The Lion And The Jewel By Wole Soyinka

What is it that we find crazy about those who have the courage to do what we won’t? In the compelling novel “Into The Wild” by Jon Krakauer the character and intelligence of the youth in men is questioned. Through the pieced together 200 page novel we are introduced to Christopher Johnson McCandless also known as “Alex Supertramp”. A ripe 24 years of age he chose to question our reality and his meaning of life that is given to us by hitchhiking across America to the Alaskan wilderness, where after four months in the last frontier he is found dead. Krakauer throughout the novel shows that although some admire what McCandless did, others found his final journey “reckless” and “crazy”. Krakauer goes to explain this claim through interviews of those who have encountered McCandless on his adventure and through those who got to know his story.

“If you take no risks, you will suffer no defeats. But if you take no risks, you win no victories.” (Richard M. Nixon). In his investigative biography, Into the Wild, Jon Krakauer, expresses that even though young people can be ignorant and take treacherous risks, these can be used as knowledge enhancers and can be life changers.

The Jungle is book that takes the reader in a period in time where the “American Dream” was the only thing worth believing in the daily job struggles of immigrants in America during the early twentieth century. What is the American Dream? It is said that any man or woman willing to work hard in this country and work an honest day is capable living and could support his family and have an equal opportunity to success. Although The Jungle was taken account more on how the meat production was disgusting and unhealthy for production and consumption. However many missed the real message of this book in which Sinclair wants to engage the reader in particular scenario of the failure of capitalism. According to Sinclair, socialism is the only way out of the failure of capitalism. It is the way that all problems can be solved and works for the benefit of everyone where capitalism works against the people. The slow destruction of Jurgis’s family at the hands of a cruel and unfair economic and social system demonstrates the effect of capitalism on the working class. As the immigrants, who believe an idealistic faith in the American Dream of hard work leading to material success, are slowly used up, tortured, and destroyed.

“But, I 'm already resigned to this fate / Looking over my life, I recall / If it hadn 't been / for the loneliness / I 'd have no companion at all. ” This stanza from “Loneliness”, by Lora Colon evokes the negative impact a lonely fate has on a person. Words like “resigned” and “loneliness” establish a sense of depression and resignation. During the times of the Great Depression, many people felt similar feelings of melancholy and stoicism. Jobs were hard to come by, and realistic dreams of success were scarce. John Steinbeck’s novel, Of Mice and Men, allows readers to see the life of the Great Depression. The two main characters, George and Lennie, search for jobs, like many other migrant workers. They dream of owning their own land, however, Lennie’s habit of getting in trouble prevents their dream from being reality. After he accidentally causes more trouble at their new job, George is forced to kill him out of mercy. Throughout the novel, Steinbeck shows that even if one meticulously plans out the road to their American Dream, fate will inevitably intervene and lead one to desolation and loneliness.

“Happiness is only real, when shared.” - Jon Krakauer Into the wild. Jon Krakauer, the author of Into the Wild told the story of Chris McCandless. Chris escaped reality and went to go live off the land in Alaska, hoping to live a simpler life. In the novel, Into the Wild by Jon Krakauer, Chris McCandless shared a similar philosophy with Jack London, as they both have a strong passion for Alaska, they both appreciated they beauty of nature, and both wanted to be reborn.

Often heralded as the world’s greatest nation, the United States is also considered home to the world’s greatest authors. Reputable authors such as Fitzgerald, Twain, and Steinbeck remain relevant even through the washing waves of time. One such timeless author, Ray Bradbury, ventured the hazardous path of taboo to write of change. Through his novels of innocent youths evolving into children enlightened beyond their years, Bradbury utilizes the motif of time, innocence, and the philosophical movements of existentialism, transcendentalism, and romanticism to describe catastrophic events the American culture could face if existing destitute judgments continue to prevail. Ray Bradbury dared to reveal his voice.

Into the Wild, by Jon Krakauer, narrates the life of adventurer and free spirit Christopher McCandless, who died August 1992 in the Alaskan wilderness; however, his journey still remains relevant in today’s pop culture due to the unresolved controversy of whether he is a saintly role model or hubristic fool. Krakauer openly states that he “won’t claim to be an impartial biographer” (Author’s Note) due to the parallels he struck with McCandless, and provides a more idealistic approach to the biography. By having this biased point of view, Krakauer readily attracts many critics such as Craig Medred, who wrote the article The Beatification of Chris McCandless: From Thieving Poacher into Saint, which discredits Krakauer’s legitimacy and emphasizes McCandless’s narcissistic personality and naïve nature. He has also sparked many questions including why McCandless’s story is so significant, which writer Laura Moss tries to answer in Why Are We Still Talking about Chris McCandless?. While it is clear that McCandless’s story has affected every reader due to its many interpretations, two distinct sides form: the avid romantics and their counterpart, the pessimistic realists, which provokes the question of which argument is more valid.

The author Maryse Conde has based the story of Segu on real life events and practices of the late 18th and early 19th century. The author has tried to bring out the tensions that existed in Africa at that time by using the four brothers of the Traore family,Tiekoro, Siga, Naba and Malobali as scapegoats. She talks about each of these characters in depth to show us their influences on the city. She shows how traditional religion and Islam impact each character in the story.

After that Chris continued to canoe and got caught by the US officers when he was trying to get back into the US from Mexico. So he spent a night in jail.

