The Lion King Chapter 1 Summary

To exemplify Erickson’s psychosocial theory which emphasizes the emergence of the self, the search for identity, the individual’s relationships with others, and the role of culture throughout life (page), I will begin with the opening of the movie which shows Simba at the infancy stage where he is developing a trusting behavior from his parents (Mufasa and Sarabi) and the Hornbill bird, Zazu, who is always reminding everyone to be cautious and careful. His parents accomplished this by providing him a safe and comfortable living environment and Sarabi made sure there was someone wiser (Zazu) to go with him when he wanted to start exploring. Mufasa taught him how to make a living and other new activities,

"The King has returned." These are the powerful words Rafiki uses when telling Nala, Timon, and Pumba that Simba has gone back to the pride lands to overthrow Scar. Before making his entrance to Pride Rock, Simba's "palace," he gains three helpers to assist him in gaining his kingdom back; Nala, Timon, and Pumba all offer their services to him. There are a few scenes in the story that can be easily compared to the Odyssey. First, Simba wants everyone to continue to think he's dead, as Odysseus did prior to his own entrance. Second, Simba uses Timon and Pumba as a form of "Trojan Horse" to distract the hyenas while he and Nala sneak in. Third, Simba tells Nala to "rally the lionesses" as a form of weapon against the hyenas which are like suitors in his palace.

Simba and Hamlet, the main protagonists of The Lion King and Hamlet, can represent both the exiled child and tragic hero archetypes. In The Lion King Simba was compelled to leave his homeland because he was led to believe he had killed his own father. In Hamlet, Hamlet was forced to leave by his uncle’s order. Likewise in The Lion King Simba’s leave was also influenced by his uncle’s action. Unlike Simba’s unawareness of his uncle’s role in his father’s death, Hamlet is fully aware of his father’s killer being his uncle. As of the beginning of Hamlet, he meets his father’s ghost who asks Hamlet for vengeance, as the ghost leaves he says “Adieu adieu Hamlet remember me”. This scene can be compared to when Simba also meets his father’s ghost, who says to Simba as he leaves “Remember who you are”. Simba’s father appears more concerned about Simba’s state of mind and convinces him to return to The Pride Lands, whereas Hamlet’s father shows little concern for Hamlet and wants to be remembered and avenged. Hamlet is older and spends less time than Simba in exile whereas Simba spends a few years exiled without a care, which is shown in the song Hakuna Matata. After his father’s influence, Simba returns. Upon both of their returns, a fight occurs. Hamlet kills his uncle and is also killed himself whereas in The Lion King Simba doesn’t actually kill scar but says to him “Run away Scar...Run. Run away and never return.” however Scar pounces on Simba and their duel begins, in the end, Simba throws Scar off a cliff leaving him to the hyenas. Hamlet and Simba both represent the exiled child and tragic by being forced to leave their homeland and to kill, fight their own uncles to save their homeland. The Lion King’s ending was altered to have almost no death to make the film

A couple minutes after Nala leaves, Simba is graced with the presence of a crazy baboon named Rafiki who tells him that his father is still alive, inside of him, and that he should follow him if he wants to see for himself. Simba follows the baboon to a pond and looks to where the monkey is pointing. Unfortunately he only sees his own reflection but Rafiki tells Simba to look harder. He then sees his father in the water, realizing what the baboon meant. Mufassa is now in the dark clouds telling Simba that he’s forgotten who he was, therefore he’s forgotten him, and this triggers Simba’s emotions making feel disappointed in himself for not going home like he should have. His father then tells him that he needs to find his place back in the circle of life and says “remember who you are. You are my son and the one true king. Remember who you are.” His voice is very deep and almost sounds like he is hurting. Then in an instant he is gone with the storm and Simba is chasing after him begging him not to go.

     The original Disney cartoon of a lion cub blamed for his father’s death has been remade into a Broadway musical acclaimed all over the world. Seen by over twenty five million people in over 15 thousand performances this intricately designed wonder has taken over 37 thousand hours just to build the puppets and masks. Julie Taymor the director and costume designer was faced with a problem of whether to create humans or animals playing the part and she decided to make masks that show the animal face, as well as, show the human face giving the character his or her personality. As for expressing other animals that are not part of the main cast or to express a certain theme, 2 different

Simba’s heroic qualities don’t just stand out when he is found by Nala begging him to return to Pride Rock to save everyone and the community, but also when he meets Pumbaa and Timon. He is learning how to survive on his own and how to be a true friend. Simba shows all characteristics of a hero throughout his journey, it begins with his separation from his family, and his choice to runaway. Simba has to deal with guilt and is tested emotionally, he has been told that he killed his father and needs

He then told the hyenas to chase the wildebeest into the stampede area that Simba was in. Which in doing so almost killed Simba and killed his father. After Simba knew his father was dead Scar told Simba it was his fault and he should run away. Simba was tricked in to believing it was his fault and ran away. This affected him because he lived half his life in shame that he killed his own father, when Scar actually killed him.

