adults would clearly be won by the adults,

Darkness extended over all of Middle-Earth like a veil during the time of war. New laws were enforced and the citizens’ freedom was taken away. Frodo’s magic ring represents the unsustainability of the environment, and the characters of Middle-Earth. In The Lord of the Rings, Tolkien uses the magic ring to reflect the politics of sustainability, by drawing from his own life experiences. Two philosophers, Scruton and Hart write their recipes for sustainability. Scruton believes that finding the right balance between beauty and piety can result in a love of place and sustainability. Hart writes about anarcho-monarchism and states that finding the balance between anarchy, monarchism, and dictatorship, can lead to a sustainable culture. In

Once upon a time there were 3 llamas Carl, Fuzzy, and Lola .They all wanted to go see their friend Magic who is a unicorn. Magic is a total buffoon that lives in a town called Crystal Cliff. So, that night they all packed up all of their things to go visit Magic.