Christopher McCandless may be one of the most intriguing characters in nonfiction literature. In Into The Wild by Jon Krakauer, Chris McCandless gives up all of his worldly possessions in order to move to Alaska and travel alone into the wilderness. Chris seemed to lead a very privileged life, as he came from a fairly well off family. Chris was intelligent, having graduated from Emory University with a degree in anthropology and history. There is much ambiguity as to why Chris suddenly decides to leave his family behind and travel by himself -- although it is clear that Chris’s initial belief was that the best way to live life was alone, surrounded by nature. The overarching question is whether Chris intentionally tried to kill himself when he traveled alone into the heart of Alaska. Those who believe he did contend that he did not make enough of an effort to extract himself from the negative situations in which he found himself. They argue that Chris felt that he was betrayed by his father, and that he tries to kill himself in order to get away from his family as a whole. Yet Chris McCandless did not in fact have a death wish, and his death was the result of his miscalculating how difficult living in the wild would actually be. This resulted from Chris’s excessive pride. His main motivation to go into the wild was to run far away from his family -- who by blinding him, indirectly caused him to miscalculate.

The world is full of cultural collisions. Every day people meet other with different worldviews. This concept of cultural collision, is shown perfectly though Chinua Achebe’s Things Fall Apart. In the story it is the cultural collision, of the introduction of Western Ideas into the ibo society, that causes Achebe’s characters to grow and change. One character in particular is forced to reevaluate his sense of identity because of the cultural collision. This is the character of Okonkwo. The collision challenges Okonkwo’s sense of self, as a religious leader or an Egwugwu, as a leader of his people, and as a man. It is Okonkwo’s response to these challenges, that shapes the meaning of the book of that as your world changes so must you or you

Chinua Achebe shows the reader the change of Africa as seen by the main character of the novel, Okonkwo. Okonkwo has the hardship of living in an ever-changing society. It is thru Okonkwo that the reader is able to visualize a society of immense cultural standing, and not as European colonizers would say, a society of savages. The main theme of culture is present in all areas of the novel, which helps to show to the reader all of its underlying themes, themes of tradition and themes of religion. Achebe sees the themes of culture, tradition, and religion in one bright light and European colonizers see those same themes in a totally different, somewhat snobbish dim light. However these themes are viewed, one thing is certain, change is on the horizon.

Achebe’s essay “An Image of Africa” analyzes the book Heart of Darkness by Joseph Conrad. He dissects the false representation of the african people and the bias in his book. In “Heart Of Darkness,” Conrad feels that the people of Africa are undeveloped and they are savages; he looks at all their culture and tradition and only sees it as uncivilized, he has no appreciation for their beliefs. This relates to Achebe’s book, Things Fall Apart, because Conrad’s views represents the white colonist and their feelings towards the africans. The colonists did not respect their culture or their gods. Okonkwo is well-respected by his tribe, he is extremely traditional and values his culture. The colonists are a threat to that because they do not understand or respect the African ways, they want to change it and convert them to Christianity. Okonkwo has a need to stand up for his culture and his beliefs, he feels he has to be able to prove that he is a strong and powerful man. Okonkwo worries that if he does not protect his customs, he will be seen like his father: cowardly and feminine. He has been haunted by that fear his whole life, “It was the fear of himself, lest he should be found to resemble his father. Even as a little boy he had resented his father’s failure and weakness, and even now he still remembered how he had suffered when a playmate had told him that his father was agbala”(Achebe 12). His need to distinguish himself from his father and protect his people are what drive him to make do things like kill Ikemefuna and the messenger. Things fall apart for Okonkwo because the other villagers do not have the same passion and drive as him. The

The author’s effort to display oral literature, including expressing Ghanaian English speaking and non-English speaking society, in her work reflects her own persona as a contemporary writer resembling the African oral traditions and art work. “Shall I go to Cape Coast, or to Elmina I don’t know, I can’t tell. I don’t know, I can’t tell,” (Aidoo) Language, mainly English, is promoted to throughly capture various backgrounds and events of the play. Aidoo tries to distinguish Eulalie’s American-English speech that instantly alienates her from the rest of the characters. The author also quite succeeds in reflecting Ato’s educated language with a hint of lecturing that proves he has been indeed abroad, as oppose to his Ghanaian family. It crucially exposes the impact of colonialism on communication between Africans with distinctive educational and social situations, as for instance, the married couple’s complexed struggle to not only fully accept their cultural differences but also keep and hold onto their own identities. Aidoo also catches the inflections and outcomes of oral literature by using simple songs, traditional proverbs and imagery, such as the interesting ones in the dialogue between the two old Ghanaian women. “1st W.:But you know, my sister, That my name is Lonesome. I

In Philip Pullman’s novel, The Golden Compass, a young girl, named Lyra Belacqua lives in a parallel world in which human souls take the form of lifelong animal companions called daemons. In Lyra’s world the antagonists, a group of people known as Gobblers, have been kidnapping kids from the streets. Lyra vows to save her best friend, Roger, after she discovers that he disappears along with one of the Gyptians’ boys. She sets out with her daemon, a tribe of Gyptians, a witch, an ice bear and a Texas airman on an epic quest to rescue Roger and save her world. These two goals would eventually lead Lyra to fulfill her so-called “destiny”. Lyra lives in a world where a lot of people believe in the ideology of predestination, but destiny is an illusion of free will and foreknowledge. Her choices can influence future outcomes and ultimately change her “destiny” as long as she has some foreknowledge of her prophecy, if she doesn’t have that then she cannot make the necessary actions to avoid it.