Also with these hyenas their voices capture the viewer's attention because in compression between the main loved characters, these hyenas are played by minorities, Whoopi Goldberg and Cheech Marin. When Simba, the main character, is introduced to Banzai, Ed and Shenzi you get the feeling of the background to be the “ghettoization of Blacks and Hispanics” (43) with its dark rock and gloomy touch. The hyenas in the film played the part of being scary and always trying to kill Simba, the little helpless lion. On top of that were played by the voices of an Hispanic and African American gives the intended audience, children, the idea that these types of races are not only bad in films but also in the real world. Also, any male or female lion that was

Animals travel devotedly across the African plains to witness the unveiling of the newborn prince, Simba, the cub of the esteemed Lion King, Mufasa. As he grows into an adventurous yet oftentimes reckless young lion, Simba and his best friend, and eventual mate, Nala get into mischief despite Mufasa’s attempts to teach humility, responsibility, and leadership. As Simba nears the age of assuming the throne his bitter reclusive uncle, Scar, seethes with jealousy. Plotting the deaths of his older brother and nephew, Scar stages a stampede where he murders Mufasa and scares young Simba into believing he killed his own father, forcing him to flee. Timon, a showy meerkat, and Pumba, a clueless yet companionable warthog, find Simba unconscious in

At the beginning of the movie, you can already tell that Scar has an attitude toward the king. This would show how he is and how he treats Simba throughout

Although The Lion King and Macbeth seems like two different stories. One is set in the medieval era while the other is set in postmodernity, but both displays the similarities of the character’s strategic battle for power. Scar, known as the villain in the movie, The Lion King, committed selfish acts to fulfill his distorted desires. As Simba was at the edge of the cliff, about to be murdered by Scar, Scar snarled at him, “That [is] the way your father looked before I killed him” (The Lion King). Simba leaped up from the side of the cliff, and pushed Scar to the ground demanding him to confess to his crime of killing the king, his father, Mufasa. This quote proves that Scar’s ambition leads him to do ruthless acts, wanting to kill Simba, who was next in line of the throne. These malevolent plots are what fuels the battle of evil against the good. Scar stated to his three murders, the Hyenas, “We [are] going to kill him. And Simba, too” (The Lion King). In the movie, The Lion King, shows that Scar is resentful of the king, Mufasa, and the power he retains. In this quote, he plans a plot on who he wants to kill with the three hyenas to help him finish the deed, which shows his strong ambitions. Another

Nala explains the wretched condition of the Pride Lands since Scar became King and urges Simba to return. Simba comes in contact with the wise baboon. He hesitates out of fear, and out of his rebellion he has a vision of his father that prompts him to return home. When he returns he challenges Scar and wins. He becomes King of the Pride Lands as his father had taught him he would. Nala gives birth to a cub of their own completing the circle of life.

On the other hand, in Disney's The Lion King, Simba's father is killed after he falls from a cliff into a herd of antelope. Simba falls into a deep depression after Scar twists things around and convinces Simba that he is the one responsible for Mufasa's death. Simba can not deal with what has happened and Simba exiles himself where he meets a warthog and meerkat, named Timon and Pumbaa, and develops a carefree lifestyle with them. Later on in the story, as an adult, Simba returns to the Pride Lands to reclaim the throne from Scar.

The movie The Lion King II: Simba’s Pride follows the life of Simba and Nala’s daughter Kiara. She falls in love with Kovu, a male lion from an exiled pride known as the Outsiders who was once lead by Simba’s evil uncle named Scar. Separated by Simba’s prejudice against the Outsiders, who are followers of Scar with a vindictive plot planned by Kovu’s mother Zira, Kiara and Kova struggle to overcome the two obstacles that are keeping them apart. Desperate to be together, Kiara and Kovu become the key to join both prides at peace. This paper will be focused on Kiara’s life within the movie and also examine Kiara’s process of development through Freud’s psychosexual and Erikson’s psychosocial stages, and as well as Piaget theories.

It is amazing how a seemingly educated woman that has won Oscar awards for her documentaries, could possibly be so far off base in her review of the Disney movie “The Lion King”. Margaret Lazarus has taken a movie made for the entertainment of children and turned it into something that is racist, sexist and stereotypes gender roles. She uses many personal arguments to review the movie but offers few solutions. The author is well organized but she lacks alternate points of view and does not use adequate sources. Lazarus utilizes the statement at the end of her review that “the Disney Magic entranced her children, but they and millions of other children were given hidden messages that could only do them and us harm” (118). She makes her